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Billy Barty (born William John Bertanzetti, October 25, 1924 – December 23, 2000) was an American actor and activist. In adult life, he stood 3 feet, 9 inches (1.14 m) tall, due to cartilage–hair hypoplasia dwarfism, and because of his short stature he was often cast in movies opposite taller performers for comic effect. He specialized in outspoken or wisecracking characters. During the 1950s, he became a television star, appearing regularly in the Spike Jones ensemble.
Rose Joan Blondell (August 30, 1906 – December 25, 1979) was an American actress.
After winning a beauty pageant, Blondell embarked upon a film career. Establishing herself as a sexy wisecracking blonde, she was a pre-Code staple of Warner Brothers and appeared in more than 100 movies and television productions. She was most active in films during the 1930s, and during this time she co-starred with Glenda Farrell in nine films, in which the duo portrayed gold-diggers. Blondell continued acting for the rest of her life, often in small character roles or supporting television roles. She was nominated for an Academy Award for Best Supporting Actress for her work in The Blue Veil (1951).
Blondell was seen in featured roles in two films, Grease (1978) and the remake of The Champ (1979), released shortly before her death from leukemia.
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John Landis (born August 3, 1950) is an American film director, screenwriter, actor, and producer. He is known for his comedies, his horror films, and his music videos with singer Michael Jackson.
Aline MacMahon was an American stage, screen, and television actress. She worked extensively from 1921, when she began appearing on Broadway, until her full retirement from acting in 1975. MacMahon was nominated for an Academy Award for Best Supporting Actress for her performance in the 1944 film Dragon Seed.
Richard Ewing "Dick" Powell (November 14, 1904 – January 2, 1963) was an American singer, actor, producer, director and studio boss.
Born in Mountain View, the seat of Stone County in northern Arkansas, Powell attended the former Little Rock College in the state capital, before he started his entertainment career as a singer with the Charlie Davis Orchestra, based in the midwest. He recorded a number of records with Davis and on his own, for the Vocalion label in the late 1920s.
Powell moved to Pittsburgh, where he found great local success as the Master of Ceremonies at the Enright Theater and the Stanley Theater. In April 1930, Warner Bros. bought up Brunswick Records which at that time owned Vocalion. Warner Bros. was sufficiently impressed by Powell's singing and stage presence to offer him a film contract in 1932. He made his film debut as a singing bandleader in Blessed Event. He went on to star as a boyish crooner in movie musicals such as 42nd Street, Footlight Parade, Gold Diggers of 1933, Dames, Flirtation Walk, and On the Avenue, often appearing opposite Ruby Keeler and Joan Blondell.
Powell desperately wanted to expand his range but Warner Bros. wouldn't allow him to do so, although they did (mis)cast him in A Midsummer Night's Dream (1935) as Lysander. This was to be Powell's only Shakespearean role and one he did not want to play, feeling that he was completely wrong for the part. Finally, reaching his forties and knowing that his young romantic leading man days were behind him he lobbied to play the lead in Double Indemnity. He lost out to Fred MacMurray, another Hollywood nice guy. MacMurray’s success, however, fueled Powell’s resolve to pursue projects with greater range and in 1944, he was cast in the first of a series of films noir, as private detective Philip Marlowe in Murder, My Sweet, directed by Edward Dmytryk. The film was a big hit and Powell had successfully reinvented himself as a dramatic actor.
The following year Dmytryk and Powell re-teamed to make Cornered, a gripping, post-WWII thriller that helped define the film noir style. He became a popular "tough guy" lead appearing in movies such as Johnny O'Clock and Cry Danger. But 1948 saw him step out of the brutish type when he starred in Pitfall, a film noir that sees a bored insurance company worker fall for an innocent but dangerous femme fatale, played by Lizabeth Scott. Even when he appeared in lighter fare such as The Reformer and the Redhead and Susan Slept Here (1954) he never sang in his later roles. The latter, his final onscreen appearance in a feature film, did include a dance number with costar Debbie Reynolds.
From 1949-1953, Powell played the lead role in the National Broadcasting Company radio theater production Richard Diamond, Private Detective. His character in the 30-minute weekly was a likable private detective with a quick wit. When Richard Diamond came to television in 1957, the lead role was portrayed by David Janssen.
Ginger Rogers (July 16, 1911 – April 25, 1995) was an American actress, dancer, and singer who appeared in film, and on stage, radio, and television throughout much of the twentieth century.
