Celebrating the 50th anniversary of the release of ‘Pet Sounds,' Brian Wilson and surviving members of The Beach Boys (Mike Love, Al Jardine, Bruce Johnston and David Marks) revisit the writing and recording of the landmark record that is consistently voted one of the top three influential albums of all time. Featuring exclusive interviews, classic archive and rare studio outtakes from the recording sessions.
04-07-2017
59 min
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Main Cast
Movie Details
Production Info
Directors:
Martin R. Smith, Matthew Longfellow
Production:
Eagle Rock Entertainment
Key Crew
Producer:
Martin R. Smith
Editorial Consultant:
Matthew Longfellow
Producer:
Nick De Grunwald
Locations and Languages
Country:
US; GB
Filming:
GB
Languages:
en
Main Cast
Brian Wilson
From Wikipedia, the free encyclopedia
Brian Douglas Wilson (born June 20, 1942) is an American musician, singer, songwriter, and record producer who co-founded the Beach Boys. After signing with Capitol Records in 1962, Wilson wrote or co-wrote more than two dozen Top 40 hits for the group. He originally functioned as the band's songwriter, producer, co-lead vocalist, bassist, keyboardist, and de facto leader.
Wilson is considered a major innovator in the field of music production, the principal originator of the California Sound, one of the first music producer auteurs, and the first rock producer to use the studio as its own instrument. The unusual creative control Capitol gave him over his own records effectively set a precedent that allowed other bands and artists to act as their own producers or co-producers. He was a major influence on the retrospectively-termed "sunshine pop" and Flower Power music that proceeded.
Bruce Arthur Johnston (born Benjamin Baldwin; June 27, 1942) is an American singer, musician and songwriter who is a member of the Beach Boys. He also collaborated on many records with Terry Melcher (his bandmate in Bruce & Terry, the Rip Chords, and California Music) and composed the 1975 Barry Manilow hit, "I Write the Songs".
Born in Illinois, Johnston grew up in Los Angeles and studied classical piano in his early years. While in high school, he arranged and played on his first hit record, Sandy Nelson's "Teen Beat" (1959), and also worked with musicians such as Kim Fowley and Phil Spector. One of Johnston's first gigs was as a member of the surf band the Gamblers before becoming a staff producer at Columbia Records.
In 1965, Johnston joined the Beach Boys for live performances, initially filling in for the group's co-founder Brian Wilson. Johnston's first appearance on the band's records was as a vocalist on "California Girls" (1965). He later contributed original material to the group's albums, including "The Nearest Faraway Place" on 20/20 (1969), "Tears in the Morning" and "Deirdre" on Sunflower (1970), and "Disney Girls (1957)" on Surf's Up (1971).
Johnston left the Beach Boys in 1972 and subsequently embarked on a solo career. During this time, Johnston recorded one solo album, Going Public (1977), his latest to date. In late 1978, he rejoined the Beach Boys to co-produce the group's L.A. (Light Album) (1979). Since then, he has continued to tour as a member of the band.
Born in Peoria, Illinois in 1942, he was adopted as child by William and Irene Johnston of Chicago and grew up in the wealthy Los Angeles neighborhoods of Brentwood and Bel-Air. His adoptive family is of Irish descent, with his grandparents hailing from Markethill, County Armagh. His adoptive father was president of the Owl Rexall Drug Company in Los Angeles after moving from Walgreens in Chicago.
Johnston attended the private Bel Air Town and Country School (later renamed John Thomas Dye School) and the University of California, Los Angeles. He also studied classical piano in his early years, training at Interlochen Arts Camp as a youth.
In high school, Johnston switched to contemporary music. He performed in a few "beginning" bands during this time and then moved on to working with young musicians such as Sandy Nelson, Kim Fowley, and Phil Spector. Soon, Johnston began backing people such as Ritchie Valens, the Everly Brothers, and Eddie Cochran.
In 1959, while still in high school, Johnston arranged and played on his first hit record, "Teen Beat" by Sandy Nelson. The single reached the Billboard Top Ten. The same year, Johnston made his first single under his own name, "Take This Pearl" on Arwin Records (a record label owned by Doris Day) as part of the Bruce & Jerry duo (Jerry Cooper was a high school friend of Bruce's). The teenage Hot Rod film entitled "Ghost of Dragstrip Hollow" (1959), features the song "I Promise You" by Johnston and Judy Harriet.
In 1960, Johnston started his record production career at Del-Fi Records, producing five singles and an album – Love You So – by Ron Holden (many of the album's eleven tracks were written or co-written by Johnston). ...
Source: Article "Bruce Johnston" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Michael Edward Love is an American singer, songwriter, and musician who co-founded the Beach Boys. Characterised by his nasal and sometimes baritone singing, Love has been one of the band's vocalists and lyricists for most of their career, contributing to each of their studio albums.
David Lee Marks (born August 22, 1948) is an American guitarist who was an early member of the Beach Boys. While growing up in Hawthorne, California, Marks was a neighborhood friend of the original band members and was a frequent participant at their family get-togethers. Following his departure from the group, Marks fronted the Marksmen and performed and recorded as a session musician.
Marks joined the Beach Boys in February 1962, replacing Al Jardine on rhythm guitar, and performed on the band's first four albums, Surfin' Safari (1962), Surfin' U.S.A. (1963), Surfer Girl (1963), and Little Deuce Coupe (1963). Because he did not appear on the 1961 single "Surfin'", the first performance by the band that became "the Beach Boys", most historians discount him as a true founding member of the group. In August 1963, he left the band due to personal problems with manager Murry Wilson. Afterward, Marks worked with acts including Casey Kasem's Band Without a Name, the Moon, Delaney & Bonnie, Colours, and Warren Zevon, and studied jazz and classical guitar at the Berklee College of Music and the New England Conservatory.
From 1997 to 1999, Marks returned to the Beach Boys for their live performances. In 2007, he released an autobiography, entitled The Lost Beach Boy. He briefly reunited with the group for their fiftieth-anniversary tour and the 2012 album That's Why God Made the Radio.
At age seven, David Lee Marks moved into a house across the street from the family home of the three Wilson brothers, Brian, Dennis, and Carl Wilson, later the founding members of The Beach Boys. Describing the neighborhood, Marks noted, "It was run down. There were no sidewalks. The houses were older and the Wilsons lived in a pretty small, modest two-bedroom home. The boys all shared a bedroom. When they got older, Brian started sleeping in the den more and more, which was a converted garage they had turned into a music room. They had a Hammond B-3 organ, an upright piano, and a little hi-fi in there."
As the 1950s progressed, Marks sang and played music with the Wilson family at their Sunday night singalongs. Inspired by a 1958 performance by guitarist John Maus (later of the 1960s Walker Brothers), Marks asked his parents to buy him a guitar, which they did on Christmas Eve, 1958. He began taking lessons from Maus, who had been a student of Ritchie Valens.
In 1959, Marks and Brian Wilson's youngest brother Carl began to develop their own style of playing electric guitars. Brian realized that the combination of Carl and Marks playing brought a rock guitar sound to his original compositions, and the two teenagers participated in Brian's first songwriting efforts that led to the band's 1963 hit single "Surfer Girl".
Marks was not on the Beach Boys first recording, "Surfin'" for Candix Records on October 16, 1961; that roster included Al Jardine, a high school classmate of Brian Wilson's, who had been singing and playing stand-up bass with the Wilson brothers and their cousin Mike Love. Over the next couple of months, Brian experimented with different combinations of musicians, including his mother Audree Wilson, but was not able to interest a major label. ...
Source: Article "David Marks" from Wikipedia in English, licensed under CC-BY-SA 3.0.
