In March and April of 1966, Markopoulos created this filmic portrait of writers and artists from his New York circle, including Parker Tyler, W. H. Auden, Jasper Johns, Susan Sontag, Storm De Hirsch, Jonas Mekas, Allen Ginsberg, and George and Mike Kuchar, most observed in their homes or studios. Filmed in vibrant color, Galaxie pulses with life. It is a masterpiece of in-camera composition and editing, and stands as a vibrant response to Andy Warhol's contemporary Screen Tests. Preserved by the Academy Film Archive in 2001.
09-03-1966
1h 22m
THIS
HELLA
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Amy Taubin (born September 10, 1939) is an American film critic. She is a contributing editor for two prominent film magazines, the British Sight & Sound and the American Film Comment. She has also written regularly for The Village Voice, The Millennium Film Journal, and Artforum, and used to be curator of video and film at the non-profit experimental performance space The Kitchen.
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George Kuchar (August 31, 1942 – September 6, 2011) and his twin brother Mike began making films as teenagers in the 1950s, with 8mm film being their weapon of choice. After shocking their local amateur filmmaking club with their over-the-top stories of lust and angst, they became stars of the NYC underground scene in the 1960s, befriending the likes of Jonas Mekas and Jack Smith. Always working with the constraints of minuscule budgets and nonprofessional actors, the Kuchar’s inspiration comes from classic Hollywood melodrama. Their cheaply made pictures, rather than being held back by lack of funds, blossomed in the shackles of poverty; the garish colors of the cheap makeup and sets were perfectly complemented by the bold color range afforded by Kodachrome reversal stock. The wild (and sometimes the inverse of wild) acting, use of stock music, lack of synch sound, hyperbolic narration, and primitive special effects all combined to make tiny gems unlike anything seen before or since. The Kuchars are cited as major influences by such filmmakers as John Waters, Todd Solondz, and David Lynch.
Mike Kuchar, cinematographer, painter and writer and brother of George Kuchar, was born in New York City. He began making 8mm movies in the 1950's, switching over to 16mm film production in 1960, and continues now, producing short motion pictures in the video and digital formats. Mike and George Kuchar were the co-recipients of the "Vanguard Director Award" at the 11th CineVegas Film Festival, 2009, and the 2009 "Frameline Award" at the San Francisco International LGBT Film Festival.
"Film purists," says Mike, "tend to snub the digital medium — but as far as I'm concerned, if it allows the image to move and make noise, I'll gladly use it... and the format fits perfectly into my budgets too!"
Mike Kuchar is a 2017 John Simon Guggenheim Memorial Foundation Fellow for his work in film and video.
Jonas Mekas was born in 1922 in the farming village of Semeniškiai, Lithuania. In 1944, he and his brother Adolfas were taken by the Nazis to a forced labor camp in Elmshorn, Germany. After the War he studied philosophy at the University of Mainz. At the end of 1949 the UN Refugee Organization brought both brothers to New York City, where they settled down in Williamsburg, Brooklyn.
Two months after his arrival in New York he borrowed money to buy his first Bolex camera and began to record brief moments of his life. He soon got deeply involved in the American Avant-Garde film movement. In 1954, together with his brother, he started Film Culture magazine, which soon became the most important film publication in the US. In 1958 he began his legendary Movie Journal column in the Village Voice. In 1962 he founded the Film-Makers' Cooperative, and in 1964 the Film-Makers' Cinematheque, which eventually grew into Anthology Film Archives, one of the world's largest and most important repositories of avant-garde cinema, and a screening venue.
During all this time he continued writing poetry and making films. To this date he has published more than 20 books of prose and poetry, which have been translated into over a dozen languages. His Lithuanian poetry is now part of Lithuanian classic literature and his films can be found in leading museums around the world. He is largely credited for developing the diaristic forms of cinema. Mekas has also been active as an academic, teaching at the New School for Social Research, the International Center for Photography, Cooper Union, New York University, and MIT.
Mekas' film The Brig was awarded the Grand Prize at the Venice Film Festival in 1963. Other films include Walden (1969), Reminiscences of a Journey to Lithuania (1972), Lost Lost Lost (1975), Scenes from the Life of Andy Warhol (1990), Scenes from the Life of George Maciunas (1992), As I was Moving Ahead I saw Brief Glimpses of Beauty (2000), Letter from Greenpoint (2005), Sleepless Nights Stories (2011) and Out-takes from the Life of a Happy Man. In 2007, he completed a series of 365 short films released on the internet -- one film every day -- and since then has continued to share new work on his website.
Since 2000, Mekas has expanded his work into the area of film installations, exhibiting at the Serpentine Gallery, the Centre Pompidou, Musée d'Art moderne de la Ville de Paris, the Moderna Museet (Stockholm), PS1 Contemporary Art Center MoMA, Documenta of Kassel, the Museum Ludwig in Cologne, the State Hermitage Museum in St. Petersburg, and the Venice Biennale.
Jerome Hill (March 2, 1905 – November 21, 1972) was an American filmmaker and artist. He was educated at Yale, where he drew covers, caricatures and cartoons for campus humor magazine The Yale Record.
His 1950 documentary Grandma Moses, written and narrated by Archibald MacLeish, was nominated for an Academy Award for Best Short Subject, Two-reel. He won the 1957 Academy Award for Best Documentary Feature for his film Albert Schweitzer.
In addition to making films, he was a painter and composer.
His last film, the autobiographical Film Portrait (1973), was added to the National Film Registry in 2003.
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Irwin Allen Ginsberg (June 3, 1926 – April 5, 1997) was an American poet. He is considered to be one of the leading figures of both the Beat Generation during the 1950s and the counterculture that soon followed. He vigorously opposed militarism, economic materialism and sexual repression and was known as embodying various aspects of this counterculture, such as his views on drugs, hostility to bureaucracy and openness to Eastern religions. He was one of many influential American writers of his time known as the Beat Generation, which included famous writers such as Jack Kerouac and William S. Burroughs.
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Susan Sontag (January 16, 1933 – December 28, 2004) was an American essayist, literary and cultural theorist, icon, and political activist whose works include On Photography, Against Interpretation, The Way We Live Now, and Regarding the Pain of Others.
