Vincent Price stars in this early '60s adaptation of Thomas De Quincey's thriller about an opium addict trying to solve a mystery in San Francisco's Chinatown.
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Vincent Leonard Price, Jr. (May 27, 1911 – October 25, 1993) was an American actor, well known for his distinctive voice and performances in horror films. His career spanned other genres, including film noir, drama, mystery, thriller, and comedy. He appeared on stage, television, radio, and in over one hundred films. He has two stars on the Hollywood Walk of Fame: one for motion pictures, and one for television. Price was an art collector and consultant, with a degree in art history. He lectured and wrote books on the subject. He was the founder of the Vincent Price Art Museum in California. He was also a noted gourmet cook. Description above from the Wikipedia article Vincent Price, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Richard Loo (October 1, 1903 – November 20, 1983) was an American film actor who was one of the most familiar Asian character actors in American films of the 1930s and 1940s. He appeared in more than 120 films between 1931 and 1982. Chinese by ancestry and Hawaiian by birth, Loo spent his youth in Hawaii, then moved to California as a teenager. He graduated from the University of California at Berkeley and began a career in business. The stock market crash of 1929 and the subsequent economic depression forced Loo to start over. He became involved with amateur, then professional, theater companies and in 1931 made his first film. Like most Asian actors in non-Asian countries, he played primarily small, stereotypical roles, though he rose quickly to familiarity, if not fame, in a number of films. His stern features led him to be a favorite movie villain, and the outbreak of World War II gave him greater prominence in roles as vicious Japanese soldiers in such successful pictures as The Purple Heart (1944) and God Is My Co-Pilot (1945). Loo was most often typecast as the Japanese enemy pilot, spy or interrogator during World War II. In the film The Purple Heart he plays a Japanese Imperial Army general who commits suicide because he cannot break down the American prisoners. According to his daughter, Beverly Jane Loo, he didn't mind being typecast as a villain in these movies as he felt very patriotic about playing those parts. In 1944 he appeared as a Chinese army lieutenant opposite Gregory Peck in The Keys of the Kingdom. He had a rare heroic role as a war-weary Japanese-American soldier in Samuel Fuller's Korean War classic The Steel Helmet (1951), but he spent much of the latter part of his career performing stock roles in films and minor television roles. In 1974 he appeared as the Thai billionaire tycoon Hai Fat in the James Bond film The Man with the Golden Gun, opposite Roger Moore and Christopher Lee. Loo was also a teacher of Shaolin monks in three episodes of the 1972–1975 hit TV series Kung Fu and made a further three appearances as a different character. His last acting appearance was in The Incredible Hulk TV series in 1981, but he continued to act in Toyota commercials into 1982. Loo died of a cerebral hemorrhage on November 20, 1983, age 80. [biography (excerpted) from Wikipedia]
June Kyoto Lu is known for her work on Big Trouble in Little China (1986), Blood Work (2002) and Lady in the Water (2006).
From Wikipedia, the free encyclopedia Philip Ahn (born Pil Lip Ahn (안필립), March 29, 1905 – February 28, 1978) was a Korean American actor. He was the first Korean American film actor to receive a star on the Hollywood Walk of Fame. Ahn's first film was A Scream in the Night in 1935. He appeared in the Bing Crosby film Anything Goes, though director Lewis Milestone had initially rejected him because his English was too good for the part. His first credited roles came in 1936 in The General Died at Dawn and Stowaway, opposite Shirley Temple. He starred opposite Anna May Wong in Daughter of Shanghai (1937) and King of Chinatown (1937). During World War II, Ahn often played Japanese villains in war films. Mistakenly thought to be Japanese, he received several death threats. He enlisted in the United States Army, having served in the Special Services as an entertainer. He was discharged early because of an injured ankle and returned to making films. Ahn appeared in Love Is a Many-Splendored Thing, Around the World in Eighty Days, Thoroughly Modern Millie and Paradise, Hawaiian Style, with Elvis Presley. He got to play Korean characters in Korean War movies such as Battle Circus (1953) and Battle Hymn (1956). In 1952, Ahn made his television debut on the Schlitz Playhouse, a series he would make three additional appearances on. Ahn would also be cast in four episodes of ABC's Adventures in Paradise, four episodes of the ABC/Warner Brothers crime drama Hawaiian Eye, and the CBS crime drama Hawaii Five-O. He made three appearances each on Crossroads, Bonanza, and M*A*S*H. He would also appear in two television movies. Ahn's most notable television role was as "Master Kan" on the television series Kung Fu. A Presbyterian, Ahn felt that the Taoist homilies his character quoted did not contradict his own religious faith.
