Cognac, a pampered poodle and popular star on French television, creates marital problems for his pretty owner Giselle when he becomes jealous of her new husband.
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Tony Curtis (June 3, 1925 – September 29, 2010) was an American film actor whose career spanned six decades, but had his greatest popularity during the 1950s and early 1960s. He acted in over 100 films in roles covering a wide range of genres, from light comedy to serious drama. In his later years, Curtis made numerous television appearances. Although his early film roles were partly the result of his good looks, by the later half of the 1950's he became a notable and strong screen presence. He began proving himself to be a “fine dramatic actor,” having the range to act in numerous dramatic and comedy roles. In his earliest parts he acted in a string of "mediocre" films, including swashbucklers, westerns, light comedies, sports films, and a musical. However, by the time he starred in Houdini (1953) with his wife Janet Leigh, "his first clear success," notes critic David Thomson, his acting had progressed immensely. He won his first serious recognition as a skilled dramatic actor in Sweet Smell of Success (1957) with co-star Burt Lancaster. The following year he was nominated for an Oscar for Best Actor in another drama, The Defiant Ones (1958). Curtis then gave what many believe was his best acting, in a completely different role, the comedy Some Like It Hot (1959). Thomson calls it an "outrageous film," and it was voted the number 1 funniest film in history from a survey done by the American Film Institute. It costarred Jack Lemmon and Marilyn Monroe, and was directed by Billy Wilder. That was followed by Blake Edwards’ comedy Operation Petticoat (1959) with Cary Grant. They were both “frantic comedies,” and displayed "his impeccable comic timing." He often collaborated with Edwards on later films. His most significant serious part came in 1968 when he starred in the true-life drama The Boston Strangler, which some consider his "last major film role." The part reinforced his reputation as a serious actor with his "chilling portrayal" of serial killer Albert DeSalvo. He gained 30 pounds and had his face "rebuilt" with a false nose to look like the real DeSalvo. Curtis was the father of actresses Jamie Lee Curtis and Kelly Curtis by his first wife, actress Janet Leigh.
Christine Maria Kaufmann (born January 11, 1945) is a German actress. In 1961 she won the Golden Globe Award for New Star Of The Year - Actress, the only German to be so honoured. Born to a German father and a French mother in Lengdorf, Styria, Kaufmann became a ballerina at the Munich Opera. She started her film career at the age of seven in the 1952 adaptation of Im weißen Rößl (White Horse Inn). The film which brought her fame was Rosen-Resli, released in 1954, when she was only nine. She gained international recognition when she starred with Steve Reeves in The Last Days of Pompeii (1959) and with Kirk Douglas in Town Without Pity (1961). The following year she appeared in Escape from East Berlin. In 1963 Kaufmann married Tony Curtis, whom she had met during the filming of Taras Bulba (1962). They had two daughters, Alexandra (born July 19, 1964) and Allegra (born July 11, 1966). They divorced in 1968. Kaufmann resumed her career, which she had interrupted during her marriage. Kaufmann is also a successful businesswoman, promoting her own cosmetics products line that sells well in Germany. She has written several books about beauty and health, as well as two autobiographies. She speaks three languages: German, English, and French. Description above from the Wikipedia article Christine Kaufmann, licensed under CC-BY-SA, full list of contributors on Wikipedia.
As a kid in the 1930s growing up in a tough New York neighborhood, kinetic wiseguy Larry Storch took in the multi-ethnic flavor of his surroundings and started blurting out various accents as a juvenile to provoke laughs and earn attention. Little did he know that this early talent would take him on a six-decade journey as a prime actor and comedian. Larry's gift as an impressionist paid off early as a teen in vaudeville houses. Following military duty during WWII as a seaman (1942-1946), a happenstance meeting with comedian Phil Harris in Palm Springs led to an opening act gig at Ciro's for Lucille Ball's and Desi Arnaz' show. From there he received his biggest break yet on radio with "The Kraft Music Hall" when he was asked to sub for an ailing Frank Morgan. Larry not only delivered his patented star impersonations, he did a devastating one of Morgan himself that went over famously.
