David Bailey, self-taught photographer and one of the prime architects of the Swinging Sixties, broadened his horizons in the early 1970s by making high-profile documentaries for ATV. With his standing among the artistic community, Bailey was given unprecedented access to Pop Art legend Andy Warhol and his followers, in an attempt to penetrate behind the expressionless exterior of a man who was one of the most controversial figures of his generation.
03-27-1973
52 min
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Main Cast
Movie Details
Production Info
Director:
David Bailey
Key Crew
Director of Photography:
Ernest Vincze
Locations and Languages
Country:
US
Languages:
en
Main Cast
Andy Warhol
Born on August 6, 1928, in Pittsburgh, Pennsylvania, Andy Warhol was a successful magazine and ad illustrator who became a leading artist of the 1960s Pop art movements. He ventured into a wide variety of art forms, including performance art, filmmaking, video installations and writing, and controversially blurred the lines between fine art and mainstream aesthetics. Warhol died on February 22, 1987, in New York City.
Pat Ast was an American actress and model. She was best known for starring in Andy Warhol films and being a Halston model and muse in the 1970s. Ast enjoyed partying in her twenties on Fire Island, and her boisterous personality allowed her to meet and befriend influential people. She had aspirations to become an actress, singer and model despite her day job as a receptionist at a box factory. She made her screen debut after meeting director John Schlesinger on Fire Island, who cast her as a party guest in his film Midnight Cowboy (1969). Around that time, she caught the attention of fashion designer Halston, who gave her a job at his boutique and made her one of his models, despite her weighing 210 pounds, in a time when most models were extremely thin. In the early 1970s, with Pat Cleveland, Connie Cook, Alva Chinn, Anjelica Huston, Karen Bjornson, among others, Ast became one of Halston's favored troupe of models, nicknamed the Halstonettes. She also appeared in runway shows for Halston and Yves St. Laurent, closing the 1972 Coty Awards runway show for Halston by popping out of a giant cake. She later became associated with Andy Warhol, who gave her the role of landlady Lydia in his film Heat (1972) alongside Joe Dallesandro.
In 1975, Ast moved to Hollywood to pursue her acting career. She has appeared in films such as The Duchess and the Dirtwater Fox (1976), Foul Play (1978), The Incredible Shrinking Woman (1981), and Reform School Girls (1986).
She became resentful of Los Angeles as her film career stalled. She went to New York to do Nine, a Broadway musical based on Federico Fellini’s movie 8 1/2, but was dismissed after three months.
Candy Darling (November 24, 1944 – March 21, 1974) was an American actress, best known as a Warhol Superstar and transgender icon. She starred in Andy Warhol's films Flesh and Women in Revolt, and was a muse of The Velvet Underground.
Jane Holzer is an American art collector and film producer who was previously an actress, model, and Warhol superstar. She was often known by the nickname Baby Jane Holzer.
Roy Fox Lichtenstein was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the premise of pop art through parody.
Paul Morrissey (February 23, 1938 - October 28, 2024) was an American film director, best-known for his association with Andy Warhol.
Morrissey attended Ampleforth College, a private Roman Catholic boarding school and Fordham University, both Roman Catholic schools, and later served in the United States Army. A political conservative and self-described "right-winger", who has publicly protested against what he perceives as immorality and "anti-Catholicism", Morrissey's long-term collaboration with the low-keyed, apparently apolitical Warhol was viewed by many as "a successful mismatch", although both men did share some traits, i.e. both were practising Catholics from "ethnic" backgrounds (Warhol was of Rusyn descent and Morrissey is of Irish descent).
Morrissey's bold, avant-garde direction in filmmaking is often attributed to his relationship with Warhol and The Factory, although Morrissey claimed in his memoir, Factory Days, that this is not the case.
