Everything's Ducky is a 1961 film directed by Don Taylor and starring Buddy Hackett, Mickey Rooney, and Jackie Cooper. Two sailors sneak a talking duck aboard their ship. Complications ensue. The duck waddles all over the ship until he escapes.
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From Wikipedia, the free encyclopedia Mickey Rooney (born Joseph Yule Jr.; September 23, 1920 – April 6, 2014) was an American actor, vaudevillian, comedian, producer, and radio personality. In a career spanning nine decades and continuing until shortly before his death, he appeared in more than 300 films and was among the last surviving stars of the silent film era. At the height of a career that was marked by declines and comebacks, Rooney performed the role of Andy Hardy in a series of 16 films in the 1930s and 1940s that epitomized American family values. A versatile performer, he became a celebrated character actor later in his career. Laurence Olivier once said he considered Rooney "the best there has ever been". Clarence Brown, who directed him in two of his earliest dramatic roles, National Velvet and The Human Comedy, said he was "the closest thing to a genius I ever worked with". Rooney first performed in vaudeville as a child and made his film debut at the age of six. At 14, he played Puck in the play and later the 1935 film adaptation of A Midsummer Night's Dream. Critic David Thomson hailed his performance as "one of the cinema's most arresting pieces of magic". In 1938, he co-starred in Boys Town. At 19, he was the first teenager to be nominated for an Oscar for his leading role in Babes in Arms, and he was awarded a special Academy Juvenile Award in 1939. At the peak of his career between the ages of 15 and 25, he made 43 films, which made him one of Metro-Goldwyn-Mayer's most consistently successful actors and a favorite of MGM studio head Louis B. Mayer. Rooney was the top box-office attraction from 1939 to 1941 and one of the best-paid actors of that era, but his career would never again rise to such heights. Drafted into the Army during World War II, he served nearly two years entertaining over two million troops on stage and radio and was awarded a Bronze Star for performing in combat zones. Returning from the war in 1945, he was too old for juvenile roles but too short to be an adult movie star, and was unable to get as many starring roles. Nevertheless, Rooney's popularity was renewed with well-received supporting roles in films such as Breakfast at Tiffany's (1961), Requiem for a Heavyweight (1962), It's a Mad, Mad, Mad, Mad World (1963), and The Black Stallion (1979). In the early 1980s, he returned to Broadway in Sugar Babies and again became a celebrated star. Rooney made hundreds of appearances on TV, including dramas, variety programs, and talk shows, and won an Emmy in 1982 plus a Golden Globe for his role in Bill (1981).
Buddy Hackett (August 31, 1924 - June 30, 2003) was an American actor, comedian and singer.
Served with the Navy in the South Pacific toward the end of World War II. Then, quietly and without publicity or fanfare, compiled one of the most distinguished peacetime military careers of anyone in his profession. In 1961, as his weekly TV series Hennesey (1959) was enhancing naval recruiting efforts, accepted a commission as a line officer in the Naval Reserve with duties in recruitment, training films, and public relations. Holder of a multi-engine pilot license, he later co-piloted jet planes for the Navy, which made him an Honorary Aviator authorized to wear wings of gold-at the time only the third so honored in naval aviation history. By 1976 he had attained the rank of captain, and was in uniform aboard the carrier USS Constellation for the Bicentennial celebration on July 4. In 1980, the Navy proposed a period of active duty at the Pentagon that would have resulted in a promotion to rear admiral, bringing him even with Air Force Reserve Brigadier General James Stewart. Fresh on the heels of a second directing Emmy, he felt his absence would impact achieving a long-held goal of directing motion pictures, and reluctantly declined. (The opportunity in films never materialized.) Holds Letters of Commendation from six secretaries of the Navy. Was honorary chairman of the U.S. Navy Memorial Foundation and a charter member of VIVA, the effort to return POW-MIAs from Vietnam. Upon retirement in 1982, he was decorated with the Legion of Merit by Navy Secretary John F. Lehman Jr.. Other than Stewart, no performer in his industry has achieved a higher uniformed rank in the U.S. military. (Glenn Ford was also a Naval Reserve captain, and director and Captain John Ford was awarded honorary flag rank upon his 1951 retirement from the Naval Reserve).
