A seasoned Sargent with a sorry unit, led by an angry 1st Lt., to take out an enemy hold for a convoy to proceed. After their success the Sarge and the crew meet up with another Lieutenant - Female nurse.
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From Wikipedia, the free encyclopedia Jim Davis (born Marlin Davis, August 26, 1909 – April 26, 1981) was an American actor, best known for his role as Jock Ewing in the CBS prime-time soap opera, Dallas, a role which continued until he was too ill from a terminal illness to perform. He was known as Jim Davis by the time of his first major screen role, which was opposite Bette Davis in the 1948 melodrama Winter Meeting,[3] a lavish failure for which he was lambasted in the press as being too inexperienced to play the part properly. His subsequent film career consisted of mostly B movies, many of them westerns, although he made an impression as a U.S. senator in the Warren Beatty conspiracy thriller The Parallax View. Davis performed in numerous television series episodes in the 1950s-1970s. After years of relatively low-profile roles, Davis was cast as family patriarch Jock Ewing on Dallas, which debuted in 1978. During season four, he was diagnosed with multiple myeloma but continued to film the show as long as he could. In many scenes as the season progressed he was shown seated, and his voice became softer and more obviously affected by his illness. He wore a hairpiece to cover the hair he'd lost from chemotherapy. A season four storyline regarding the Takapa development and Jock's separation from Miss Ellie was ended abruptly at the end of season four. The writers depicted the couple suddenly leaving to go on an extended second honeymoon when it became obvious that Davis could no longer continue to work. Their departure in a limousine in the episode "New Beginnings" was Davis' only scene in that episode, and his condition was so poor that close watching reveals (based on his unsynchronized lip movement) that he overdubbed his one last line of dialogue. It was his final appearance on the show. He died of complications from his illness while season four was being aired.
Donald Barry went from the stage to the screen. After four years of playing villains and henchmen at various studios, Barry got the role that changed his image: Red Ryder in the Republic Pictures serial Adventures of Red Ryder (1940). Although he had appeared in westerns for two years or so, this was the one that kept him there. He acquired the nickname "Red" from his association with the Red Ryder character. After the success of "Red Ryder" Barry starred in a string of westerns for Republic. Studio chief Herbert J. Yates got the idea that Barry could be Republic's version of James Cagney, as he was short and had the same scrappy, feisty nature that Cagney had. Unfortunately, while Barry could in fact be a good actor when he wanted to be -- as he showed in the World War II drama The Purple Heart (1944) -- his "feistiness", combative nature and oversized ego caused him to alienate many of the casts and crews he worked with at Republic (ace serial director William Witney detested him, calling him "the midget", and director John English worked with him once and refused to ever work with him again). Barry made a series of westerns at Republic throughout the 1940s, but by 1950 his career had pretty much come to a halt, and he was reduced to making cheaper and cheaper pictures for bottom-of-the-barrel companies like Lippert and Screen Guild. Barry continued to work and still appeared in westerns up through the 1970s, but they were often in small supporting roles, sometimes unbilled. In 1980 he committed suicide by shooting himself.
L. Q. Jones (born August 19, 1927, died July 9th 2022) was an American character actor and film director, known for his work in the films of Sam Peckinpah. Jones was born in Beaumont in southeastern Texas, the son of Jessie Paralee (née Stephens) and Justus Ellis McQueen Sr., a railroad worker. After serving in the United States Navy from 1945 to 1946, Jones attended Lamar Junior College (now Lamar University) and then studied law at the University of Texas at Austin from 1950 to 1951. He worked as a stand-up comic, briefly played professional baseball and football, and even tried ranching in Nicaragua before turning to acting after corresponding with his former college roommate, Fess Parker. At the time, in 1954, Parker was already in Hollywood working in films and on television. Jones is a practicing Methodist and a registered Republican. Jones made his film debut in 1955 in Battle Cry, credited under his birth name Justus McQueen. His character's name in that film, however, was "L. Q. Jones", a name he liked and decided to adopt as his stage name for all of his future roles as an actor. In 1955, he was cast as "Smitty Smith" in three episodes of Clint Walker's ABC/Warner Brothers western series, Cheyenne, the first hour-long western on network television. Jones appeared in numerous films in the 1960s and 1970s. He became a member of Sam Peckinpah's stock company of actors, appearing in his Klondike series (1960–1961), Ride the High Country (1962), Major Dundee (1965), The Wild Bunch (1969), The Ballad of Cable Hogue (1970), and Pat Garrett and Billy The Kid (1973). Jones was frequently cast alongside his close friend Strother Martin, most memorably as the posse member and bounty hunter "T. C." in The Wild Bunch. Jones also appeared as recurring characters on such western series as Cheyenne (1955), Gunsmoke (1955), Laramie, Two Faces West (1960–1961), and as ranch hand Andy Belden in The Virginian (1962). That same year (1962) Jones appeared as Ollie Earnshaw, a rich rancher looking for a bride on Lawman in the episode titled "The Bride. From Wikipedia, the free encyclopedia CLR
