Autobiographical film about Loulou (Jackie Raynal) who seeks a job as an editor on Broadway, shares a loft in Soho and marries an entrepreneur.
12-08-1980
28 min
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Main Cast
Movie Details
Production Info
Director:
Jackie Raynal
Production:
Zanzibar Productions
Key Crew
Producer:
Jackie Raynal
Cinematography:
Babette Mangolte
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Jackie Raynal
Jacky Raynal is French directress, actress and film editor. She's born in 1940 near Montpellier. The film maker has a diploma in Linguistics. In the early 60's, already a photographer, young Jacky Raynal starts working in the field of cinema. She's assistent film editor for the documentarys of G. Patriss and F. Vienne. After that, she edits the first films of E. Rohmer. In 1965 J. Raynal gets the license of senior film editor for feature films in CNC (National Cinema Center). Now she's working with the film directors of the New Wave. She edits all of the skecthes of Six in Paris, directed by Jean Douchet, Jean Rouch, Jean-Daniel Pollet, Eric Rohmer, Jean-Luc Godard and Claude Chabrol. Jacky Raynal continues to work in editing till the end of 70's.
In 1968, with S. Boissonas and O. Mosset, she's the founder of the Zanzibar group. She works with Philippe Garrel, Serge Bard, Daniel Pommereulle, Alain Jouffroy and Patrick Deval. J. Raynal shoots her first feature film Two Times in Barcelona. In 1972, the movie wins the Grand Prix in the Festival of Hyères/Toulon. At that time she's already living in New York. There, between 1975 and 1992, she's responsible for the programs of Carnegie Hall Cinema and Bleeker Street Cinema. She shows there numerous independent international films. Her job in New York is appreciated by F. Truffaut (he compares it with the French Cinematheque) and awarded twice by the Village Voice in 1981 and 1991.
J. Raynal directs New York Story (Grand Prix in Melbourne) and Hotel New York. In the same time, she plays in several movies, organises numerous international cinema festivals, like Colombian Film Festival, Israel Film Festival or Avignon Film Festival. From 1973 to 1986, with Sid Geffen, they're publishing the independent international cinema review 1000 Eyes Magazine.
From 2000, Jacky Raynal directs numerous documentarys, like Notes on Jonas Mekas (2000) or Eric Rohmer, the Film Maker (2010).
In 2010, Jacky Raynal is rewarded for her work in arts the Légion d'Honneur (Knight in the Order Arts and Letters).
Gary Indiana is an American writer, actor, artist, and cultural critic. He served as the art critic for the Village Voice weekly newspaper from 1985 to 1988. Indiana is best known for his classic American true-crime trilogy, Resentment, Three Month Fever: The Andrew Cunanan Story, and Depraved Indifference, chronicling the less permanent state of “depraved indifference” that characterized American life at the millennium's end.
Indiana has written, directed and acted in a dozen plays, mostly during the early 1980s. Performed in small New York City venues like Mudd Club, Club 57, the Performing Garage and the backyard of Bill Rice's East 3rd Street studio. Earlier plays included Alligator Girls Go to College (1979); Curse of the Dog People (1980); A Coupla White Faggots Sitting Around Talking (1980), which was filmed by Michel Auder in 1981; The Roman Polanski Story (1981); Phantoms of Louisiana (1981) and Roy Cohn/Jack Smith (1992), written with Jack Smith for performance artist Ron Vawter. The latter was filmed in 1994 by Jill Godmilow.
Indiana has acted in several mostly experimental films by, among others, Michel Auder (Seduction of Patrick, 1979, which he co-wrote with the director), Scott B and Beth B (The Trap Door, 1980), Melvie Arslanian (Stiletto, 1981, where he plays a bellhop at the bellhopless Chelsea Hotel), Jackie Raynal (Hotel New York, 1984), Ulrike Ottinger (Dorian Gray in the Mirror of the Yellow Press [de], 1984, with Veruschka as Dorian Gray and Delphine Seyrig as Doctor Mabuse), Lothar Lambert (Fräulein Berlin, 1984), Dieter Schidor (Cold in Columbia, 1985), Valie Export (The Practice of Love, 1985) and Christoph Schlingensief (Terror 2000: Intensivstation Deutschland, 1994, in which Udo Kier kills his character with a machine gun).