Misunderstood genius, superstar, Hollywood’s fallen angel... Orson Welles left his indelible mark on the 20th century.
THIS
HELLADoesn't have an image right now...
sorry!has no image...
sorry!
Peter Bogdanovich ComSE (July 30, 1939 – January 6, 2022) was an American director, writer, actor, producer, critic, and film historian. He started his career as a film critic for Film Culture and Esquire before becoming a prominent filmmaker as part of the New Hollywood movement. He received accolades including a BAFTA Award and Grammy Award, as well as nominations for two Academy Awards and two Golden Globe Awards. Bogdanovich worked as a film journalist until he was hired to work on Roger Corman's The Wild Angels (1966). His credited feature film debut came with Targets (1968), before his career breakthrough with the drama The Last Picture Show (1971) which earned him Academy Award nominations for Best Director and Best Adapted Screenplay, and the acclaimed films What's Up, Doc? (1972) and Paper Moon (1973). Other films include Saint Jack (1979), They All Laughed (1981), Mask (1985), Noises Off (1992), The Cat's Meow (2001), and She's Funny That Way (2014). As an actor, he was known for his roles in HBO series The Sopranos and Orson Welles's last film The Other Side of the Wind (2018), which he also helped finish. He received a Grammy Award for Best Music Film for directing the Tom Petty documentary Runnin' Down a Dream (2007). Bogdanovich directed documentaries such as Directed by John Ford (1971) and The Great Buster: A Celebration (2018). He also published numerous books, some of which include in-depth interviews with friends Howard Hawks, Alfred Hitchcock, and Orson Welles. Bogdanovich's works have been cited as important influences by many major filmmakers. Description above from the Wikipedia article Peter Bogdanovich, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Martin Charles Scorsese (born November 17, 1942) is an American film director, producer, screenwriter, and actor. One of the major figures of the New Hollywood era, he is widely regarded as one of the greatest and most influential directors in film history. Scorsese's body of work explores themes such as Italian-American identity, Catholic concepts of guilt and redemption, faith, machismo, nihilism, crime and sectarianism. Many of his films are known for their depiction of violence and the liberal use of profanity. Scorsese has also dedicated his life to film preservation and film restoration by founding the nonprofit organization The Film Foundation in 1990, as well as the World Cinema Foundation in 2007 and the African Film Heritage Project in 2017. Scorsese studied at New York University (NYU), where he received a bachelor's degree in English literature in 1964, and received a master's degree in fine arts in film from NYU's Tisch School of the Arts in 1968. In 1967 Scorsese's first feature film Who's That Knocking at My Door was released and was accepted into the Chicago Film Festival, where critic Roger Ebert saw it and called it "a marvelous evocation of American city life, announcing the arrival of an important new director". He has established a filmmaking history involving repeat collaborations with actors and film technicians, including nine films made with Robert De Niro. His films with De Niro are the psychological thriller Taxi Driver (1976), the biographical sports drama Raging Bull (1980), the satirical black comedy The King of Comedy (1982), the musical drama New York, New York (1977), the psychological thriller Cape Fear (1991), and the crime films Mean Streets (1973), Goodfellas (1990), Casino (1995) and The Irishman (2019). Scorsese has also been noted for his collaborations with actor Leonardo DiCaprio, having directed him in five films: the historical epic Gangs of New York (2002), the Howard Hughes biography The Aviator (2004), the crime thriller The Departed (2006), the psychological thriller Shutter Island (2010), and the Wall Street black comedy The Wolf of Wall Street (2013). The Departed won Scorsese an Academy Award for Best Director, and for Best Picture. Scorsese is also known for his long-time collaboration with film editor Thelma Schoonmaker, who has edited every Scorsese film beginning with Raging Bull. Scorsese's other film work includes the black comedy After Hours (1985), the romantic drama The Age of Innocence (1993), the children's adventure drama Hugo (2011), and the religious epics The Last Temptation of Christ (1988), Kundun (1997) and Silence (2016).
