home/movie/2017/harold and lillian a hollywood love story
Harold and Lillian: A Hollywood Love Story
Not Rated
Documentary
6.8/10(19 ratings)
Working largely uncredited in the Hollywood system, storyboard artist Harold and film researcher Lillian left an indelible mark on classics by Alfred Hitchcock, Steven Spielberg, Mel Brooks, Stanley Kubrick, Roman Polanski and many more.
02-01-2017
1h 36m
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Main Cast
Movie Details
Production Info
Director:
Daniel Raim
Writer:
Daniel Raim
Production:
Adama Films
Key Crew
Producer:
Daniel Raim
Producer:
Jennifer Raim
Music:
David Lebolt
Editor:
Daniel Raim
Editor:
Jennifer Raim
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Unknown Actor
Known For
Danny DeVito
Danny DeVito (born November 17, 1944) is an American actor, comedian, director, and producer. He first gained prominence for his portrayal of Louie De Palma on Taxi, for which he won a Golden Globe and an Emmy.
DeVito founded the production company Jersey Films with his wife Rhea Perlman.
Francis Ford Coppola (born April 7, 1939) is an American film director, producer and screenwriter. He is widely acclaimed as one of Hollywood's most celebrated and influential film directors. He epitomized the group of filmmakers known as the New Hollywood, which included George Lucas, Martin Scorsese, Robert Altman, Woody Allen and William Friedkin, who emerged in the early 1970s with unconventional ideas that challenged contemporary filmmaking.
He co-authored the script for Patton, winning the Academy Award in 1970. His directorial fame escalated with the release of The Godfather in 1972. The film revolutionized movie-making in the gangster genre, garnering universal laurels from critics and public alike. It went on to win three Academy Awards, including his second, which he won for Best Adapted Screenplay, and it was instrumental in cementing his position as one of the prominent American film directors. Coppola followed it with an equally successful sequel The Godfather Part II, which became the first ever sequel to win the Academy Award for Best Picture. The film received yet higher praises than its predecessor, and gave him three Academy Awards—for Best Adapted Screenplay, Best Director and Best Picture. In the same year was released The Conversation, which he directed, produced and wrote. The film went on to win the Palme d'Or at the 1974 Cannes Film Festival. His next directorial venture was Apocalypse Now in 1979, and it was as notorious for its lengthy and troubled production as it was critically acclaimed for its vivid and stark depiction of the Vietnam War. It won his second Palme d'Or at the 1979 Cannes Film Festival.
Although some of Coppola's ventures in the 1980s and early 1990s were critically lauded, Coppola's later work has not met the same level of critical and commercial success as his '70s films.
Description above from the Wikipedia article Francis Ford Coppola, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia.
Melvin Brooks (né Kaminsky, born June 28, 1926) is an American filmmaker, comedian, actor and composer. He is known as a creator of broad film farces and comic parodies. Brooks began his career as a comic and a writer for the early TV variety show Your Show of Shows. He became well known as part of the comedy duo with Carl Reiner in the comedy skit The 2000 Year Old Man. He also created, with Buck Henry, the hit television comedy series Get Smart, which ran from 1965 to 1970.
In middle age, Brooks became one of the most successful film directors of the 1970s, with many of his films being among the top 10 moneymakers of the year they were released. His best-known films include The Producers, The Twelve Chairs, Blazing Saddles, Young Frankenstein, Silent Movie, High Anxiety, History of the World, Part I, Spaceballs and Robin Hood: Men in Tights. A musical adaptation of his first film, The Producers, ran on Broadway from 2001 to 2007.
In 2001, having previously won an Emmy, a Grammy and an Oscar, he joined a small list of EGOT winners with his Tony award for The Producers. He received a Kennedy Center Honor in 2009, the Hollywood Walk of Fame in 2010, the 41st AFI Life Achievement Award in June 2013, a British Film Institute Fellowship in March 2015, a National Medal of Arts in September 2016, and a BAFTA Fellowship in February 2017. Three of his films ranked in the American Film Institute's list of the top 100 comedy films of the past 100 years (1900–2000), all of which ranked in the top 15 of the list: Blazing Saddles at number 6, The Producers at number 11, and Young Frankenstein at number 13.
Brooks was married to Oscar-winning actress Anne Bancroft from 1964 until her death in 2005.
Jim Bissell is a graduate of the University of North Carolina at Chapel Hill with a BFA in Theater. After working in New York and L.A. on commercials and low budget features, he won an Emmy Award in 1980 for his work on Palmerstown, U.S.A. followed by a BAFTA nomination for production design on Steven Spielberg's E.T. the Extra-Terrestrial. He was the original chair for the Art Directors Guild Awards as well as a former Vice President of the Guild. He has taught at AFI, USC, UCLA extension and the NC School of the Arts and is a member of the DGA, ADG, and Academy of Motion Picture Arts and Sciences.
Rick Carter is an American production designer and art director. He is known for his work in the film Forrest Gump, which earned him an Oscar nomination, as well as numerous nominations of other awards for his work in Amistad and A.I.
Sir Alfred Joseph Hitchcock, KBE (August 13, 1899 – April 29, 1980), was an English director and producer. Labeled as the "Master of Suspense", he became known for thrillers, often combined with a dark sense of humor. After a successful career in his native country, Hitchcock moved to Hollywood in 1939. Over a career spanning more than half a century, Hitchcock fashioned for himself a distinctive and recognizable directorial style. He pioneered the use of a camera made to move in a way that mimics a person's gaze, forcing viewers to engage in a form of voyeurism. He framed shots to maximize anxiety, fear, or empathy, and used innovative film editing. His stories frequently feature fugitives on the run from the law alongside icy blonde female characters. Many of Hitchcock's films have twist endings and thrilling plots featuring depictions of violence, murder, and crime, although many of the mysteries function as decoys —or MacGuffins— meant only to serve thematic elements in the film and the extremely complex psychological examinations of the characters. Hitchcock's films also borrow many themes from psychoanalysis and feature strong sexual undertones. Through his cameo appearances in his own films, interviews, film trailers, and the television program Alfred Hitchcock Presents (1955-1965), he became a cultural icon.
Hitchcock is widely regarded as one of the most influential figures in the history of cinema. In 2002, Hitchcock was ranked 2nd behind Orson Welles in the critics' top ten poll in the list of The Greatest Directors of All Time compiled by the Sight & Sound magazine. Andrew Sarris in his influential book of film criticism The American Cinema: Directors and Directions 1929–1968 included him in the "pantheon" of the 14 greatest film directors who had worked in the United States.
Hitchcock's critically most acclaimed film is the psychological thriller film Vertigo (1958). Although being a mild failure upon its release, it has risen in popularity over the decades. In 2012 it even replaced Orson Welles' Citizen Kane as the greatest film ever made in the Sight & Sound critics' poll. Regarding visual style, Vertigo is often declared as Hitchcock's most perfect film. The use of color symbolism, meticulously composed shots, and the famous "Vertigo effect" (dolly zoom) continue to be studied and admired.
Hitchcock's most commercially successful and most famous film is Psycho (1960), which had a significant impact on the horror genre, especially the slasher film. Hitchcock was able to prove his skills with the mystery thriller film Rear Window (1954), to create suspense within a confined setting - primarily the protagonist's apartment. In this film, voyeurism, one of Hitchcock's favorite subjects, is an essential aspect.
Many of Hitchcock's spy films, most notably North by Northwest (1959) and Notorious (1946), had a major impact on the Mission: Impossible and James Bond series.
