Documentary about Italian movie director Pier Paolo Pasolini, with interviews with some of his actors and friends.
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Pier Paolo Pasolini (March 5, 1922 – November 2, 1975) was an Italian film director, poet, writer, and intellectual. Pasolini distinguished himself as a poet, journalist, philosopher, linguist, novelist, playwright, filmmaker, newspaper and magazine columnist, actor, painter and political figure. He demonstrated a unique and extraordinary cultural versatility, becoming a highly controversial figure in the process.
From Wikipedia, the free encyclopedia. Franco Citti (born 23 April 1935 in Rome) is an Italian actor. He came to fame at the age of 26, playing the title role in Pier Paolo Pasolini's film Accattone. In 1967 he appeared in the title role in Pasolini's version of Oedipus Rex. He is perhaps best-known to non-Italian audienes as Calo in The Godfather I and III and uttering the line 'In Sicily, women are more dangerous than shotguns'. Description above from the Wikipedia article Franco Citti , licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia Alberto Moravia (Italian pronunciation: [alˈbɛrto moˈraːvja]; November 28, 1907 – September 26, 1990), born Alberto Pincherle, was an Italian novelist and journalist. His novels explored matters of modern sexuality, social alienation and existentialism. Moravia is best known for his debut novel Gli indifferenti (1929) and for the anti-fascist novel Il Conformista (The Conformist), the basis for the film The Conformist (1970) directed by Bernardo Bertolucci. Other novels of his adapted for the cinema are Agostino, filmed with the same title by Mauro Bolognini in 1962; Il disprezzo (A Ghost at Noon or Contempt), filmed by Jean-Luc Godard as Le Mépris (Contempt 1963); La Noia (Boredom), filmed with that title by Damiano Damiani in 1963 and released in the US as The Empty Canvas in 1964 and La ciociara, filmed by Vittorio de Sica as Two Women (1960). Cedric Kahn's L'Ennui (1998) is another version of La Noia.