From Wikipedia, the free encyclopedia. Henry Jaglom is a London-born American film director and playwright. Jaglom was born to a Jewish family in London, England, the son of Marie (née Stadthagen) and Simon M. Jaglom, who worked in the import-export business. His father was from a wealthy family from Russia and his mother was from Germany. They left for England because of the Nazi regime. Through his mother, he is a descendant of philosopher Moses Mendelssohn. Jaglom trained with Lee Strasberg at the Actors Studio in New York, where he acted, wrote and directed off-Broadway theater and cabaret before settling in Hollywood in the late 1960s. Under contract to Columbia Pictures, Jaglom featured in such TV series as Gidget and The Flying Nun and acted in a number of films which included Boris Sagal's The Thousand Plane Raid (1969), Jack Nicholson's Drive, He Said (1971), Dennis Hopper's The Last Movie (1971), Orson Welles' never-completed The Other Side of the Wind and more. Jaglom's transition from acting in films to creating them was largely influenced by his experience watching the Italian film 8½ (1963). “The film changed my identity. I realized that what I wanted to do was make films. Not only that, but I realized what I wanted to make films about: my own life, to some extent.” Jaglom began his filmmaking career working with Nicholson on the editing of Hopper's Easy Rider (1969), and made his writing/directing debut with A Safe Place (1971), starring Tuesday Weld, Nicholson and Welles. His next film, Tracks (1976), starred Hopper and was one of the earliest movies to explore the psychological cost on America of the Vietnam War. His third film, the first to be a commercial success, was Sitting Ducks (1980), a comic romp. Jaglom co-starred in four of his most personal films—Always, But Not Forever (1985), Someone to Love (1987) starring Orson Welles in his farewell film performance, New Year's Day (1989), which introduced David Duchovny, and Venice/Venice (1992) opposite French star Nelly Alard. In 1983, Jaglom taped lunch conversations with Orson Welles at Los Angeles's Ma Maison. Edited transcripts of these sessions appear in Peter Biskind's book My Lunches With Orson: Conversations Between Henry Jaglom and Orson Welles (2013). As a playwright, has written four plays that have been successfully performed on Los Angeles stages: The Waiting Room (1974), A Safe Place (2003), Always—But Not Forever (2007) and Just 45 Minutes from Broadway (2009/2010). Jaglom is the subject of the Henry Alex Rubin's and Jeremy Workman's documentary Who Is Henry Jaglom? (1997). Description above from the Wikipedia article Henry Jaglom, licensed under CC-BY-SA, full list of contributors on Wikipedia.
George Orson Welles (May 6, 1915 – October 10, 1985), best known as Orson Welles, was an American film director, actor, theatre director, screenwriter, and producer, who worked extensively in film, theatre, television and radio. Noted for his innovative dramatic productions as well as his distinctive voice and personality, Welles is widely acknowledged as one of the most accomplished dramatic artists of the twentieth century, especially for his significant and influential early work—despite his notoriously contentious relationship with Hollywood. His distinctive directorial style featured layered, nonlinear narrative forms, innovative uses of lighting such as chiaroscuro, unique camera angles, sound techniques borrowed from radio, deep focus shots, and long takes. Welles's long career in film is noted for his struggle for artistic control in the face of pressure from studios. Many of his films were heavily edited and others left unreleased. He has been praised as a major creative force and as "the ultimate auteur." After directing a number of high-profile theatrical productions in his early twenties, including an innovative adaptation of Macbeth and The Cradle Will Rock, Welles found national and international fame as the director and narrator of a 1938 radio adaptation of H. G. Wells's novel The War of the Worlds performed for the radio drama anthology series Mercury Theatre on the Air. It was reported to have caused widespread panic when listeners thought that an invasion by extraterrestrial beings was occurring. Although these reports of panic were mostly false and overstated, they rocketed Welles to instant notoriety. Citizen Kane (1941), his first film with RKO, in which he starred in the role of Charles Foster Kane, is often considered the greatest film ever made. Several of his other films, including The Magnificent Ambersons (1942), The Lady from Shanghai (1947), Touch of Evil (1958), Chimes at Midnight (1965), and F for Fake (1974), are also widely considered to be masterpieces. In 2002, he was voted the greatest film director of all time in two separate British Film Institute polls among directors and critics, and a wide survey of critical consensus, best-of lists, and historical retrospectives calls him the most acclaimed director of all time. Andrew Sarris in his influential book of film criticism The American Cinema: Directors and Directions 1929–1968 included him in the "pantheon" of the 14 greatest film directors who had worked in the United States. Well known for his baritone voice, Welles was also an extremely well regarded actor and was voted number 16 in AFI's 100 Years... 100 Stars list of the greatest American film actors of all time. He was also a celebrated Shakespearean stage actor and an accomplished magician, starring in troop variety shows in the war years.