Marcel Dalio (born Israel Moshe Blauschild; 23 November 1899 in Paris – 18 November 1983) was a French character actor. He had major roles in two films directed by Jean Renoir, Grand Illusion (1937) and The Rules of the Game (1939).
From Wikipedia, the free encyclopedia. Jules Munshin (February 22, 1915 – February 19, 1970) was a song-and-dance artist who had made his name on Broadway when he starred in Call Me Mister. Additional Broadway credits include The Gay Life and Barefoot in the Park. Although Munshin was in successful MGM musicals such as Easter Parade and Take Me Out to the Ball Game, audiences would always remember him as one of the trio of sailors (along with Gene Kelly and Frank Sinatra) singing "New York, New York" in the hit film On the Town (1949). Another of his great roles was Bibinski, a Russian Commisar in Silk Stockings (1957). Munshin died at the age of 54 from a heart attack, three days before his 55th birthday. Description above from the Wikipedia article Jules Munshin, licensed under CC-BY-SA,full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia Cliff Osmond (born February 26, 1937) is an American character actor and television screenwriter most famous for the supporting role of "Barney," Ray Walston's dimwitted songwriting partner, in Billy Wilder's Kiss Me, Stupid (the comedic song lyrics were actually written by Ira Gershwin). Osmond made more than 86 appearances in TV shows or movies between 1962 and 1996. Description above from the Wikipedia article Cliff Osmond, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Vito Giusto Scozzari (January 26, 1918 – June 5, 1996), also known as Vito Scotti, was an American character actor who played both dramatic and comedy roles on Broadway, in films, and later on television, primarily from the late 1930s to the mid-1990s. He was known as a man of a thousand faces for his ability to assume so many divergent roles in more than 200 screen appearances in a career spanning 50 years and for his resourceful portrayals of various ethnic types. Of Italian heritage, he played everything from a Mexican bandit, to a Russian doctor, to a Japanese sailor, to an Indian travel agent. From Wikipedia, the free encyclopedia
From Wikipedia, the free encyclopedia Steven Geray, born Istvan Gyergyay (10 November 1904 – 26 December 1973) was a film actor who appeared in over 100 films and dozens of television programs. Geray appeared in Spellbound (1945), Gilda (1946), In a Lonely Place (1950), All About Eve (1950), Call Me Madam (1953) and To Catch a Thief (1955). He was born in Ungvár, Austria-Hungary (now Uzhgorod, Ukraine) and educated at the University of Budapest. He made his first stage appearance at the Hungarian National Theater under his real name and after nearly four years he made his London stage debut (as Steven Geray) in 1934, appearing in Happy Week-End!. He began appearing in English-speaking films in 1935 and moved to Hollywood in 1941. He appeared alongside his wife, Magda Kun, in the 1935 film Dance Band. Geray was cast as the lead in a low-budget film noir So Dark the Night (1946). Even with its limited budget, it received great critical reviews and enabled its director Joseph H. Lewis to later direct A-pictures. Geray continued to work on television and in films into the 1960s. Among them a guest appearance on Perry Mason in 1962 as extortionist and murder victim Franz Moray in "The Case of the Stand-in Sister," three episodes of The George Burns and Gracie Allen Show as French dress designer Gaston Broussard in 1956, including the over the top "A Paris Creation" and various doctor roles on The Danny Thomas Show. Geray spent some time in the late-1960s in Estes Park, Colorado, where he directed local theater (The Fantasticks). He owned and ran a bar in Estes Park from 1969 to 1970.
