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Fame, Fashion and Photography: The Real Blow Up
Not Rated
Documentary
10/10(1 ratings)
Tells the story of the photographers who cemented the image of swinging London and who, through their pictures, irreversibly altered the face of fashion and pop.
08-10-2002
2h 0m
THIS
HELLA
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Main Cast
Movie Details
Production Info
Production:
BBC
Key Crew
Producer:
Elaine Shepherd
Locations and Languages
Country:
US; GB
Filming:
GB
Languages:
en
Main Cast
Neil Pearson
Neil Pearson is an English stage, screen and television actor.
Dame Lesley Lawson DBE (born 19 September 1949), widely known by the nickname Twiggy, is an English model and actress. Considered a British cultural icon and a prominent teenage model of the '60s, she first came to prominence for her big eyes, long eyelashes, and short hair.
Barbara Mary Quant is a Welsh fashion designer and British fashion icon. She became an instrumental figure in the 1960s London-based Mod and youth fashion movements and one of the designers who took credit for the miniskirt and hotpants.
David Edward Leslie Hemmings (November 18, 1941 – December 3, 2003) was an English film, theatre and television actor as well as a film and television director and producer.
He is noted for his role as the photographer in the drama mystery-thriller film Blowup (1966), directed by Michelangelo Antonioni. Early in his career, Hemmings was a boy soprano appearing in operatic roles. In his later acting career, he was known for his distinctive eyebrows and gravelly voice.
Description above from the Wikipedia article David Hemmings, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Countess Vera von Lehndorff-Steinort (German: Vera Gottliebe Anna Gräfin von Lehndorff-Steinort; born 14 May 1939), known professionally as Veruschka and Veruschka von Lehndorff, is a German model and actress.
Terence Henry Stamp (born July 22, 1938) is an English actor. After training at the Webber Douglas Academy of Dramatic Art in London he started his acting career in 1962. He has been referred to as the “master of the brooding silence” by The Guardian. His performance in the title role of Billy Budd, his film debut, earned him an Academy Award nomination for Best Supporting Actor and a BAFTA nomination for Best Newcomer. Associated with the Swinging London scene of the 1960s – during which time he was in high-profile relationships with actress Julie Christie and supermodel Jean Shrimpton – Stamp was among the subjects photographed by David Bailey for a set titled Box of Pin-Ups.
Stamp played butterfly collector Freddie Clegg in The Collector (1965), and in 1967 appeared in Far from the Madding Crowd, starring opposite Christie. His other major roles include playing archvillain General Zod in Superman and Superman II, tough guy Wilson in The Limey, Supreme Chancellor Valorum in Star Wars: Episode I – The Phantom Menace, transgender woman Bernadette Bassinger in The Adventures of Priscilla, Queen of the Desert, ghost antagonist Ramsley in The Haunted Mansion, Stick in Elektra, Pekwarsky in Wanted, Siegfried in Get Smart, Terrence Bundley in Yes Man, the Prophet of Truth in Halo 3, Mankar Camoran in The Elder Scrolls IV: Oblivion, and General Ludwig Beck in Valkyrie. He has appeared in two Tim Burton films, Big Eyes (2014) and Miss Peregrine's Home for Peculiar Children (2016).
Description above from the Wikipedia article Terence Stamp, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Michelangelo Antonioni, Cavaliere di Gran Croce OMRI (29 September 1912 – 30 July 2007) was an Italian modernist film director, screenwriter, editor, and short story writer. Best known for his "trilogy on modernity and its discontents" — L'Avventura (1960), La Notte (1961), and L'Eclisse (1962), as well as the English-language Blowup (1966), Antonioni "redefined the concept of narrative cinema" and challenged traditional approaches to storytelling, realism, drama, and the world at large. He produced "enigmatic and intricate mood pieces" and rejected action in favor of contemplation, focusing on image and design over character and story. His films defined a "cinema of possibilities".