From Wikipedia, the free encyclopedia John Mamoru Fujioka (June 29, 1925 – December 13, 2018) was an American actor of Japanese descent. He was particularly known for performing the role of a Japanese holdout soldier in The Last Flight of Noah's Ark, Who Finds a Friend Finds a Treasure, and American Ninja. He died in December 2018 at the age of 93. Description above from the Wikipedia article John Fujioka, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Angelo Salvatore Rossitto (February 18, 1908 – September 21, 1991) was an American actor and voice artist. He had dwarfism and was 2'11" (89 cm) tall, and was often billed as Little Angie or Moe. Angelo first appeared in silent films opposite Lon Chaney and John Barrymore. On-screen, he portrayed everything from dwarfs, midgets, gnomes, and pygmies as well as monsters, villains, and aliens, with appearances in more than 70 films. Rossitto was born in Omaha, Nebraska to Salvatore Rossitto and Carmela Caniglia, both born in Carlentini, Province of Siracusa, Sicily, Italy, and had a sister, Josephine Rossitto. He was discovered by John Barrymore and made his screen debut opposite Barrymore in The Beloved Rogue (1927). That same year he appeared in Warner Brother's Old San Francisco. He appeared in the controversial 1932 film Freaks directed by Tod Browning, and another controversial film, 1938's Child Bride. During the 1940s, he appeared in several poverty row movies starring Bela Lugosi. He appeared frequently in television series and mini-series, particularly best known for the police drama Baretta, and his later film roles included appearances in Alex in Wonderland (1970), Brain of Blood (1971), Dracula vs. Frankenstein (1971), Little Cigars (1973), and Fairy Tales (1978). His last major role was as "Master" opposite Mel Gibson in Mad Max Beyond Thunderdome (1985). Rossitto appears alongside singer/songwriter Tom Waits and Lee Kolima on the cover art of Waits' 1983 album Swordfishtrombones, which pays homage to his performance in Freaks. He also appears on the cover of Bob Dylan's album The Basement Tapes.
Victor Sen Young (born Victor Cheung Young or Sen Yew Cheung; October 18, 1915 – body discovered November 9, 1980) was an American character actor, best known for playing Jimmy Chan in the Charlie Chan films and Hop Sing in the Western series Bonanza. He was born in San Francisco, California to Gum Yung Sen and his first wife, both immigrants from China. His mother died during the flu epidemic of 1919. His father placed Victor and his younger sister, Rosemary, in a children's shelter, and returned to his homeland to seek another wife. He returned in 1922 with his new wife, Lovi Shee, forming a household with his two children. Sen Yung made his first significant acting debut in the 1938 film Charlie Chan in Honolulu, as the Chinese detective's "number two son", Jimmy Chan. Sen Yung played Jimmy Chan in 11 Charlie Chan films between 1938 and 1942. Moonlighting from the popular Chan series, Sen Yung won critical acclaim playing the nuanced role of Ong Chi Seng, a young attorney assisting Howard Joyce, in defending Leslie Crosbie, in The Letter. Like other Chinese-American actors, he was cast in Japanese parts during World War II, like his role as the treacherous Japanese-American Joe Totsuiko in the 1942 Humphrey Bogart film Across the Pacific. During World War II he joined the U.S. Army Air Forces just as his erstwhile co-star Sidney Toler was set to revive the dormant Charlie Chan series at Monogram Pictures. Sen Yung's military obligations forced him to decline rejoining the series immediately, but Monogram gave him a standing invitation to work there after his tour of duty. Sen Yung's military service included work in training films at the First Motion Picture Unit and a role in the Army Air Forces' play and film Winged Victory. In 1946 Sen Yung resumed his Hollywood career at Monogram, now billed as Victor Sen Young, and reunited with Sidney Toler. Toler's health was failing; Monogram was conserving Toler's waning energy, limiting his scenes and giving him long rest periods during filming. To relieve the burden on Toler, Monogram entrusted much of the action to Victor Sen Young; he and either Mantan Moreland or Willie Best shared much of the footage in Toler's final three films, Dangerous Money, Shadows Over Chinatown, and The Trap. The addition of Moreland as Chan's black chauffeur, Birmingham Brown, reflected the fact that by this time the Chan pictures had a significant following among black Americans, who liked a film series that for once did not feature a white hero. Moreland's popularity in the Chan pictures was so great that he was booked for a nationwide vaudeville tour. Following Toler's death in 1947, Victor Sen Young appeared in five of the remaining six Charlie Chan features. His character "Jimmy" was renamed "Tommy". Victor Sen Young continued to work in motion pictures and television in roles ranging from featured players (affable or earnest Asian characters) to bit roles (clerks, houseboys, waiters, etc.). Arguably even more than for his work in the Charlie Chan films, Victor Sen Yung is remembered as "Hop Sing," the irascible cook and general factotum on the iconic television series Bonanza, appearing in 107 episodes between 1959 and 1973. Sen Yung was also an accomplished and talented chef. He frequently appeared on cooking programs and authored The Great Wok Cookbook in 1974.
