With exclusive access to his extraordinary unseen and unheard personal archive including hundreds of hours of audio recorded over the course of his life, this is the definitive Marlon Brando cinema documentary. Charting his exceptional career as an actor and his extraordinary life away from the stage and screen with Brando himself as your guide, the film will fully explore the complexities of the man by telling the story uniquely from Marlon's perspective, entirely in his own voice. No talking heads, no interviewees, just Brando on Brando and life.
07-29-2015
1h 43m
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Main Cast
Movie Details
Production Info
Director:
Stevan Riley
Writers:
Peter Ettedgui, Stevan Riley
Production:
Passion Pictures, Cutler Productions
Key Crew
Editor:
Stevan Riley
Production Design:
Kristian Milsted
Producer:
John Battsek
Producer:
George Chignell
Producer:
R. J. Cutler
Locations and Languages
Country:
US; GB
Filming:
GB
Languages:
en
Main Cast
Marlon Brando
Marlon Brando Jr. (April 3, 1924 – July 1, 2004) was an American actor. Considered one of the most influential actors of the 20th century, he received numerous accolades throughout his career which spanned six decades, including two Academy Awards, two Golden Globe Awards, and three British Academy Film Awards. Brando was also an activist for many causes, notably the civil rights movement and various Native American movements. Having studied with Stella Adler in the 1940s, he is credited with being one of the first actors to bring the Stanislavski system of acting and method acting, derived from the Stanislavski system, to mainstream audiences.
He initially gained acclaim and his first Academy Award nomination for Best Actor in a Leading Role for reprising the role of Stanley Kowalski in the 1951 film adaptation of Tennessee Williams' play A Streetcar Named Desire, a role that he originated successfully on Broadway. He received further praise, and a first Academy Award and Golden Globe Award, for his performance as Terry Malloy in On the Waterfront, and his portrayal of the rebellious motorcycle gang leader Johnny Strabler in The Wild One proved to be a lasting image in popular culture. Brando received Academy Award nominations for playing Emiliano Zapata in Viva Zapata! (1952); Mark Antony in Joseph L. Mankiewicz's 1953 film adaptation of Shakespeare's Julius Caesar; and Air Force Major Lloyd Gruver in Sayonara (1957), an adaptation of James A. Michener's 1954 novel.
The 1960s saw Brando's career take a commercial and critical downturn. He directed and starred in the cult western One-Eyed Jacks, a critical and commercial flop, after which he delivered a series of notable box-office failures, beginning with Mutiny on the Bounty (1962). After ten years of underachieving, he agreed to do a screen test as Vito Corleone in Francis Ford Coppola's The Godfather (1972). He got the part and subsequently won his second Academy Award and Golden Globe Award in a performance critics consider among his greatest. He declined the Academy Award due to alleged mistreatment and misportrayal of Native Americans by Hollywood. The Godfather was one of the most commercially successful films of all time, and alongside his Oscar-nominated performance in Last Tango in Paris (1972), Brando reestablished himself in the ranks of top box-office stars.
After a hiatus in the early 1970s, Brando was generally content with being a highly paid character actor in supporting roles, such as Jor-El in Superman (1978), as Colonel Kurtz in Apocalypse Now (1979), and Adam Steiffel in The Formula (1980), before taking a nine-year break from film. According to the Guinness Book of World Records, Brando was paid a record $3.7 million ($16 million in inflation-adjusted dollars) and 11.75% of the gross profits for 13 days' work on Superman.
Brando was ranked by the American Film Institute as the fourth-greatest movie star among male movie stars whose screen debuts occurred in or before 1950. He was one of only six actors named in 1999 by Time magazine in its list of the 100 Most Important People of the Century. In this list, Time also designated Brando as the "Actor of the Century".
Ruth Elizabeth "Bette" Davis (April 5, 1908 – October 6, 1989) was an American actress of film, television and theater. Noted for her willingness to play unsympathetic characters, she was highly regarded for her performances in a range of film genres; from contemporary crime melodramas to historical and period films and occasional comedies, though her greatest successes were her roles in romantic dramas.
After appearing in Broadway plays, Davis moved to Hollywood in 1930, but her early films for Universal Studios were unsuccessful. She joined Warner Bros. in 1932 and established her career with several critically acclaimed performances. In 1937, she attempted to free herself from her contract and although she lost a well-publicized legal case, it marked the beginning of the most successful period of her career. Until the late 1940s, she was one of American cinema's most celebrated leading ladies, known for her forceful and intense style. Davis gained a reputation as a perfectionist who could be highly combative, and confrontations with studio executives, film directors and costars were often reported. Her forthright manner, clipped vocal style and ubiquitous cigarette contributed to a public persona which has often been imitated and satirized.
