Filmmaker José Luis Guerin documents his experience during a year of traveling as a guest of film festivals to present his previous film. What emerges is a wonderfully humane and sincere portrayal of the people that he meets when he goes off the beaten track in some of the world's major cities.
03-25-2011
2h 6m
THIS
HELLA
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Main Cast
Movie Details
Production Info
Production:
Versus Entertainment, Roxbury Pictures
Locations and Languages
Country:
US
Filming:
ES
Languages:
en
Main Cast
Unknown Actor
Known For
Jonas Mekas
Jonas Mekas was born in 1922 in the farming village of Semeniškiai, Lithuania. In 1944, he and his brother Adolfas were taken by the Nazis to a forced labor camp in Elmshorn, Germany. After the War he studied philosophy at the University of Mainz. At the end of 1949 the UN Refugee Organization brought both brothers to New York City, where they settled down in Williamsburg, Brooklyn.
Two months after his arrival in New York he borrowed money to buy his first Bolex camera and began to record brief moments of his life. He soon got deeply involved in the American Avant-Garde film movement. In 1954, together with his brother, he started Film Culture magazine, which soon became the most important film publication in the US. In 1958 he began his legendary Movie Journal column in the Village Voice. In 1962 he founded the Film-Makers' Cooperative, and in 1964 the Film-Makers' Cinematheque, which eventually grew into Anthology Film Archives, one of the world's largest and most important repositories of avant-garde cinema, and a screening venue.
During all this time he continued writing poetry and making films. To this date he has published more than 20 books of prose and poetry, which have been translated into over a dozen languages. His Lithuanian poetry is now part of Lithuanian classic literature and his films can be found in leading museums around the world. He is largely credited for developing the diaristic forms of cinema. Mekas has also been active as an academic, teaching at the New School for Social Research, the International Center for Photography, Cooper Union, New York University, and MIT.
Mekas' film The Brig was awarded the Grand Prize at the Venice Film Festival in 1963. Other films include Walden (1969), Reminiscences of a Journey to Lithuania (1972), Lost Lost Lost (1975), Scenes from the Life of Andy Warhol (1990), Scenes from the Life of George Maciunas (1992), As I was Moving Ahead I saw Brief Glimpses of Beauty (2000), Letter from Greenpoint (2005), Sleepless Nights Stories (2011) and Out-takes from the Life of a Happy Man. In 2007, he completed a series of 365 short films released on the internet -- one film every day -- and since then has continued to share new work on his website.
Since 2000, Mekas has expanded his work into the area of film installations, exhibiting at the Serpentine Gallery, the Centre Pompidou, Musée d'Art moderne de la Ville de Paris, the Moderna Museet (Stockholm), PS1 Contemporary Art Center MoMA, Documenta of Kassel, the Museum Ludwig in Cologne, the State Hermitage Museum in St. Petersburg, and the Venice Biennale.
Chantal Anne Akerman (June 6, 1950 – October 5, 2015) was a Belgian film director, artist and professor of film at the City College of New York. Her best-known film is Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975).
Despite being categorised as such by others, Akerman frequently distanced herself from the feminist label, explaining, "when people say there is a feminist film language, it is like saying there is only one way for women to express themselves". Instead, Akerman acknowledged that her cinematic approach took inspiration from the writings of Gilles Deleuze and Felix Guattari, as well as from filmmakers Michael Snow and Jean-Luc Godard.
Many directors have cited Akerman's directorial style as an influence on their work. Kelly Reichardt, Gus Van Sant, and Sofia Coppola have noted their exploration of filming in real time as a tribute to Akerman.
Spike Lee (born March 20, 1957) is an American filmmaker and actor. He was born Shelton Lee in Atlanta, Georgia. At a very young age, he moved from pre-civil rights Georgia, to Brooklyn, New York. His father was a jazz musician, and his mother, a school teacher. His mother dubbed him Spike, due to his tough nature.
