The Last Mile

From Wikipedia, the free encyclopedia Mickey Rooney (born Joseph Yule Jr.; September 23, 1920 – April 6, 2014) was an American actor, vaudevillian, comedian, producer, and radio personality. In a career spanning nine decades and continuing until shortly before his death, he appeared in more than 300 films and was among the last surviving stars of the silent film era. At the height of a career that was marked by declines and comebacks, Rooney performed the role of Andy Hardy in a series of 16 films in the 1930s and 1940s that epitomized American family values. A versatile performer, he became a celebrated character actor later in his career. Laurence Olivier once said he considered Rooney "the best there has ever been". Clarence Brown, who directed him in two of his earliest dramatic roles, National Velvet and The Human Comedy, said he was "the closest thing to a genius I ever worked with". Rooney first performed in vaudeville as a child and made his film debut at the age of six. At 14, he played Puck in the play and later the 1935 film adaptation of A Midsummer Night's Dream. Critic David Thomson hailed his performance as "one of the cinema's most arresting pieces of magic". In 1938, he co-starred in Boys Town. At 19, he was the first teenager to be nominated for an Oscar for his leading role in Babes in Arms, and he was awarded a special Academy Juvenile Award in 1939. At the peak of his career between the ages of 15 and 25, he made 43 films, which made him one of Metro-Goldwyn-Mayer's most consistently successful actors and a favorite of MGM studio head Louis B. Mayer. Rooney was the top box-office attraction from 1939 to 1941 and one of the best-paid actors of that era, but his career would never again rise to such heights. Drafted into the Army during World War II, he served nearly two years entertaining over two million troops on stage and radio and was awarded a Bronze Star for performing in combat zones. Returning from the war in 1945, he was too old for juvenile roles but too short to be an adult movie star, and was unable to get as many starring roles. Nevertheless, Rooney's popularity was renewed with well-received supporting roles in films such as Breakfast at Tiffany's (1961), Requiem for a Heavyweight (1962), It's a Mad, Mad, Mad, Mad World (1963), and The Black Stallion (1979). In the early 1980s, he returned to Broadway in Sugar Babies and again became a celebrated star. Rooney made hundreds of appearances on TV, including dramas, variety programs, and talk shows, and won an Emmy in 1982 plus a Golden Globe for his role in Bill (1981).

Michael Constantine (born Gus Efstratiou (Ευστρατίου); May 22, 1927 – August 31, 2021) was an American actor. He is most widely recognized for his portrayal of Kostas "Gus" Portokalos, the Windex bottle-toting Greek father of Toula Portokalos (Nia Vardalos), in the film My Big Fat Greek Wedding (2002). Earlier, he earned acclaim for his television work, especially as the long-suffering high school principal, Seymour Kaufman, on ABC's comedy-drama, Room 222, for which he won the Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series in 1970; he was again recognized by the Emmy Awards, as well as the Golden Globe Awards, the following year. After the conclusion of Room 222, Constantine portrayed night court magistrate Matthew J. Sirota on the 1976 sitcom Sirota's Court, receiving his second Golden Globe nomination. Constantine reprised his role as Gus Portokalos in My Big Fat Greek Wedding 2 (2016). Description above from the Wikipedia article Michael Constantine, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Clifford David (June 30, 1928 – November 30, 2017) was an American actor, singer, and coach. His career began in the 1950s, with early live television appearances leading to roles in Broadway musicals. He also played character roles in television series, feature films, and theatre.

Donald Barry went from the stage to the screen. After four years of playing villains and henchmen at various studios, Barry got the role that changed his image: Red Ryder in the Republic Pictures serial Adventures of Red Ryder (1940). Although he had appeared in westerns for two years or so, this was the one that kept him there. He acquired the nickname "Red" from his association with the Red Ryder character. After the success of "Red Ryder" Barry starred in a string of westerns for Republic. Studio chief Herbert J. Yates got the idea that Barry could be Republic's version of James Cagney, as he was short and had the same scrappy, feisty nature that Cagney had. Unfortunately, while Barry could in fact be a good actor when he wanted to be -- as he showed in the World War II drama The Purple Heart (1944) -- his "feistiness", combative nature and oversized ego caused him to alienate many of the casts and crews he worked with at Republic (ace serial director William Witney detested him, calling him "the midget", and director John English worked with him once and refused to ever work with him again). Barry made a series of westerns at Republic throughout the 1940s, but by 1950 his career had pretty much come to a halt, and he was reduced to making cheaper and cheaper pictures for bottom-of-the-barrel companies like Lippert and Screen Guild. Barry continued to work and still appeared in westerns up through the 1970s, but they were often in small supporting roles, sometimes unbilled. In 1980 he committed suicide by shooting himself.

From Wikipedia, the free encyclopedia. Clifton James (born May 29, 1921) was an American actor. He is probably best known for his work with two of the six James Bond 007 actors in the past, Roger Moore in Live and Let Die (1973), The Man With The Golden Gun (1974) and Sean Connery in The Untouchables (1987). Description above from the Wikipedia article Clifton James, licensed under CC-BY-SA,full list of contributors on Wikipedia.

From Wikipedia, the free encyclopedia Frank Parish Conroy (14 October 1890 – 24 February 1964) was a British film and stage actor who appeared in many films, notably Grand Hotel (1932), The Little Minister (1934) and The Ox-Bow Incident (1943). He appeared on the Broadway stage and won a Tony Award for his performance in Graham Greene's The Potting Shed (1957).