Roland Winters (born Roland Winternitz) was an American actor who played many character parts in films and television but today is best remembered for portraying Charlie Chan in six films in the late 1940s. Monogram Pictures eventually selected Winters to replace Sidney Toler in the Charlie Chan film series. Winters was 44 when he made the first of his six Chan films, The Chinese Ring in 1947 and ending with Charlie Chan and the Sky Dragon (also known as Sky Dragon) in 1949. His other Chan films were "Docks of New Orleans", "Shanghai Chest", "The Golden Eye" and "The Feathered Serpent". He also had character roles in three other feature films while he worked on the Chan series. Yunte Huang, in Charlie Chan: The Untold Story of the Honorable Detective and His Rendezvous with American History, noted differences in the actors' appearances, especially that Winters' "tall nose simply could not be made to look Chinese." Huang also cited the actor's age, writing, "at the age of forty-four, he also looked too young to resemble a seasoned Chinese sage." In contrast to Huang, Ken Hanke wrote in his book, Charlie Chan at the Movies: History, Filmography, and Criticism, "Roland Winters has never received his due ... Winters brought with him a badly needed breath of fresh air to the series." He cited "the richness of the approach and the verve with which the series was being tackled" during the Winters era." Similarly, Howard M. Berlin, in his book, Charlie Chan's Words of Wisdom, commented that "Winters brought a much needed breath of fresh air to the flagging film series with his self-mocking, semi-satirical interpretation of Charlie, which is very close to the Charlie Chan in Biggers' novels." After the series finished, Winters continued to work in film and television until 1982. He was in the movies So Big and Abbott and Costello Meet the Killer, Boris Karloff, played Elvis' father in Blue Hawaii and a judge in the Elvis film Follow That Dream. He made appearances as the boss on the early TV series Meet Millie as the boss and the courtroom drama Perry Mason. In one episode of the Bewitched TV series, he played the normally unseen McMann of McMann and Tate. He also portrayed Mr. Gimbel in Miracle on 34th Street in 1973.
Thin, fidgety James Millholin made a career out of playing dyspeptic bureaucrats, nervous hotel clerks and other officious authority types. Somewhat reminiscent of Edward Everett Horton or Franklin Pangborn, Millhollin's pinched face, somewhat pop eyes and flighty mannerisms fit those roles like a glove, one of the best examples being the army psychiatrist driven to distraction trying to give Andy Griffith a psychological examination in No Time for Sergeants (1958) (a role he also played on Broadway). Born in Peoria, IL, Millhollin had a career on the Broadway stage and did much television in the early 1950s before breaking into films. After retiring from the industry he moved to Mississippi, where he died in 1993. - IMDb Mini Biography By: [email protected]
From Wikipedia, the free encyclopedia Gordon Wynnivo Jones (April 5, 1911 – June 20, 1963) was an American character actor, a member of John Wayne's informal acting company best known for playing Lou Costello's TV nemesis "Mike the Cop" and appearing as The Green Hornet in the first of two movie serials based on that old-time radio program. Iowa-born Jones had been a student athlete and star football guard ("Bull" Jones) at University of California, Los Angeles, and had also played a few seasons of professional football. He started out playing small roles in Wesley Ruggles' and Ernest B. Schoedsack's The Monkey's Paw (1933), his first credited role in Sam Wood's Let 'Em Have It (1935), and Sidney Lanfield's Red Salute (1935). By 1937, he had moved on to a contract at RKO Radio Pictures. In 1940, Jones had the title role in The Green Hornet but did not reprise the role in the sequel. Jones held a reserve commission in the army and was called into the service after filming his roles as "The Wreck" in My Sister Eileen (1942) and "Alabama Smith" in Flying Tigers (1942), a John Wayne vehicle that was one of the most popular action films of the war. This picture began Jones' 20-year onscreen association with Wayne, who was also a former football player at the University of Southern California. Jones remained associated with the service after the war, encouraging college students to consider the Reserve Officers' Training Corps. After resuming his acting career in the late 1940s, Jones appeared in prominent roles in the John Wayne features Big Jim McLain (1952) and Island in the Sky (1953). By the end of the 1940s, Jones had aged into a beefier screen presence and into very physical character roles. He was no longer a leading man but he had developed a comic villain persona which meshed with the work of Bud Abbott and Lou Costello. Jones' association with the duo began in The Wistful Widow of Wagon Gap (1947) with the role of the film's heavy, Jake Frame, and continued through their television series The Abbott and Costello Show. Jones played "Mike the Cop", Costello's hulking, loud-voiced antagonist. The program was produced for only two seasons, but ensured continued recognition for Jones via frequent reruns and a 21st Century DVD release. Jones also remained busy in films and on television throughout the 1950s, in pictures that ranged from the sci-fi chiller The Monster That Challenged the World to the Tony Curtis/Janet Leigh sex comedy The Perfect Furlough, and on TV series ranging from The Real McCoys to The Rifleman. Jones also appeared in two very successful Disney movies during the early '60s, The Absent-Minded Professor and Son of Flubber. He played harried school coaches in both pictures. He also starred with Mitzi Green and Virginia Gibson in the short-lived TV sitcom So This Is Hollywood (1955), and had a recurring role as neighbor Butch Barton during the early years of The Adventures of Ozzie and Harriet Jones returned to the John Wayne stock company portraying Douglas, the bureaucrat antagonist to Wayne's G.W. McLintock in the Western comedy McLintock! (1963). Jones unexpectedly succumbed to a heart attack on June 12, 1963, five months before the release of that movie. Jones has a star on the Hollywood Walk of Fame on the West side of the 1600 block of Vine Street.
