Acclaimed filmmaker Akira Kurosawa has been misunderstood. Despite his public perception an a perfectionist who would clash with anyone in his way, the real Kurosawa was actually a very gentle and soft-spoken director. This documentary depicts the human being Akira Kurosawa on the set of his masterpiece "Ran".
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Akira Kurosawa (黒澤 明) was a Japanese filmmaker and painter who directed thirty films in a career spanning over five decades. He is widely regarded as one of the greatest and most influential filmmakers in the history of cinema. He displayed a bold, dynamic style, strongly influenced by Western cinema yet distinct from it; he was involved with all aspects of film production. Kurosawa entered the Japanese film industry in 1936, following a brief stint as a painter. After years of working on numerous films as an assistant director and scriptwriter, he made his debut as a director during World War II with the popular action film Sanshiro Sugata (1943). After the war, the critically acclaimed Drunken Angel (1948), in which Kurosawa cast the then little-known actor Toshiro Mifune in a starring role, cemented the director's reputation as one of the most important young filmmakers in Japan. The two men would go on to collaborate on another fifteen films. Rashomon (1950), which premiered in Tokyo, became the surprise winner of the Golden Lion at the 1951 Venice Film Festival. The commercial and critical success of that film opened up Western film markets for the first time to the products of the Japanese film industry, which in turn led to international recognition for other Japanese filmmakers. Kurosawa directed approximately one film per year throughout the 1950s and early 1960s, including a number of highly regarded (and often adapted) films, such as Ikiru (1952), Seven Samurai (1954), Throne of Blood (1957), Yojimbo (1961) and High and Low (1963). After the 1960s he became much less prolific; even so, his later work—including two of his final films, Kagemusha (1980) and Ran (1985)—continued to receive great acclaim. In 1990, he accepted the Academy Award for Lifetime Achievement. Posthumously, he was named Asian of the Century in the Arts, Literature, and Culture category by AsianWeek magazine and CNN, cited there as being among the five people who most prominently contributed to the improvement of Asia in the 20th century. His career has been honored by many retrospectives, critical studies and biographies in both print and video, and by releases in many consumer media.
From Wikipedia, the free encyclopedia. Tatsuya Nakadai (仲代 達矢 Nakadai Tatsuya, born Motohisa Nakadai December 13, 1932) is a Japanese leading film actor. He became a star after he was discovered working as a Tokyo shop clerk by filmmaker Masaki Kobayashi during the early 1950s. He became the favorite leading man of internationally-acclaimed director Akira Kurosawa after a well publicized fallout between Kurosawa and the legendary Toshirō Mifune. Beginning in the late 1950s, he worked with a number of Japan's best-known filmmakers, starring or co-starring in five Kurosawa films, along with significant films made by Hiroshi Teshigahara (The Face of Another), Mikio Naruse (When a Woman Ascends the Stairs), Kihachi Okamoto (Kill! and Sword of Doom), Hideo Gosha (Goyokin), Shiro Toyoda (Portrait of Hell) and Kon Ichikawa (Enjo and Odd Obsession). Notably, his long-term collaboration with Masaki Kobayashi invites comparison to the working relationship between Akira Kurosawa and Toshirō Mifune. Nakadai was featured in 11 Kobayashi films including the The Human Condition trilogy, Harakiri, Samurai Rebellion and Kwaidan. The Thick-Walled Room marked Nakadai's acting debut. His next role was a little noticed and uncredited one in Akira Kurosawa's Seven Samurai where he appears for a few seconds as a samurai wandering about town. Description above from the Wikipedia article Tatsuya Nakadai, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Shinnosuke Ikehata (池畑 慎之介 Ikehata Shinnosuke) (born August 8, 1952, in Sakai, Osaka, Japan) is a Japanese singer, dancer, and actor who has appeared in Akira Kurosawa's Ran and Toshio Matsumoto's Funeral Parade of Roses. Ikehata also uses his stage name of Peter (ピーター Pītā) when he appears on TV variety shows and musical revues. Always seen dancing with tight shirts and pants at dancing clubs, he adopted the stage name when he was 16 after his style of dress and dance which was said to resemble Peter Pan. One of Japan's most famous gay entertainers, Peter's androgynous appearance has enabled him to often play transvestite or female characters and he often appears on stage in women's clothing (he does not identify as female, however). Description above from the Wikipedia article Peter, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Ishirō Honda (Honda Ishirō), sometimes miscredited in foreign releases as "Inoshiro Honda", (May 7, 1911, in Yamagata Prefecture – February 28, 1993) was a Japanese film director. His early film career included working as an assistant under the famed director Akira Kurosawa. Alongside his film duties, he was drafted into the Imperial Japanese Army during World War II in China and was a prisoner there when the war ended. Description above from the Wikipedia article Ishirō Honda, licensed under CC-BY-SA, full list of contributors on Wikipedia.
