home/movie/1993/balkan landscapes the gaze of theo angelopoulos
Balkan Landscapes: The Gaze of Theo Angelopoulos
Not Rated
Documentary
Theo Angelopoulos recalls the defining moment in 1964 that led to him to live his entire life in Greece, and explores the concept of borders in his work - as the limits of existence, of life and death, of language and communication. “Narrowing down the borders narrows the communication, stretches the differences, magnifies oppositions, magnifies reasons for war, magnifies the refugees, magnifies the internal exile... In reality a civil war leaves behind wounds which cannot easily be healed and they revive, like ghosts, or like recurrent nightmares, during the long nights which have dogged Greek society for years.”
05-15-1993
39 min
THIS
HELLA
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Main Cast
Movie Details
Production Info
Production:
Bandung Productions
Key Crew
Producer:
Tariq Ali
Locations and Languages
Country:
GB
Filming:
GB
Languages:
en
Main Cast
Theo Angelopoulos
Theodoros "Theo" Angelopoulos (Greek: Θεόδωρος Αγγελόπουλος) (27 April 1935 – 24 January 2012) was a Greek filmmaker, screenwriter and film producer.
An acclaimed and multi-awarded film director who dominated the Greek art film industry from 1975 on, Angelopoulos was one of the most influential and widely respected filmmakers in the world. He started making films in 1967. In the 1970s he made a series of political films about modern Greece.
Angelopoulos' work, described by Martin Scorsese as that of "a masterful filmmaker", is characterized by slightest movement, slightest change in distance, long takes, and complex yet carefully composed scenes; his cinematic method, as a result, is often described as "sweeping" and "hypnotic."
In 1998 his film Eternity and a Day went on to win the prestigious Palme d'Or at the 51st edition of the Cannes Film Festival, and his films have been shown at many of the world's most esteemed film festivals. In 2000 he was the President of the Jury at the 22nd Moscow International Film Festival. The life of Theo Angelopoulos, his work, and his passion were the subject of a documentary directed in 2008 by Elodie Lelu.
Angelopoulos died late on Tuesday, 24 January 2012, at 76 years old after being involved in a crash with a motorcycle ridden by an off-duty police officer. He was taken to hospital, where he was treated in an intensive care unit but succumbed to his serious injuries several hours later.
Description above from the Wikipedia article Theo Angelopoulos, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia
Julius "Jules" Dassin (December 18, 1911 – March 31, 2008) was an American film director, producer, writer and actor. He was a subject of the Hollywood blacklist in the McCarthy era, and subsequently moved to France, where he revived his career.
Dassin quickly became better known for his noir films Brute Force (1947), The Naked City (1948), and Thieves' Highway (1949), which helped him to become "one of the leading American filmmakers of the postwar era."
Dassin's most influential film was Rififi (1955), an early work in the "heist film" genre. It inspired later heist films, such as Ocean's Eleven (1960). Another piece it inspired was Dassin's own heist film Topkapi, filmed in France and Istanbul, Turkey with Melina Mercouri and Oscar winner Peter Ustinov.
Dassin said Darryl F. Zanuck in 1948 called him into his office to inform him he would be blacklisted, but he still had enough time to make a movie for Fox. Dassin was blacklisted in Hollywood during the production of Night and the City (1950). He was not allowed on the studio property to edit or oversee the musical score for the film. He also had trouble finding work abroad, as U.S. distribution companies blacklisted the U.S. distribution of any European film associated with artists blacklisted in Hollywood. In 1952, after Dassin had been out of work for two years, actress Bette Davis hired him to direct her in the Broadway revue Two's Company. The show closed early, however, and Dassin left for Europe. Dassin did not work as a film director again until Rififi in 1954 (a French production). Most of Dassin's films in the decades following the blacklist are European productions. His prolific later career in Europe and the affiliation with Greece through his second wife, combined with a common pronunciation of his surname as "Da-SAN" in Europe, as opposed to "DASS-in" in the United States leads to a common misconception that he was a European director.