Documentary that traces the tangled rights to Ian Fleming's "Casino Royale," the first James Bond story, which took over a half century to reach the screen in recognizable form.
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Michael Gregg Wilson, OBE (born January 21, 1943) is the producer and screenwriter of many of the James Bond films. Wilson was born in New York City, the son of Dana (née Natol) and actor Lewis Wilson. His father was the first actor to play the DC Comics character Batman in live action, which he did in the 1943 film serial Batman. He is the stepson of the late James Bond producer Albert R. Broccoli and step brother to Bond co-producer, Barbara Broccoli. Wilson graduated from Harvey Mudd College in 1963 as an electrical engineer. He later studied law at Stanford. After graduating, Wilson worked for the United States government and later a firm located in Washington D.C. that specialized in international law.\n He was made an Officer of the Order of the British Empire (OBE) in the 2008 New Year Honours, alongside Barbara Broccoli.\n In 2010 Wilson was given The Royal Photographic Society's award for Outstanding Service to Photography, which carries with it an Honorary Fellowship of The Society.\n In 1972, Wilson joined Eon Productions, the production company responsible for the James Bond film series dating back to 1962 that began with his stepfather Albert R. 'Cubby' Broccoli and Harry Saltzman. Wilson specifically worked in Eon Productions' legal department until taking a more active role as an assistant to Cubby Broccoli for the film The Spy Who Loved Me (1977). In 1979 Wilson became executive producer of the film Moonraker and since has been an executive producer or producer in every James Bond film, currently co-producing with his half-sister Barbara.\n Wilson collaborated five times with veteran Bond screenwriter Richard Maibaum starting in 1981 with For Your Eyes Only. In 1989 Michael G. Wilson was forced to finish the screenplay to Licence to Kill alone due to a strike by the Writers Guild of America, west which prevented Maibaum from having any further involvement. For both, this was their final James Bond script, as Maibaum died in 1991 and Wilson ceased writing, although he outlined a never-produced film in the series with Alfonse Ruggiero, scrapped due to internal legal wranglings between Eon Productions and MGM (the following film, GoldenEye being a completely different story written by Michael France). In addition to his production duties, Wilson has also made many cameo appearances (speaking and non-speaking) in the Bond films. His first appearance, long before becoming a producer, was in Goldfinger in which he appeared as a soldier. Wilson has made cameo appearances in every Eon-produced Bond film since 1977.
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She is one of the entertainment industry's most successful female producers. Barbara Broccoli was born to legendary filmmaker Albert R. Broccoli, affectionately known as Cubby, and Dana Broccoli on June 18, 1960. Ms. Broccoli grew up in the behind-the-scenes world of James Bond, traveling with her family around the world to various exotic locations.
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Linda Christian (born November 13, 1923) is a Mexican movie actress, who filmed films in Mexican cinema and in Hollywood, her career reached its peak in the 1940s and 1950s. She played Mara in the last Johnny Weissmuller Tarzan film Tarzan and The Mermaids (1948). She is also noted for being the first Bond girl, appearing in a 1954 TV adaptation of the James Bond novel Casino Royale. In 1963 she starred in an episode of The Alfred Hitchcock Hour, "An Out for Oscar". Description above from the Wikipedia article Linda Christian, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Lorenzo Semple Jr. was an American film and television screenwriter, best known for his work on the television series "Batman" and the feature films "The Parallax View", "Papillon", and "Three Days of the Condor".
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Neal Purvis (born 9 September 1961) is a screenwriter best known for co-writing the last four James Bond films with his long-time collaborator Robert Wade.
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Haggis began to work as a writer for television programs, including The Love Boat, One Day at a Time, Diff'rent Strokes, and The Facts of Life. With The Facts of Life, Haggis also gained his first credit as producer. During the 1980s and 1990s, Haggis wrote for television series including thirtysomething, The Tracey Ullman Show, FM, Due South, L.A. Law, and EZ Streets. He helped to create the television series Walker, Texas Ranger; Family Law; and Due South. Haggis served as executive producer of the series Michael Hayes and Family Law. He gained recognition in the film industry for his work on the 2004 film Million Dollar Baby, which Allmovie described as a "serious milestone" for the writer/producer, and as "his first high-profile foray into feature film". Haggis had read two stories written by Jerry Boyd, a boxing trainer who wrote under the name of F.X. Toole. Haggis later acquired the rights to the stories, and developed them into the screenplay for Million Dollar Baby. Clint Eastwood portrayed the lead character in the film. Eastwood also directed the film, and used the screenplay written by Haggis. Million Dollar Baby received four Academy Awards including the Academy Award for Best Picture. After Million Dollar Baby, Haggis worked on the 2004 film Crash. Haggis came up with the story for the film on his own, and then wrote and directed the film, which allowed him greater control over his work. Crash was his first experience as director of a major feature film. Highly positive upon release, critical reception of Crash has since polarized, although Roger Ebert called it the best film of 2005. Crash received Academy Award nominations for Best Picture and Best Director, in addition to four other Academy Award nominations. Haggis received two Academy Awards for the film: Best Picture (as its producer), and Best Writing for his work on the screenplay. With Million Dollar Baby and then Crash, Haggis became the first individual to have written Best Picture Oscar-winners in two consecutive years. Haggis said that he wrote Crash to "bust liberals", arguing that his fellow liberals were not honest with themselves about the nature of race and racism because they believed that most racial problems had already been resolved in American society.
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Martin Campbell knows how to entertain an audience when he steps behind the camera. When he directed The Mask of Zorro (1998), the movie earned Academy Award and Golden Globe nominations and launched the international careers of Antonio Banderas and Catherine Zeta-Jones. Next, when he helmed Vertical Limit (2000), the film was well received by the critics and earned over $200 million in worldwide box-office sales. In addition, Campbell is credited with rejuvenating the James Bond franchise when he directed GoldenEye (1995), Pierce Brosnan's first outing as the famed British spy, which went on to gross more than $350 million. He also directed Daniel Craig's debut Bond feature as well, Casino Royale (2006). Born in New Zealand, Campbell moved to London where he began his career as a cameraman. He went on to produce the controversial British feature Scum (1979), as well as Black Joy (1977), which was selected for competition at the Cannes Film Festival. Campbell made his directorial debut on the British police action series The Professionals (1977) and continued with the popular BBC series Shoestring (1979) and Thames TV's Minder (1979) Considered one of the U.K.'s top directors by the mid-'80s, he directed the highly praised British telefilm, Reilly: Ace of Spies (1983). For his work on Edge of Darkness (1985), a five-hour BBC miniseries about nuclear contamination in England that depicted murder and high-ranking corruption, he won six BAFTA awards. Campbell's first Hollywood movie was Criminal Law (1998) and he went on to direct Defenseless (1991) and No Escape (1994). Some of his American credits include directing HBO's Cast a Deadly Spell (1991) and two episodes of NBC's Homicide: Life on the Street (1993), among others. He also directed the epic romance Beyond Borders (2003) starring Angelina Jolie and Clive Owen.
