A portrait of legendary filmmaker Nicholas Ray while he is working as a film professor at a college in upstate New York.
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Howard da Silva (born Howard Silverblatt, May 4, 1909 – February 16, 1986) was an American actor, director and musical performer on stage, film, television and radio. He was cast in dozens of productions on the New York stage, appeared in more than two dozen television programs, and acted in more than fifty feature films. Adept at both drama and musicals on the stage, he originated the role of Jud Fry in the original 1943 run of the Rodgers and Hammerstein musical Oklahoma!, and also portrayed the prosecuting attorney in the 1957 stage production of Compulsion. Da Silva was nominated for a 1960 Tony Award as Best Featured Actor in a Musical for his work in Fiorello!, a musical about New York City mayor LaGuardia. In 1961, da Silva directed Purlie Victorious, by Ossie Davis.
Nicholas Ray (born Raymond Nicholas Kienzle; 7 August 1911 – 16 June 1979) was an American film director best known for the films Rebel Without a Cause and Johnny Guitar. Described by the Harvard Film Archive as "Hollywood's last romantic" and "one of postwar American cinema’s supremely gifted and ultimately tragic filmmakers," Ray was considered an iconoclastic auteur director who often clashed with the Hollywood studio system of the time, but would prove highly influential to future generations of filmmakers. His best-known work is the 1955 film Rebel Without a Cause, starring James Dean. He is appreciated for many narrative features produced between 1947 and 1963, including They Live By Night (1948), In A Lonely Place (1950), Johnny Guitar (1954), Bigger Than Life (1956), and King of Kings (1961), as well as an experimental work produced throughout the 1970s titled We Can't Go Home Again, which was unfinished at the time of Ray's death. During his lifetime, Ray was nominated for an Academy Award for Best Adapted Screenplay for Rebel Without a Cause, twice for the Golden Lion, for Bigger Than Life (1956) and Bitter Victory (1957), and a Palme d'Or for The Savage Innocents (1960). Three of his films were ranked by Cahiers du Cinéma in their Annual Top 10 Lists. Ray's compositions within the CinemaScope frame and use of color are particularly well regarded and he was an important influence on the French New Wave, with Jean-Luc Godard famously writing in a review of Bitter Victory, "... there is cinema. And the cinema is Nicholas Ray."
François Roland Truffaut (February 6, 1932 – October 21, 1984) was an influential film critic and filmmaker and one of the founders of the French New Wave. In a film career lasting over a quarter of a century, he remains an icon of the French film industry. He was also a screenwriter, producer, and actor working on over twenty-five films. Along with Jean-Luc Godard, Truffaut was one of the most influential figures of the French New Wave, inspiring directors such as Steven Spielberg, Quentin Tarantino, Brian De Palma, Martin Scorsese and Wes Anderson.
John Houseman (September 22, 1902 – October 31, 1988) was a Romanian-born British-American actor and film producer who became known for his highly publicized collaboration with director Orson Welles from their days in the Federal Theatre Project through to the production of Citizen Kane. He is perhaps best known for his role as Professor Charles Kingsfield in the 1973 film The Paper Chase for which he won a best supporting actor Oscar. He reprised his role as Kingsfield in the subsequent TV series adaptation of The Paper Chase. Houseman was also known for his commercials for the brokerage firm Smith Barney. He had a distinctive Mid-Atlantic English accent, in common with many actors of his generation. Description above from the Wikipedia article John Houseman, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Natalie Wood (née Zacharenko; July 20, 1938 – November 29, 1981) was an American actress who began her career in film as a child and successfully transitioned to young adult roles. Wood started acting at age four and was given a co-starring role at age 8 in Miracle on 34th Street (1947). As a teenager, she was nominated for an Academy Award for Best Supporting Actress for her performance in Rebel Without a Cause (1955), followed by a role in John Ford's The Searchers (1956). Wood starred in the musical films West Side Story (1961) and Gypsy (1962) and received nominations for an Academy Award for Best Actress for her performances in Splendor in the Grass (1961) and Love with the Proper Stranger (1963). Her career continued with films such as Sex and the Single Girl (1964), Inside Daisy Clover (1965), and Bob & Carol & Ted & Alice (1969). During the 1970s, Wood began a hiatus from film and had two daughters: one with her second husband Richard Gregson, and one with Robert Wagner, her first husband whom she married again after divorcing Gregson. She acted in only two feature films throughout the decade, but she appeared slightly more often in television productions, including a remake of From Here to Eternity (1979) for which she won a Golden Globe Award. Wood's films represented a "coming of age" for her and for Hollywood films in general. Critics have suggested that her cinematic career represents a portrait of modern American womanhood in transition, as she was one of the few to take both child roles and those of middle-aged characters. Wood died off the coast of Santa Catalina Island on November 29, 1981, at age 43, during a holiday break from the production of her would-be comeback film Brainstorm (1983) with Christopher Walken. The events surrounding her death have been the subject of conflicting witness statements, prompting the Los Angeles County Sheriff's Department, under the instruction of the coroner's office, to list her cause of death as "drowning and other undetermined factors" in 2012. Description above from the Wikipedia article Natalie Wood, licensed under CC-BY-SA, full list of contributors on Wikipedia.
