A documentary about the film, I am Curious-Yellow (1967), and how it made it into the USA and changed film in USA forever by breaking the USA Obscenity Codes.
01-01-2003
9 min
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William Seward Burroughs II (February 5, 1914 – August 2, 1997) was an American writer and visual artist, widely considered a primary figure of the Beat Generation and a major postmodern author who influenced popular culture and literature. Burroughs wrote eighteen novels and novellas, six collections of short stories and four collections of essays, and five books have been published of his interviews and correspondences; he was initially briefly known by the pen name William Lee. He also collaborated on projects and recordings with numerous performers and musicians, made many appearances in films, and created and exhibited thousands of visual artworks, including his celebrated "Shotgun Art".
Description above from the Wikipedia article William S. Burroughs, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Irwin Allen Ginsberg (June 3, 1926 – April 5, 1997) was an American poet. He is considered to be one of the leading figures of both the Beat Generation during the 1950s and the counterculture that soon followed. He vigorously opposed militarism, economic materialism and sexual repression and was known as embodying various aspects of this counterculture, such as his views on drugs, hostility to bureaucracy and openness to Eastern religions. He was one of many influential American writers of his time known as the Beat Generation, which included famous writers such as Jack Kerouac and William S. Burroughs.
Description above from the Wikipedia article Allen Ginsberg, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Norman Kingsley Mailer (January 31, 1923 – November 10, 2007) was an American novelist, journalist, essayist, playwright, activist, filmmaker and actor. In a career spanning over six decades, Mailer had 11 best-selling books, at least one in each of the seven decades after World War II—more than any other post-war American writer.
His novel The Naked and the Dead was published in 1948 and brought him early renown. His 1968 nonfiction novel Armies of the Night won the Pulitzer Prize for non-fiction as well as the National Book Award. His best-known work is widely considered to be The Executioner's Song, the 1979 winner of the Pulitzer Prize for fiction.
Mailer is considered an innovator of "creative non-fiction" or "New Journalism", along with Truman Capote, Joan Didion, Hunter S. Thompson, and Tom Wolfe, a genre which uses the style and devices of literary fiction in factual journalism. He was a cultural commentator and critic, expressing his views through his novels, journalism, frequent press appearances and essays, the most famous and reprinted of which is "The White Negro". In 1955, he and three others founded The Village Voice, an arts and politics-oriented weekly newspaper distributed in Greenwich Village.
In 1960, Mailer was convicted of assault and served a three-year probation after he stabbed his wife Adele Morales with a penknife, nearly killing her. In 1969, he ran an unsuccessful campaign to become the mayor of New York. Mailer was married six times and had nine children.
Description above from the Wikipedia article Norman Mailer, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Anna Lena Elisabet Nyman (23 May 1944 – 4 February 2011) was a Swedish film and stage actress.
Having had her first film roles in 1955, Nyman had a role in Vilgot Sjöman's 491 (1964) and got her breakthrough in his I Am Curious (Yellow) (1967), where she, in pseudo-documentary fashion, played a character of the same name as herself, and its sequel I Am Curious (Blue) (1968). She later participated in many of the films and stage productions of Hans Alfredson and Tage Danielsson, such as Release the Prisoners to Spring (1975) and The Adventures of Picasso (1978). Nyman co-starred with Ingrid Bergman and Liv Ullmann in Ingmar Bergman's Autumn Sonata (1978).
In 2004, Nyman received the royal medal Litteris et Artibus, and in 2006 she was the recipient of the Eugene O'Neill Award.
Nyman died on 4 February 2011, aged 66, after a long battle with several illnesses including cancer, COPD and Guillain–Barré syndrome.
Alain Robbe-Grillet was a French writer and filmmaker. He was, along with Nathalie Sarraute, Michel Butor and Claude Simon, one of the figures most associated with the Nouveau Roman (new novel) trend. Alain Robbe-Grillet was elected a member of the Académie française on March 25, 2004, succeeding Maurice Rheims at seat No. 32. He was married to Catherine Robbe-Grillet (née Rstakian).
Robbe-Grillet's career as a creator of fiction was not restricted to the writing of novels. For him, creating fiction in the form of films was of equal importance. His film career began when Alain Resnais chose to collaborate with him on his 1961 film Last Year at Marienbad. The film was nominated for the 1963 Academy Award for Writing Original Screenplay and won the Golden Lion when it came out in 1961. In the credits it was presented as a film equally co-authored by Alain Robbe-Grillet and Alain Resnais.
Robbe-Grillet then went on to launch a career as a writer-director of a series of cerebral and often sexually provocative feature films which explored similar themes to those in his literary work (e.g. Voyeurism, The Body as Text, The 'Double'). He commenced with L'Immortelle (The Immortal One) (1962) which won the much-coveted Louis Delluc Prize of 1962. This was followed by his most commercially successful film after Last Year at Marienbad: Trans-Europ-Express (1966) starring Jean-Louis Trintignant, who continued to work with Robbe-Grillet on his next four films: his French-Slovak film L'homme qui ment/Muž, ktorý luže (The Man Who Lies) (1968), L'Eden et après/Eden a potom (Eden and After) (1970), Glissements progressifs du plaisir (Progressive Slidings towards Pleasure) (1974) and Le jeu avec le feu (Playing with Fire) (1975). It was almost a decade before the appearance of his next feature film, La belle captive (The Beautiful Captive) (1983), but Alain Robbe-Grillet was fortunate enough to enlist the services of Henri Alekan as cinematographer, the visionary master of cinematography for the films of Jean Cocteau. Subsequently more than a decade passed before Alain Robbe-Grillet got behind the lens again, this time filming a mystery thriller on a small Greek island with Fred Ward starring as the confused Frank in Un bruit qui rend fou. Robbe-Grillet (A Maddening Noise, aka: The Blue Villa) (1995). Before his death in 2008 Robbe-Grillet was to direct one more film, Gradiva (C'est Gradiva qui vous appelle) (2006) which brought once more to the fore his preoccupation with sadism and bondage in his fiction. Perhaps the best introduction to the film works of Alain Robbe-Grillet is the volume The Erotic Dream Machine by Professors Roch C.Smith and Anthony N. Fragola. Also of great value is the volume In the Temple of Dreams: The Writer on the Screen in which Robbe-Grillet himself explains the relationship between his literary fiction and his cinematic fiction (ed. Edouard d'Araille, 1996).