Larceny, adultery, sabotage and treachery. Yes, just your typical Christmas with the Dredge family! Twelve-year-old Joey Dredge is in trouble again. Expelled for jumping off the school roof, he's haunted by his father's death and hates his mother's new boyfriend and his bullying son. Compounding his misery is the knowledge he has to spend Christmas with them at the family beach house. Things look grim until the unexpected arrival of great-grandfather Albert, fresh from a stint in prison. Forced to share the back shed with this swearing, farting and devious octogenarian, Joey's life changes. Between barbecuing the family dog, performing a self-burial and causing his intended step-father to consume a startling amount of hash, Joey learns a few life lessons from Albert, who despite his many vices may give Joey the strength to accept the past and embrace the future.
07-09-1998
1h 30m
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Main Cast
Movie Details
Production Info
Production:
Australian Film Commission, Australian Film Finance Corporation, Australian Film Corporation, Trout Films, Beyond Films, Film Victoria
Warren Mitchell (born Warren Misell; 14 January 1926 – 14 November 2015) was an English actor. He was a BAFTA TV Award winner and a two-time winner of the Laurence Olivier Award. His most fondly remembered role is that of the Johnny Speight comic creation of Alf Garnett which he played on and off from 1965 to 1992 with the sitcoms Til Death Us Do Part and In Sickness and in Health.
Christopher Chapman CM RCA (January 24, 1927 – October 24, 2015) was a Canadian film writer, director, editor and cinematographer. Best known for his award-winning 1967 short film A Place to Stand, he also pioneered the multi-dynamic image technique used in films and television shows.
Over his career, Chapman made approximately 40 films for television, the National Film Board of Canada, theatrical release, tourism organizations, science centres, and international expositions. Chapman's first film, The Seasons, won the Canadian Film Award (CFA) for Film of the Year in 1954.
In 1965 Christopher and Francis Chapman jointly won the Canadian Film Award for Best Colour Cinematography at the 17th Canadian Film Awards for Expedition Bluenose.
Another of his films to win the CFA Film of Year was his 1967 short, A Place to Stand, which also received two Academy Award nominations in 1968, winning the one for Best Live-Action Short. The film, commissioned by the Government of Ontario, featured Chapman's innovative multi-dynamic image technique (or 'the Brady Bunch effect'), wherein moving panes of moving images are used within the single context of the screen. Over a year of filming, Chapman shot 70 kilometres (43 miles) of film, which he then edited into 18 minutes, though the images moving across the screen were the equivalent of an hour and three-quarters of film. The process exhausted Chapman and he was still unsure of using it until its first screening occurred: "There were a couple of stenographers, who were eating their lunch watching the screening, and they were agog," Chapman said. "But I wanted to run. I was exhausted and thought it was a failure, but a chap grabbed me as I was going out the door. He'd been standing at the back of the screening room and said he was blown away by it. It was Steve McQueen."
In 1968, McQueen starred in The Thomas Crown Affair, directed by Norman Jewison, a film that used Chapman's split-screen technique. Jewison added the multiple-image sequences into the film after seeing A Place to Stand. Over the years since, many films and television series have used the technique, with the most recent known to be the American series 24, which, by using the technique, documented the simultaneous actions of its characters.
In 1970, Chapman directed a film for the Hudson’s Bay Company, called Impressions, as part of HBC's 300th anniversary celebrations. Impressions, another film of Chapman’s to use his multiple-dynamic technique, follows the HBC's 300-year history using both historic and modern images: iconic images of the fur trade are paired with modern department stores; scenes of farming are shown with oil production are seen, and so on.
In 1984, Francis and Christopher Chapman collaborated on a three-dimensional nature film for the nascent Science North.
