A 2hr concert shot at the Knitting Factory in Hollywood in 2006. A truly unique musical event/biopic from the Grammy Award winning producer and musician.
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William Henry Marcus Miller Jr., more commonly known as Marcus Miller, is a multi-instrumentalist, producer and composer, but is best known for playing the bass guitar. Born June 14, 1959, in Brooklyn, New York, he grew up in a family of musicians, specifically his father William Miller, a church organist, and his cousin, jazz pianist Wynton Kelly. Miller plays guitar, saxophone, bass, keyboards, clarinet, and the recorder. Starting in 1975, he performed as a session musician for 15 years, eventually playing the bass on over 500 recordings. He also currently records and tours as a bandleader.
From Wikipedia, the free encyclopedia. Herbert Jeffrey Hancock (born April 12, 1940) is an American pianist, bandleader and composer. As part of Miles Davis's "second great quintet", Hancock helped redefine the role of a jazz rhythm section, and was one of the primary architects of the "post-bop" sound. He was one of the first jazz musicians to embrace synthesizers and funk. Hancock's music is often melodic and accessible; he has had many songs "cross over" and achieved success among pop audiences. His music embraces elements of funk and soul while adopting freer stylistic elements from jazz. In his jazz improvisation, he possesses a unique creative blend of jazz, blues, and modern classical music, with harmonic stylings much like the styles of Claude Debussy and Maurice Ravel. Hancock's best-known solo works include "Cantaloupe Island", "Watermelon Man" (later performed by dozens of musicians, including bandleader Mongo Santamaría), "Maiden Voyage", "Chameleon", and the singles "I Thought It Was You" and "Rockit". His 2007 tribute album River: The Joni Letters won the 2008 Grammy Award for Album of the Year, only the second jazz album ever to win the award after Getz/Gilberto in 1965. As a member of Soka Gakkai, Hancock is an adherent of the Nichiren school of Mahayana Buddhism. Description above from the Wikipedia article Herbie Hancock, licensed under CC-BY-SA, full list of contributors on Wikipedia
Designated the "heartbeat" of R&B during the 1980s and 1990s, Luther Vandross led a productive singing and song writing life. At age 30, he finally recorded his first solo album with the No. 1 R&B and "Top 20" pop chart maker, "Never Too Much". He continued steadily with such albums as "Forever, for Always, for Love" in 1982 and "Give Me the Reasons" (1986), but it wasn't until 1989 that he had his first "Top 10" single with "Here and Now" (No. 6), which finally placed him securely on the love song pedestal. Such other No. 1 R&B singles would include "Stop to Love", "There's Nothing Better than Love" and "Any Love". The 1990s seemed, career-wise, stronger than ever again with a Top 40 hit duetting with Mariah Carey in 1994 on "My Endless Love" and the release of his No. 1 R&B signature version of "Always and Forever" (1994). On camera film and TV acting appearances include a cameo in Robert Townsend's motion picture The Meteor Man (1993) and episodes of "Beverly HIlls 90210 (as himself) and "Touched by an Angel." A documentary, Luther Vandross: Always and Forever (1994), is also available. Throughout his career, Luther continued to write and produce for other artists including Whitney Houston, Dionne Warwick, Teddy Pendergrass, Cheryl Lynn and Aretha Franklin. Following his massive April 2003 stroke, he made a phantom return to the spotlight with the release of his 2003 CD "Dance With My Father", which was recorded prior to his illness. At the awards show, the absent Luther was rewarded with four Grammys, including song of the year. The success also gave him his first No. 1 album on the pop chart and four NAACP Image Awards. The beloved 54-year-old musician died at JFK Medical Centre in Edison, New Jersey, of his lingering complications and was survived by his Evangelist mother, Mary Ida Vandross, who was instrumental in promoting her son's last work to Grammy glory following his severe debilitation.