During her long career, she made a total of 73 films and is noted for her role as Fred Astaire's partner in a series of ten musical films. She achieved great success in a variety of film roles and won the Academy Award for Best Actress for her performance in Kitty Foyle. After winning a 1925 Charleston dance contest that launched a successful vaudeville career, she gained recognition as a Broadway actress for her stage debut in Girl Crazy. This led to a contract with Paramount Pictures, which ended after five films. Rogers had her first successful film role as a supporting actress in 42nd Street.
In the 1930s, Rogers' nine films with Fred Astaire gave RKO Pictures some of its biggest successes, most notably Top Hat and Swing Time. But after two commercial failures with Astaire, she branched out into dramatic and comedy films. Her acting was well received by critics and audiences, and she became one of the biggest box-office draws and highest paid actresses of the 1940s. Her performance in Kitty Foyle won her the Oscar for Best Actress.
Rogers' popularity peaked by the end of the decade. She reunited with Astaire in 1949 in the commercially successful The Barkleys of Broadway. After an unsuccessful period in the 1950s, she returned to Broadway in 1965, playing the lead role in Hello, Dolly!. More Broadway roles followed, along with her stage directorial debut in 1985 of an off-Broadway production of Babes in Arms. She also made television acting appearances until 1987. In 1992, Rogers was recognized at the Kennedy Center Honors. She died of a heart attack in 1995, at age 83.
Rogers is associated with the phrase "backwards and in high heels", which is attributed to Bob Thaves' Frank and Ernest 1982 cartoon with the caption "Sure he [Astaire] was great, but don't forget that Ginger Rogers did everything he did...backwards and in high heels". This phrase is sometimes incorrectly attributed to Ann Richards, who used it in her keynote address to the 1988 Democratic National Convention.
A Republican and a devout Christian Scientist, Rogers married five times with all of them ending in divorce, and having no children. During her long career, Rogers made 73 films, and her musical films with Astaire are credited with revolutionizing the genre. Rogers was a major movie star during the "Golden Age" of Hollywood and is often considered an American icon. She ranks number 14 on the AFI's 100 Years...100 Stars list of female stars of classic American cinema. Her autobiography Ginger: My Story was published in 1991.
Franklin Delano Roosevelt, commonly known as FDR, was an American statesman and political leader who served as the President of the United States from 1933 to 1945.
Randy Skinner is an American filmmaker. He is a former police officer from the Nashoba and Newton County areas.
Known For
Ned Sparks
From Wikipedia, the free encyclopedia
Ned Sparks (born Edward Arthur Sparkman, November 19, 1883 – April 3, 1957) was a Canadian-born character actor of the American stage and screen. Sparks was known for his deadpan expression and deep, gravelly voice.
Born in Guelph, Ontario, Sparks left home at age 16 and attempted to work as a gold prospector on the Klondike Gold Rush. After running out of money, he won a spot as a singer on a traveling musical company's tour. At age 19, he returned to Canada and briefly attended a Toronto seminary. After leaving the seminary, he worked for the railroad and worked in theater in Toronto. In 1907, he left Toronto for New York City to try his hand in the Broadway theatre, where he appeared in his first show in 1912.
While working on Broadway, Sparks developed his trademark deadpan expression while portraying the role of a desk clerk in the play Little Miss Brown. His success on the stage soon caught the attention of MGM's Louis B. Mayer who signed Sparks to a six picture deal. Sparks began appearing in numerous silent films before finally making his "talkie" debut in the 1928 film The Big Noise.
In the 1930s, Sparks became known for portraying dour-faced, sarcastic, cigar-chomping characters. He became so associated with the type that, in 1936, The New York Times reported that Sparks had his face insured for USD$100,000 with Lloyd's of London. The market agreed to pay the sum to any photographer who could capture Sparks smiling (Sparks later admitted that the story was a publicity stunt and he was only insured for $10,000). Sparks was also caricatured in cartoons including the Jack-in-the-Box character in the Disney short Broken Toys (1935), and the jester in Mother Goose Goes Hollywood (1938), a hermit crab in both Tex Avery's Fresh Fish (1939) and Bob Clampett's Goofy Groceries (1941), a chicken in Bob Clampett's Slap Happy Pappy (1940), Friz Freleng's Warner Bros. cartoon Malibu Beach Party (1940), and Tex Avery's Hollywood Steps Out (1940). Sparks also voiced the cartoon characters Heckle and Jeckle from 1947 to 1951.
Sparks appeared in ten stage productions on Broadway and over 80 films. He retired from films in 1947, saying that everyone should retire at 65
