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Dawn Upshaw (born July 17, 1960) is an American soprano. She is the recipient of several Grammy Awards and has released a number of Edison Award-winning discs; she performs both opera and art song, and her repertoire spans Baroque to contemporary. Many composers, including Henri Dutilleux, Osvaldo Golijov, John Harbison, Esa-Pekka Salonen, John Adams, and Kaija Saariaho, have written for her. In 2007, she was awarded a MacArthur Fellowship. Dawn Upshaw was born in Nashville, Tennessee. She began singing while attending Rich East High School in Park Forest, Illinois and was the only female ever promoted to the top choir (the Singing Rockets) as a sophomore, according to choir director Douglas Ulreich. She received a B.A. in 1982 from Illinois Wesleyan University, where she studied voice with Dr. David Nott. She went on to study voice with Ellen Faull at the Manhattan School of Music in New York City, earning her M.M. in 1984. She also attended courses given by Jan DeGaetani at the Aspen Music School. She was a winner of the Young Concert Artists International Auditions (1984) and the Walter M. Naumburg Competition (1985), and was a member of the Metropolitan Opera Young Artists Development Program. Since her start in 1984, Upshaw has made more than 300 appearances at the Metropolitan Opera. Upshaw came to international fame with her performance on the million-selling recording (1992), with David Zinman, of Symphony No 3 by Henryk Górecki, known as the Symphony of Sorrowful Songs (Symfonia pieśni żałosnych). She has premiered more than twenty-five new works, notably Henri Dutilleux's song-cycle Correspondances, and has embraced several pieces created for her, including the Grawemeyer Award-winning opera L'Amour de Loin by Kaija Saariaho, The Great Gatsby by John Harbison, the nativity oratorio El Niño by John Adams, and Osvaldo Golijov's highly acclaimed chamber opera Ainadamar and song cycle Ayre. In 2009, she premiered David Bruce's song cycle The North Wind was a Woman at the gala opening of the Chamber Music Society of the Lincoln Centre's season. In addition to her operatic recordings, she has also sung the title role in the first complete recording of the score of Gershwin's Oh, Kay!. She has also recorded albums of songs by Vernon Duke and Rodgers and Hart. Upshaw was a guest of President of the United States Bill Clinton and Mrs. Clinton on the NBC special Christmas in Washington. The BBC presented a prime-time telecast of her 1996 London Proms Concert, Dawn at Dusk, in which she performed songs from American musical theater. Her engagements with James Levine over many years led to a 1997 recording of Claude Debussy songs. Upshaw appears on an album of Christmas music in association with the male vocal ensemble Chanticleer titled Christmas with Chanticleer featuring special guest Dawn Upshaw for Teldec Classics. ... Source: Article "Dawn Upshaw" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Jerry Hadley (June 16, 1952 – July 18, 2007) was an American operatic tenor. He received three Grammy awards for his vocal performances in the recordings of Jenůfa (2004 Grammy Award for Best Opera Recording), Susannah (1995 Grammy Award for Best Opera Recording), and Candide (1992 Grammy Award for Best Classical Album). Hadley was a leading American tenor for nearly two decades. He was mentored by soprano Joan Sutherland and her husband, conductor Richard Bonynge. Leonard Bernstein chose Hadley for his 1989 recording of Candide on Deutsche Grammophon. Aside from singing opera and operetta, Hadley also sang on Broadway. Hadley was born and raised in Manlius, Illinois, of Italian and English parents. He attended Bradley University in Peoria, Illinois, where he was a member of the Delta Nu chapter of Phi Mu Alpha, a men's music fraternity. Hadley first studied to become a conductor, but after four years turned to singing. He studied voice under Dr. John Davis while at Bradley, ultimately earning his master's degree in voice at the University of Illinois at Urbana–Champaign. At Illinois he studied voice with Grace Wilson and James Bailey, and coached with pianists John Wustman and Eric Dalheim. He starred in many School of Music opera productions, including Tamino in Mozart's The Magic Flute, Nemorino in Donizetti's L'elisir d'amore, Alfred in Johann Strauss II's Die Fledermaus, and Tom Rakewell in The Rake's Progress by Stravinsky. Hadley married pianist Cheryll Drake and moved to Connecticut, where he took a job teaching music. In 1978 he began studying voice with Thomas LoMonaco, who would remain his teacher for the next 12 years. Hadley's early years as a professional singer were spent in regional opera houses in the U.S. He impressed Beverly Sills, who had heard him in the National Opera Institute auditions in 1978 and offered him a New York City Opera contract.[4] Hadley became a regular member of the roster of the New York City Opera after his debut there as Arturo in Lucia di Lammermoor in 1979. In 1982 he made his first appearance at the Vienna State Opera as Nemorino in Donizetti's L'elisir d'amore. He frequently performed at the Metropolitan Opera, La Scala, the Royal Opera House at Covent Garden, the Deutsche Oper Berlin, the Hamburg State Opera, the Lyric Opera of Chicago, the San Francisco Opera, the San Diego Opera and the Glyndebourne, Aix-en-Provence and Salzburg festivals. Hadley was known for his interpretations of lyric tenor opera roles as well as his performances of Broadway musicals, operetta, and popular music. One of his best-selling recordings was the EMI three-CD recording of the complete score of Show Boat, conducted by John McGlinn. Hadley sang the role of Gaylord Ravenal. ... Source: Article "Jerry Hadley" from Wikipedia in English, licensed under CC-BY-SA 3.0.