He attended school in Morehouse College in Atlanta and developed his film making skills at Clark Atlanta University. After graduating, he went to the Tisch School of Arts graduate film program. He made a controversial short, The Answer (1980), a reworking of D.W. Griffith's The Birth of a Nation (1915) -- a ten-minute film. Lee went on to produce a 45-minute film Joe's Bed-Stuy Barbershop: We Cut Heads (1983), which won a student academy award. Lee's next film, "The Messenger," in 1984, was somewhat biographical. In 1986, Spike Lee made the film, She's Gotta Have It (1986), a comedy about sexual relationships. The movie was made for 175,000 dollars, and made seven million. Since then, Lee has become a well-known, intelligent, and talented film maker. His next movie was School Daze (1988), which was set in a historically black school and focused mostly on the conflict between the school and the Fraternities, of which he was a strong critic, portraying them as materialistic, irresponsible, and uncaring.
Lee went on to do his landmark film, Do the Right Thing (1989), a movie specifically about his own town in Brooklyn, New York. The movie garnered an Oscar nomination, for Danny Aiello, for supporting actor. It also sparked a debate on racial relations. Lee went on to produce the jazz biopic Mo' Better Blues (1990) which showed his talent for directing and acting, and was the first of many Spike Lee films to feature Denzel Washington. His next film, Jungle Fever (1991), was about interracial dating. Lee's handling of the subject proved yet again highly controversial. Lee's next film was the self-titled biography of Malcolm X (1992), which had Denzel Washington portraying the civil rights leader. The movie was a success, and resulted in an Oscar nomination for Washington. His next films were the comparatively light, Crooklyn (1994), and the intense crime drama, Clockers (1995). In 1996, Lee directed two movies: the badly received comedy, Girl 6 (1996), and the politically pointed, Get on the Bus (1996), about a group of men going to the Million Man March. His next film, He Got Game (1998), proved to be another excursion into the collegiate world as he shows the darker side of recruiting college athletes. The movie, in limited release, yet again featured Denzel Washington. In 2000 came Bamboozled which made a mockery out of television and the way African-Americans are perceived by white America and the way African-Americans perceive themselves. The movie, however, was a resounding critical success. Lee also has produced films like New Jersey Drive (1995), Tales from the Hood (1995), and Drop Squad (1994). He also has produced and or directed movies about Huey P. Newton, Jim Brown, and has commented in many documentaries about varied subjects. Lee is an obsessive New York Knicks fan. He and his wife, Tonya Lewis Lee, have two children.
Abbas Kiarostami was a director and scriptwriter who was born in 1940 in Tehran, Iran. He was a famous director and scriptwriter in Iran and across the world. His first movies were “The Bread and Alley”, “Breaktime” and “The Traveler”. He was also interested in photography, music, and painting. He has won a lot of awards such as Golden Palm for “Taste of Cherry” from Cannes Film Festival, the Crystal Simorgh of Jury for “Close-Up”. His other notable work include his ‘Koker trilogy’, and the films “Like Someone in Love” and “Certified Copy.”
Manoel de Oliveira was born in Porto, Portugal on December 11, 1908, to Francisco José de Oliveira and Cândida Ferreira Pinto. His family were wealthy industrialists. Oliveira attended school in Galicia, Spain and his goal as a teenager was to become an actor. He enrolled in Italian film-maker Rino Lupo's acting school at age 20, but later changed his mind when he saw Walther Ruttmann's documentary Berlin: Symphony of a City. This prompted him to direct his first film, also a documentary, titledDouro, Faina Fluvial (1931). He also acted in the second Portuguese sound film, A Canção de Lisboa (1933). His first feature film came much later, in 1942. Aniki-Bóbó, a portrait of Oporto's street children, was a commercial failure when it opened, and its merit only came to be recognised over time. This drawback forced Oliveira to abandon other film projects he was involved in, and to dedicate himself to running his family vineyard. He re-emerged onto the film scene in 1956 with The Artist and the City, a work that marked a turning point in Oliveira's conception of the cinema. In 1963, O Acto de Primavera (The Rite of Spring), a documentary depicting an annual passion play, marked a turning point for his career. This was shortly followed by A caça (The Hunt), a grim feature film that contrasted with the happy tones of his previous documentary. Despite the widespread acclaim garnered by both films, he would not return to the director's seat until the 1970s. Since 1990 (when he turned 82), he has made at least one film each year. Oliveira has said that he direct movies for the sheer pleasure of doing it, regardless of critical reaction. He maintains a quiet life away from the spotlights, despite multiple honours such as those of the Cannes, Venice and Montreal film festivals. He has been awarded two Career Golden Lions in 1985 and 2004 and a golden palm for his lifetime achievements in 2008.