Jack Alvin "Alvy" Moore (December 5, 1921 – May 4, 1997) was an American light comic actor best known for his role as scatterbrained county agricultural agent Hank Kimball on the CBS television series Green Acres. His character would often make a statement, only to immediately negate the statement himself and then negate the corrected statement until his stream of statements was interrupted by a frustrated Oliver Wendell Douglas portrayed by Eddie Albert. One such statement was, "Good morning, Mr. Douglas! Well, it's not a good morning ... but it's not a bad morning either!" He became an actor and furthered his training at the Pasadena Playhouse, succeeding David Wayne in the role of Ensign Pulver opposite Henry Fonda's Mister Roberts on Broadway, and later toured with the play for 14 months. He made his screen debut playing the quartermaster in Okinawa (1952).[4] Moore appeared in guest and supporting roles in a number of movies and television shows, including "My Little Margie" in 1952, as Dillard Crumbly, an efficiency expert fresh out of Efficiency College, The Mickey Mouse Club, where he hosted "What I Want to Be" segments as the Roving Reporter. He had a small role as a member of Marlon Brando's motorcycle gang in the 1953 film The Wild One, and a similar bit part the same year as one of the Linda Rosa townspeople in The War of the Worlds. Moore co-starred with Dick Powell and Debbie Reynolds in the 1954 film Susan Slept Here, in which he displayed his natural gift for physical comedy. In 1955 he co-starred with Brian Keith and Kim Novak in 5 Against the House. In the early 1960s he was cast in the recurring role of Howie in 11 episodes of the CBS sitcom Pete and Gladys, with Harry Morgan and Cara Williams.[4] In 1962 Moore was cast as the Swiss-American botanist David Douglas, for whom the Douglas fir tree is named, in an episode of the western anthology series Death Valley Days. Keenan Wynn co-starred as Douglas' friend Josh Tavers, and Iron Eyes Cody played an Indian chief who threatens to kill the two men.[6] Moore made a brief appearance as a cab driver in the 1964 Perry Mason episode "The Case of the Wednesday Woman." He also appeared in two episodes of another CBS sitcom, The Dick Van Dyke Show, "The Impractical Joke" and "The Case Of The Pillow." He was also a guest star on The Andy Griffith Show and later on Little House on the Prairie (TV series). He was an actor, producer, and uncredited scriptwriter for A Boy and His Dog. He attended DisCon II, the 1974 World Science Fiction Convention, to help promote the film. One of his last television appearances was a brief guest shot on the sitcom Frasier. In the 1980s Moore appeared in many cult horror films, including Scream (1981), Mortuary (1983), They're Playing With Fire (1984), Intruder (1989), and The Horror Show (1989).
George Sawaya (August 14, 1923 – September 17, 2003) was an American stuntman and actor. He acted in almost one hundred different films and television episodes, but always as minor characters. His careerwas relatively consistent from the 1950s to the 1980s. Sawaya acted in the original Star Trek several times, first as Chief Humboldt in "The Menagerie, Part I" and then as Klingons in "Errand of Mercy" and "Day of the Dove".