Davis was the co-founder of the Hollywood Canteen, and was the first female president of the Academy of Motion Picture Arts and Sciences. She won the Academy Award for Best Actress twice, was the first person to accrue 10 Academy Award nominations for acting, and was the first woman to receive a Lifetime Achievement Award from the American Film Institute. Her career went through several periods of eclipse, and she admitted that her success had often been at the expense of her personal relationships. Married four times, she was once widowed and thrice divorced, and raised her children as a single parent. Her final years were marred by a long period of ill health, but she continued acting until shortly before her death from breast cancer, with more than 100 films, television and theater roles to her credit. In 1999, Davis was placed second, after Katharine Hepburn, on the American Film Institute's list of the greatest female stars of all time.
Edward Montgomery “Monty” Clift (October 17, 1920 - July 23, 1966) was an American actor of the Golden Age, known for often playing sensitive or conflicted outcast characters with realistic emotional depth and anxieties.
Clift, Marlon Brando and James Dean are the trio typically associated with the new wave of film acting, with Clift being the oldest and first to make his stage and screen debuts. Starting at age 14, he was a breakout talent on Broadway throughout 1935-1945. He finally accepted one of many Hollywood offers: starring in the Western “Red River” which was filmed in 1946 but delayed release for 2 years. Fred Zinnemann’s “The Search” preceded “Red River” as his first film in 1948 and first Academy Award nomination. Clift’s next major films were “The Heiress” (1949) and “A Place in the Sun” (1951), cementing his romantic lead status. At the time, audiences had rarely seen a type of masculinity softened with Clift’s vulnerability. Hollywood had also never seen a young actor control his career and instant stardom the way Clift did in the late 1940’s: notoriously selective, refusing the standard seven-year studio contracts and rewriting scripts to preserve his artistic freedom. In 1953, Zinnemann again directed Clift to an Academy Award nomination in war drama “From Here to Eternity.”
After suffering a near-fatal car accident during “Raintree County” (1957) he starred in acclaimed 1960’s films "Wild River,” "The Misfits” and “Judgment at Nuremberg” for which he earned a fourth and final Academy Award nomination for his 12-minute scene. Despite a 4-year hiatus and mounting health problems, Clift was eager to make a comeback in "Reflections in a Golden Eye,” secured by the insurance and insistence of co-star Elizabeth Taylor, but he tragically died of a heart attack at the age of 45 just weeks before shooting began.
From Wikipedia, the free encyclopedia
Anna Kashfi (born September 30, 1934) is a former film actress, who had a brief Hollywood career in the 1950s and is best known for having been married to Marlon Brando.
Description above from the Wikipedia article Anna Kashfi, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Richard Alva Cavett (/ˈkævɪt/; born November 19, 1936) is an American television personality and former talk show host. He appeared regularly on nationally broadcast television in the United States for five decades, from the 1960s through the 2000s.
In later years, Cavett has written an online column for The New York Times, promoted DVDs of his former shows as well as a book of his Times columns, and hosted replays of his TV interviews with Bette Davis, Lucille Ball, Salvador Dalí, Lee Marvin, Groucho Marx, Katharine Hepburn, Judy Garland, Marlon Brando, Orson Welles, Woody Allen, Ingmar Bergman, Jean-Luc Godard, Robert Mitchum, John Lennon, George Harrison, Jimi Hendrix, Richard Burton, Sophia Loren, Marcello Mastroianni, Kirk Douglas and others on Turner Classic Movies.
From Wikipedia, the free encyclopedia
Francis Ford Coppola (born April 7, 1939) is an American film director, producer and screenwriter. He is widely acclaimed as one of Hollywood's most celebrated and influential film directors. He epitomized the group of filmmakers known as the New Hollywood, which included George Lucas, Martin Scorsese, Robert Altman, Woody Allen and William Friedkin, who emerged in the early 1970s with unconventional ideas that challenged contemporary filmmaking.
He co-authored the script for Patton, winning the Academy Award in 1970. His directorial fame escalated with the release of The Godfather in 1972. The film revolutionized movie-making in the gangster genre, garnering universal laurels from critics and public alike. It went on to win three Academy Awards, including his second, which he won for Best Adapted Screenplay, and it was instrumental in cementing his position as one of the prominent American film directors. Coppola followed it with an equally successful sequel The Godfather Part II, which became the first ever sequel to win the Academy Award for Best Picture. The film received yet higher praises than its predecessor, and gave him three Academy Awards—for Best Adapted Screenplay, Best Director and Best Picture. In the same year was released The Conversation, which he directed, produced and wrote. The film went on to win the Palme d'Or at the 1974 Cannes Film Festival. His next directorial venture was Apocalypse Now in 1979, and it was as notorious for its lengthy and troubled production as it was critically acclaimed for its vivid and stark depiction of the Vietnam War. It won his second Palme d'Or at the 1979 Cannes Film Festival.
Although some of Coppola's ventures in the 1980s and early 1990s were critically lauded, Coppola's later work has not met the same level of critical and commercial success as his '70s films.
Description above from the Wikipedia article Francis Ford Coppola, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Konstantin Sergeievich Stanislavski was a seminal Russian theater practitioner. He was widely recognized as an outstanding character actor and the many productions that he directed garnered a reputation as one of the leading theater directors of his generation.
