Documentary profile of singer-actress Eartha Kitt.
09-10-1982
1h 37m
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Main Cast
Movie Details
Production Info
Director:
Christian Blackwood
Production:
Blackwood Productions
Key Crew
Cinematography:
Christian Blackwood
Producer:
Christian Blackwood
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Eartha Kitt
Eartha Mae Kitt (January 17, 1927 – December 25, 2008) was an American actress, singer and cabaret star. She was perhaps best known for her highly distinctive singing style and her 1953 hit Christmas song "Santa Baby". Orson Welles once called her the "most exciting woman in the world." She took over the role of Catwoman for the third season of the 1960s Batman television series, replacing Julie Newmar, who was unavailable for the final season. She also was famous for being the voice of Yzma in Disney's The Emperor's New Groove as well as its sequel and TV series.
Description above from the Wikipedia article Eartha Kitt, licensed under CC-BY-SA, full list of contributors on Wikipedia
Joan de Beauvoir de Havilland (October 22, 1917 – December 15, 2013), known professionally as Joan Fontaine, was an English-American actress who is best known for her starring roles in Hollywood films during the "Golden Age". She was born in Tokyo, Japan, in what was known as the International Settlement. Her father was a British patent attorney with a lucrative practice in Japan, but due to Joan and older sister Olivia de Havilland's recurring ailments the family moved to California in the hopes of improving their health. Mrs. de Havilland and the two girls settled in Saratoga while their father went back to his practice in Japan. Joan's parents did not get along well and divorced soon afterward. Mrs. de Havilland had a desire to be an actress but her dreams were curtailed when she married, but now she hoped to pass on her dream to Olivia and Joan.
While Olivia pursued a stage career, Joan went back to Tokyo, where she attended the American School. In 1934 she came back to California, where her sister was already making a name for herself on the stage. Joan likewise joined a theater group in San Jose and then Los Angeles to try her luck there. After moving to L.A., Joan adopted the name of Joan Burfield because she didn't want to infringe upon Olivia, who was using the family surname. She tested at MGM and gained a small role in No More Ladies (1935), but she was scarcely noticed and Joan was idle for a year and a half. During this time she roomed with Olivia, who was having much more success in films.
In 1937, this time calling herself Joan Fontaine, she landed a better role as Trudy Olson in You Can't Beat Love (1937) and then an uncredited part in Quality Street (1937). Although the next two years saw her in better roles, she still yearned for something better. In 1940 she garnered her first Academy Award nomination for Rebecca (1940). Although she thought she should have won, (she lost out to Ginger Rogers in Kitty Foyle (1940)), she was now an established member of the Hollywood set. She would again be Oscar-nominated for her role as Lina McLaidlaw Aysgarth in Suspicion (1941), and this time she won.
Joan was making one film a year but choosing her roles well. In 1942 she starred in the well-received This Above All (1942). The following year she appeared in The Constant Nymph (1943). Once again she was nominated for the Oscar, she lost out to Jennifer Jones in The Song of Bernadette (1943). By now it was safe to say she was more famous than her older sister and more fine films followed. In 1948, she accepted second billing to Bing Crosby in The Emperor Waltz (1948).
Joan took the year of 1949 off before coming back in 1950 with September Affair (1950) and Born to Be Bad (1950). In 1951 she starred in Paramount's Darling, How Could You! (1951), which turned out badly for both her and the studio and more weak productions followed. Absent from the big screen for a while, she took parts in television and dinner theaters. She also starred in many well-produced Broadway plays such as Forty Carats and The Lion in Winter. Her last appearance on the big screen was The Witches (1966) and her final appearance before the cameras was Good King Wenceslas (1994). She is, without a doubt, a lasting movie icon.
Born in Port of Spain, Trinidad of African descent, Holder was an actor known for his towering 200-centimeter (6'6") height, heavily accented deep basso voice and hearty laugh. With that and his appearance in the 1970s 7 Up soft drink "uncola" advertising campaign, Holder's image quickly became recognizable. He was also in the 1967 movie Dr. Dolittle as William Shakespeare, "Willy," and played Baron Samedi, one of the main villain's henchmen, in the 1973 James Bond film, Live and Let Die. Though the 7 Up advertising campaign lasted only a short while in the early 1970s, the company revived the campaign in the early 1980s after Holder achieved a spike in popularity in the 1982 movie version of the musical Annie, in which he played the role of Punjab. He was a prolific painter, ardent art collector, and performer who had also authored books and composed music. As a choreographer, he created dance pieces for many companies, including the Alvin Ailey American Dance Theater and The Dance Theatre of Harlem. Holder was married to dancer Carmen De Lavallade, whom he met when both were in the cast of Truman Capote's House of Flowers. .
Allison Smith's career started on Broadway at the age of nine, in the original production of "Evita", quickly followed by her landing the title role of "Annie" on Broadway in the musical "Annie" at the age of ten. She was the longest-running and youngest star of a Broadway musical at that time, playing the role for over 1,000 performances; nearly 3 years. She's given vocal performances at Carnegie Hall, The Kennedy Center, Radio City Music Hall, and The White House. After "Annie", she was cast on "Kate and Allie", playing the role of "Jennie Lowell" on CBS for six seasons. Allison recurred in all seven seasons of NBC's The West Wing (1999) as "Mallory O'Brien", the chief of staff's daughter / Sam Seaborn's (Rob Lowe's) love interest. She was in the CBS miniseries Helter Skelter (2004), in which she portrayed real-life Charles Manson murderess Patricia Krenwinkel, and gave a stellar performance starring as the guest in the pilot of The Closer (2005). She has starred in several regular television series: Buddy Faro (1998), Spy Game (1997). She played the lead in the independent feature, A Reason to Believe (1995), and supporting roles in such features as Holes (2003) and Switchback (1997). Other theater work includes starring in the L.A. premiere production of David Mamet's "Oleanna", "QED" opposite Alan Alda at the Mark Taper Forum and with Randy Newman in his musical "The Education of Randy Newman", at South Coast Rep, for which her vocal performance got rave reviews. Also a writer, she was born in New York City and raised in Bergen County, New Jersey.