A closer look at the making of "Klute" (1971). The project follows the complex shooting on multiple locations in New York with major stars Jane Fonda and Donald Sutherland, under the direction of Alan J. Pakula. The two actors and the director share a little about their perspectives on the film and the experience of being part of it.
12-31-1971
8 min
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Main Cast
Movie Details
Production Info
Director:
Elliot Geisinger
Writer:
Jay Anson
Production:
Professional Films, Robbins Nest Productions
Key Crew
Producer:
Michael Mindlin Jr.
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Jane Fonda
Jane Seymour Fonda (born December 21, 1937) is an American actress, activist, and former fashion model. She is the recipient of various accolades including two Academy Awards, two British Academy Film Awards, seven Golden Globe Awards, a Primetime Emmy Award, the AFI Life Achievement Award, the Golden Lion Honorary Award, the Honorary Palme d'Or, and the Cecil B. DeMille Award.
Born to socialite Frances Ford Seymour and actor Henry Fonda, Fonda made her acting debut with the 1960 Broadway play There Was a Little Girl, for which she received a nomination for the Tony Award for Best Featured Actress in a Play, and made her screen debut later the same year with the romantic comedy Tall Story. She rose to prominence during the 1960s with the comedies Period of Adjustment (1962), Sunday in New York (1963), Cat Ballou (1965), Barefoot in the Park (1967), and Barbarella (1968). Her first husband was Barbarella director Roger Vadim. A seven-time Academy Award nominee, she received her first nomination for They Shoot Horses, Don't They? (1969), and went on to win the Academy Award for Best Actress twice in the 1970s, for Klute (1971) and Coming Home (1978). Her other nominations were for Julia (1977), The China Syndrome (1979), On Golden Pond (1981), and The Morning After (1986). Consecutive hits Fun with Dick and Jane (1977), California Suite (1978), The Electric Horseman (1979), and 9 to 5 (1980) sustained Fonda's box-office drawing power, and she won a Primetime Emmy Award for her performance in the TV film The Dollmaker (1984).
In 1982, she released her first exercise video, Jane Fonda's Workout, which became the highest-selling VHS of the 20th century. It would be the first of 22 such videos over the next 13 years, which would collectively sell over 17 million copies. Divorced from her second husband Tom Hayden, she married billionaire media mogul Ted Turner in 1991 and retired from acting, following a row of commercially unsuccessful films concluded by Stanley & Iris (1990). Fonda divorced Turner in 2001 and returned to the screen with the hit Monster-in-Law (2005). Although Georgia Rule (2007) was her only other movie during the 2000s, in the early 2010s she fully re-launched her career. Subsequent films have included The Butler (2013), This Is Where I Leave You (2014), Youth (2015), Our Souls at Night (2017), and Book Club (2018). In 2009, she returned to Broadway after a 49-year absence from the stage, in the play 33 Variations which earned her a nomination for the Tony Award for Best Actress in a Play, while her major recurring role in the HBO drama series The Newsroom (2012–14) earned her two Primetime Emmy Award nominations. She also released another five exercise videos between 2009 and 2012. Fonda currently stars as Grace Hanson in the Netflix comedy series Grace and Frankie, which debuted in 2015 and has earned her nominations for a Primetime Emmy Award and three Screen Actors Guild Awards.
Alan Jay Pakula (April 7, 1928 – November 19, 1998) was an American film director, writer and producer. He was nominated for three Academy Awards: Best Picture for To Kill a Mockingbird (1962), Best Director for All the President's Men (1976) and Best Adapted Screenplay for Sophie's Choice (1982).
Pakula was also notable for directing his "paranoia trilogy": Klute (1971), The Parallax View (1974) and All the President's Men (1976).
Description above from the Wikipedia article Alan J. Pakula, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Donald McNichol Sutherland (July 17, 1935 – June 20, 2024) was a Canadian actor whose film career spanned over 6 decades. He was nominated for eight Golden Globe Awards, winning two for his performances in the television films Citizen X (1995) and Path to War (2002); the former also earned him a Primetime Emmy Award. An inductee of the Hollywood Walk of Fame and Canadian Walk of Fame, he also received a Canadian Academy Award for the drama film Threshold (1981). Multiple film critics and media outlets have cited him as one of the best actors never to have received an Academy Award nomination. In 2017, he received an Academy Honorary Award for his contributions to cinema. In 2021, he won the Critics' Choice Television Award for Best Supporting Actor in a Movie/Miniseries for his work in the HBO miniseries The Undoing (2020).
Sutherland rose to fame after starring in films including The Dirty Dozen (1967), M*A*S*H (1970), Kelly's Heroes (1970), Klute (1971), Don't Look Now (1973), Fellini's Casanova (1976), 1900 (1976), The Eagle Has Landed (1976), Animal House (1978), Invasion of the Body Snatchers (1978), Ordinary People (1980), and Eye of the Needle (1981). He later went on to star in many other films where he appeared either in leading or supporting roles such as A Dry White Season (1989), JFK (1991), Outbreak (1995), A Time to Kill (1996), The Assignment (1997), Without Limits (1998), Big Shot's Funeral (2001), The Italian Job (2003), Cold Mountain (2003), Pride & Prejudice (2005), Aurora Borealis (2006) and The Hunger Games franchise (2012–2015).
He was the father of actors Kiefer Sutherland, Rossif Sutherland, and Angus Sutherland.
From Wikipedia, the free encyclopedia
Gordon Hugh Willis, Jr., ASC (May 28, 1931 – May 18, 2014) was an American cinematographer. He is best known for his work on Francis Ford Coppola's The Godfather series as well as Woody Allen's Annie Hall and Manhattan. Fellow cinematographer William Fraker called Willis's work a "milestone in visual storytelling", while one critic suggested that Willis "defined the cinematic look of the 1970s: sophisticated compositions in which bolts of light and black put the decade's moral ambiguities into stark relief".
When the International Cinematographers Guild conducted a survey in 2003, they placed Willis among the ten most influential cinematographers in history.