Antonioni received numerous awards and nominations throughout his career, including the Cannes Film Festival Jury Prize (1960, 1962), Palme d'Or (1966), and 35th Anniversary Prize (1982); the Venice Film Festival Silver Lion (1955), Golden Lion (1964), FIPRESCI Prize (1964, 1995), and Pietro Bianchi Award (1998); the Italian National Syndicate of Film Journalists Silver Ribbon eight times; and an honorary Academy Award in 1995. He is one of three directors to have won the Palme d'Or, the Golden Lion and the Golden Bear, and the only director to have won these three and the Golden Leopard.
Marianne Evelyn Gabriel Faithfull (born 29 December 1946) is an English rock singer and actress. She achieved popularity in the 1960s with the release of her hit single "As Tears Go By" and became one of the lead female artists during the British Invasion in the United States.
Born in Hampstead, London, Faithfull began her career in 1964 after attending a Rolling Stones party, where she was discovered by Andrew Loog Oldham. Her debut album Marianne Faithfull (1965) (released simultaneously with her album Come My Way) was a commercial success followed by a number of albums on Decca Records. From 1966 to 1970, she had a highly publicised romantic relationship with Mick Jagger. Her popularity was further enhanced by her film roles, such as those in I'll Never Forget What's'isname (1967), The Girl on a Motorcycle (1968), and Hamlet (1969).
David Terence Puttnam, Baron Puttnam, CBE, HonFRSA, HonFRPS, MRIA (born 25 February 1941) is a British-Irish film producer, educator, environmentalist and former member of the House of Lords. His productions include Chariots of Fire, which won the Academy Award for Best Picture, The Mission, The Killing Fields, Local Hero, Midnight Express and Memphis Belle. In 1982, he received the BAFTA for Outstanding British Contribution to Cinema, and in 2006 he was awarded the BAFTA Fellowship for lifetime achievement from the British Academy of Film and Television Arts.
Puttnam sat on the Labour benches in the House of Lords, although he was not principally a politician. In 2019 he was appointed chair to the select committee on democracy and digital technologies. The committee published its findings in its Digital Technology & the Resurrection of Trust report in June 2020.
Puttnam was born in Southgate, London, England, the son of Marie Beatrix, a housewife of Jewish origin, and Leonard Arthur Puttnam, a photographer. Educated at Minchenden Grammar School in London, Puttnam had an early career in advertising, including five formative years at Collett Dickenson Pearce, and as agent acting for the photographers David Bailey and Brian Duffy.
Puttnam turned to film production in the late 1960s, working with Sanford Lieberson's production company Goodtimes Enterprises. The first feature he produced was Melody (1971), based on a script by Alan Parker and which was a minor hit.
Puttnam and Lieberson produced the documentaries Peacemaking 1919 (1971), Glastonbury Fayre (1972), and Bringing It All Back Home (1972). Their second film, The Pied Piper (1972), directed by Jacques Demy was not a success, but That'll Be the Day (1973) with David Essex proved a hit.
Puttnam and Lieberson went on to produce The Final Programme (1973), a science fiction film, and made some more documentaries, these being Double Headed Eagle: Hitler's Rise to Power 1918–1933 (1973) and Swastika (1974).
Puttnam and Lieberson executive-produced the Ken Russell biopic Mahler (1974), and did a sequel to That'll Be The Day, entitled Stardust (1974) and directed by Michael Apted.
There were more documentaries: Radio Wonderful (1974), Brother, Can You Spare a Dime? (1975), James Dean: The First American Teenager (1975) and The Memory of Justice (1976).
A second film with Russell, Lisztomania (1975), was a box office disaster and led to the end of the Puttnam-Lieberson partnership.
Puttnam had a box office success with Bugsy Malone (1976), a musical he executive-produced, written and directed by Alan Parker, and produced by Alan Marshall. It was the last film Puttnam would make under the 'Goodtimes' banner. He went on to set up a new company, Enigma Films.
Puttnam produced The Duellists (1977), the directorial debut of Ridley Scott; and with Marshall once more, he produced Midnight Express (1978), directed by Parker from a script by Oliver Stone, and which was a notable box office success.
Puttnam made his first film in America, Foxes (1980), itself the directorial debut of Adrian Lyne. It was a box office flop. ...
Source: Article "David Puttnam" from Wikipedia in English, licensed under CC-BY-SA 3.0.