"Poliziotti solitudine e rabbia" or "Ein Mann namens Venedig" (A Man called Venice), as it was called in Germany, is an Italian-German crime drama co-production from 1979, filmed mainly in the snowy winter of bleak West-Berlin. Italian cop Nick, played by gangster movie veteran Maurizio Merli, goes to Berlin to find the head of an International European blackmailing gang who has murdered several people. He investigates undercover as a contract killer for the gangsters, but of course becomes immediately the target of his enemies and has to fight hard to save his life...
01-01-1980
1h 27m
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Main Cast
Movie Details
Production Info
Director:
Stelvio Massi
Locations and Languages
Country:
US
Filming:
IT; DE
Languages:
en
Main Cast
Maurizio Merli
Maurizio Merli (8 February 1940 in Rome – 10 March 1989) was an Italian film actor. Merli got his first lead role in 1974 in the film White Fang to the Rescue due to his resemblance to the highly popular cult actor Franco Nero, who played the lead role in the first two films. Merli later became one of the most prominent actors of the poliziotteschi genre by starring in almost a dozen films. He died in 1989 of myocardial infarction after a tennismatch. (source Wikipedia)
Arthur Brauss (born 24 July 1936) is a German actor, perhaps best known for his work in Sam Peckinpah's Cross of Iron.
Brauss was born in Augsburg, Germany.
From Wikipedia, the free encyclopedia
Francisco Rabal (March 8, 1926 – August 29, 2001), perhaps better known as Paco Rabal, was a Spanish actor born in Águilas, a small town in the province of Murcia, Spain.
In 1936, after the Spanish Civil War broke out. Rabal and his family left Murcia and moved to Madrid. Young Francisco had to work as a street salesboy and in a chocolate factory. When he was 13 years old, he left school to work as an electrician at Estudios Chamartín.
Rabal got some sporadic jobs as an extra. Dámaso Alonso and other people advised him to try his luck with a career in theater.
During the following years, he got some roles in theater companies such as Lope de Vega or María Guerrero. It was there that he met actress Asunción Balaguer; they married and remained together for the rest of Rabal's life. Their daughter, Teresa Rabal, is also an actor.
In 1947, Rabal got some regular jobs in theater. He used his full name, Francisco Rabal, as stage name. However, the people who knew him always called him Paco Rabal. (Paco is the familiar form for Francisco.) "Paco Rabal" became his unofficial stage name.
During the 1940s, Rabal began acting in movies as an extra, but it was not until 1950 that he was first cast in speaking roles, and played romantic leads and rogues. He starred in three films directed by Luis Buñuel - Nazarín (1959), Viridiana (1961) and Belle de jour (1967).
William Friedkin thought of Rabal for the French villain of his 1971 movie The French Connection. However, he could not remember the name of "that Spanish actor". Mistakenly, his staff hired another Spanish actor, Fernando Rey. Friedkin discovered that Rabal did not speak English or French, so he decided to keep Rey. Rabal has previously worked with Rey in Viridiana. Rabal did, however, work with Friedkin in the much less successful but Academy Award-nominated cult classic Sorcerer (1977), a remake of The Wages of Fear (1953).
Throughout his career, Rabal worked in France, Italy and Mexico with directors such as Gillo Pontecorvo, Michelangelo Antonioni, Luchino Visconti, Valerio Zurlini, Jacques Rivette and Alberto Lattuada.
It is widely considered that Rabal's best performances came after Francisco Franco's death on 1975. In the 1980s, Rabal starred in Los santos inocentes, winning the Award as Best Actor in Cannes Film Festival, in El Disputado Voto del Señor Cayo and also in the TV series Juncal. In 1989, he was a member of the jury at the 39th Berlin International Film Festival. In the 1999 he played the character of Francisco Goya in Carlos Saura Goya en Burdeos, winning a Goya Award as Best Actor.
Francisco Rabal is the only Spanish actor to have received a honoris causa doctoral degree from the University of Murcia.
Rabal's final movie was Dagon, a film which was dedicated to him right before the credits. The dedication read "Dedicated to Francisco Rabal, a wonderful actor and even better human being."
Rabal died in 2001 from compensatory dilating emphysema, while on an airplane travelling to Bordeaux, when he was coming back from receiving an Award at Montreal Film Festival.
Description above from the Wikipedia article Francisco Rabal, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Born to a family of other actors and stunt performers, Ottaviano Dell'Acqua started acting in Italian Spaghetti Western productions as a child. Due to his boyish looks and enthusiasm for taking risks, he found himself more and more in demand as both a stunt performer and character actor throughout the 1970's, often appearing alongside one or more of his siblings (Roberto, Alberto, and Arnoldo). In the 1980's he turned to stunt coordinating and has worked steadily on both major Hollywood productions, as well as smaller European films, ever since. He may be best remembered by horror fans as the man behind the worm-eyed zombie mask on the poster for Lucio Fulci's ZOMBIE (aka ZOMBI 2) though has possibly the most mainstream exposure in GANGS OF NEW YORK as one of Bill the Butcher's lead henchmen. His only leading roles have been under the name "Richard Raymond" for director Bruno Mattei, particularly in 1983's RATS: THE NIGHTS OF TERROR in which he is top-billed. Curiously the same year he appeared in numerous other post-apocalyptic films (RAGE and AFTER THE FALL OF NEW YORK) in which he isn't billed at all.
