An in-depth look at the tumultuous career of Jan & Dean.
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From Wikipedia, the free encyclopedia. Lou Adler (born December 13, 1933) is an American record producer, manager, and director. Description above from the Wikipedia article Lou Adler, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Hal Blaine (born Harold Simon Belsky; February 5, 1929 – March 11, 2019) was an American drummer and session musician, estimated to be among the most recorded studio drummers in the history of the music industry, claiming over 35,000 sessions and 6,000 singles.
From Wikipedia, the free encyclopedia. Richard Wagstaff "Dick" Clark was an American game-show host, radio andtelevision personality, and businessman. He served as chairman and chief executive officer of Dick Clark Productions, which he sold part of in recent years. Clark is best known for hosting long-running television shows such as American Bandstand, five versions of the game show Pyramid, and Dick Clark's New Year's Rockin' Eve. Clark was long known for his departing catchphrase, "For now, Dick Clark...so long," delivered with a military salute, and for his youthful appearance, earning the moniker "America's Oldest Teenager." Clark suffered a significant stroke in late 2004. With speech ability still impaired, Clark returned to his New Year's Rockin' Eve show on December 31, 2005/January 1, 2006. Subsequently, he appeared at the Emmy Awards on August 27, 2006, and every New Year's Rockin' Eve show through the 2011/2012 show. On April 18, 2012, Clark died of a heart attack at the age of 82. Description above from the Wikipedia article Dick Clark , licensed under CC-BY-SA, full list of contributors on Wikipedia.
American record producer and recording engineer who scored a string of hits in the 1960s and 1970s, often of the sunshine pop genre, starting in 1965 with The Turtles cover of Bob Dylan's "It Ain't Me Babe," and continuing with most of the hits of the 5th Dimension and the Association. With the exception of Closing Time, he produced and engineered all of Tom Waits' releases with Asylum Records, some of which are considered among the artist's best recordings. Started a career in 1956 as an apprentice recording engineer at Radio Recorders and advancing to mixing engineer the following year, recording Elvis Presley and Jerry Lee Lewis.
Bruce Arthur Johnston (born Benjamin Baldwin; June 27, 1942) is an American singer, musician and songwriter who is a member of the Beach Boys. He also collaborated on many records with Terry Melcher (his bandmate in Bruce & Terry, the Rip Chords, and California Music) and composed the 1975 Barry Manilow hit, "I Write the Songs". Born in Illinois, Johnston grew up in Los Angeles and studied classical piano in his early years. While in high school, he arranged and played on his first hit record, Sandy Nelson's "Teen Beat" (1959), and also worked with musicians such as Kim Fowley and Phil Spector. One of Johnston's first gigs was as a member of the surf band the Gamblers before becoming a staff producer at Columbia Records. In 1965, Johnston joined the Beach Boys for live performances, initially filling in for the group's co-founder Brian Wilson. Johnston's first appearance on the band's records was as a vocalist on "California Girls" (1965). He later contributed original material to the group's albums, including "The Nearest Faraway Place" on 20/20 (1969), "Tears in the Morning" and "Deirdre" on Sunflower (1970), and "Disney Girls (1957)" on Surf's Up (1971). Johnston left the Beach Boys in 1972 and subsequently embarked on a solo career. During this time, Johnston recorded one solo album, Going Public (1977), his latest to date. In late 1978, he rejoined the Beach Boys to co-produce the group's L.A. (Light Album) (1979). Since then, he has continued to tour as a member of the band. Born in Peoria, Illinois in 1942, he was adopted as child by William and Irene Johnston of Chicago and grew up in the wealthy Los Angeles neighborhoods of Brentwood and Bel-Air. His adoptive family is of Irish descent, with his grandparents hailing from Markethill, County Armagh. His adoptive father was president of the Owl Rexall Drug Company in Los Angeles after moving from Walgreens in Chicago. Johnston attended the private Bel Air Town and Country School (later renamed John Thomas Dye School) and the University of California, Los Angeles. He also studied classical piano in his early years, training at Interlochen Arts Camp as a youth. In high school, Johnston switched to contemporary music. He performed in a few "beginning" bands during this time and then moved on to working with young musicians such as Sandy Nelson, Kim Fowley, and Phil Spector. Soon, Johnston began backing people such as Ritchie Valens, the Everly Brothers, and Eddie Cochran. In 1959, while still in high school, Johnston arranged and played on his first hit record, "Teen Beat" by Sandy Nelson. The single reached the Billboard Top Ten. The same year, Johnston made his first single under his own name, "Take This Pearl" on Arwin Records (a record label owned by Doris Day) as part of the Bruce & Jerry duo (Jerry Cooper was a high school friend of Bruce's). The teenage Hot Rod film entitled "Ghost of Dragstrip Hollow" (1959), features the song "I Promise You" by Johnston and Judy Harriet. In 1960, Johnston started his record production career at Del-Fi Records, producing five singles and an album – Love You So – by Ron Holden (many of the album's eleven tracks were written or co-written by Johnston). ... Source: Article "Bruce Johnston" from Wikipedia in English, licensed under CC-BY-SA 3.0.
From Wikipedia, the free encyclopedia Brian Douglas Wilson (born June 20, 1942) is an American musician, singer, songwriter, and record producer who co-founded the Beach Boys. After signing with Capitol Records in 1962, Wilson wrote or co-wrote more than two dozen Top 40 hits for the group. He originally functioned as the band's songwriter, producer, co-lead vocalist, bassist, keyboardist, and de facto leader. Wilson is considered a major innovator in the field of music production, the principal originator of the California Sound, one of the first music producer auteurs, and the first rock producer to use the studio as its own instrument. The unusual creative control Capitol gave him over his own records effectively set a precedent that allowed other bands and artists to act as their own producers or co-producers. He was a major influence on the retrospectively-termed "sunshine pop" and Flower Power music that proceeded.