Stocky character actor Stanley Adams had a relatively minor career in motion pictures, with the possible exception of his baby-faced millionaire Rusty Trawler of Breakfast at Tiffany's (1961) fame. Otherwise, he played innumerable minor ethnic villains, bartenders and avuncular, fast-talking characters, known in the credits only by their first names. In other words, most of his roles were rather small. On television, conversely, he proved himself quite a scene-stealer, particularly in the 1960's and early 70's, when his face appeared on just about every major show. He was at his best as pool hustler Sure-shot Wilson in an episode of The Odd Couple (1970), Rollo, a quirky time-traveling scientist on Twilight Zone (1959), and - famously - as 'asteroid detecting', tribble dealing galactic entrepreneur Cyrano Jones on Star Trek (1966). Alas, he was also a space carrot named Tybo on Lost in Space (1965).... His suicide in April 1977 has been attributed to severe depression as a result of a back injury, sustained earlier in the decade. Apart from the obvious pain, it would almost certainly have limited his employment opportunities. Date of Death 27 April 1977, Santa Monica, California (suicide)
Sheldon "Shelly" Manne (June 11, 1920 – September 26, 1984) was an American jazz drummer. Most frequently associated with West Coast jazz, he was known for his versatility and also played in a number of other styles, including Dixieland, swing, bebop, avant-garde jazz, and later fusion. He also contributed to the musical background of hundreds of Hollywood films and television programs. Manne's father Max Manne and uncles were drummers. In his youth he admired many of the leading swing drummers of the day, especially Jo Jones and Dave Tough. Billy Gladstone, a colleague of Manne's father and the most admired percussionist on the New York theatrical scene, offered the teenaged Shelly tips and encouragement. From that time, Manne rapidly developed his style in the clubs of 52nd Street in New York in the late 1930s and 1940s. His first professional job with a known big band was with the Bobby Byrne Orchestra in 1940. In those years, as he became known, he recorded with jazz stars like Coleman Hawkins, Charlie Shavers, and Don Byas. He also worked with a number of musicians mainly associated with Duke Ellington, like Johnny Hodges, Harry Carney, Lawrence Brown, and Rex Stewart. In 1942, during World War II, Manne joined the Coast Guard and served until 1945. In 1943, Manne married a Rockette named Florence Butterfield (known affectionately to family and friends as "Flip"). The marriage would last 41 years, until Shelly Manne's death. When the bebop movement began to change jazz in the 1940s, Manne loved it and adapted to the style rapidly, performing with Dizzy Gillespie and Charlie Parker. Around this time he also worked with rising stars like Flip Phillips, Charlie Ventura, Lennie Tristano, and Lee Konitz. Manne rose to stardom when he became part of the working bands of Woody Herman and, especially, Stan Kenton in the late 1940s and early 1950s, winning awards and developing a following at a time when jazz was the most popular music in the United States. Joining the hard-swinging Herman outfit allowed Manne to play the bebop he loved. The controversial Kenton band, on the other hand, with its "progressive jazz", presented obstacles, and many of the complex, overwrought arrangements made it harder to swing. But Manne appreciated the musical freedom that Kenton gave him and saw it as an opportunity to experiment along with what was still a highly innovative band. He rose to the challenge, finding new colors and rhythms, and developing his ability to provide support in a variety of musical situations. In the early 1950s, Manne left New York and settled permanently on a ranch in an outlying part of Los Angeles, where he and his wife raised horses. From this point on, he played an important role in the West Coast school of jazz, performing on the Los Angeles jazz scene with Shorty Rogers, Hampton Hawes, Red Mitchell, Art Pepper, Russ Freeman, Frank Rosolino, Chet Baker, Leroy Vinnegar, Pete Jolly, Howard McGhee, Bob Gordon, Conte Candoli, Sonny Criss, and numerous others. Many of his recordings around this time were for Lester Koenig's Contemporary Records, where for a period Manne had a contract as an "exclusive" artist (that is, he needed permission to record for other labels). ... Source: Article "Shelly Manne" from Wikipedia in English, licensed under CC-BY-SA 3.0.
