A Hollywood private eye (Efrem Zimbalist Jr.) seeks a singer being stalked by a hired killer.
10-10-1958
1h 17m
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Main Cast
Movie Details
Production Info
Director:
Richard L. Bare
Production:
Warner Bros. Pictures, Warner Bros. Television
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Efrem Zimbalist Jr.
From Wikipedia, the free encyclopedia
Efrem Zimbalist Jr. (November 30, 1918 – May 2, 2014) was an American actor known for his starring roles in the television series 77 Sunset Strip and The F.B.I. He is also known as recurring character "Dandy Jim Buckley" in the series Maverick and as the voice behind the character Alfred Pennyworth in Batman: The Animated Series and associated spin-offs. He also voiced Doctor Octopus in the 1990s Spider-Man animated series and the 2000 PC, Dreamcast and PlayStation Spider-Man action-adventure video game, and Justin Hammer from the second season of the 1994 Iron Man animated series.
From Wikipedia, the free encyclopedia.
Edd Byrnes (July 30, 1933 - January 8, 2020) was an American actor known for his starring role in the television series 77 Sunset Strip. He also was featured in the 1978 film Grease as Vince Fontaine.
Description above from the Wikipedia article Edd Byrnes, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Barton MacLane graduated from Wesleyan University, where he displayed a notable aptitude for sports, in particular football and basketball. Not surprisingly, his physical prowess led to an early role in The Quarterback (1926) with Richard Dix. MacLane once commented that, as an actor, he needed to have the physical strength to tear the bad guys "from limb to limb", if necessary. Ironically, it was usually Barton himself who was destined to be at the end of a hiding (when not getting shot, instead), typically as snarling henchmen, outlaws and other assorted dubious or abrasive types throughout most of his 40-year acting career. In fact, Barton became so typecast that his name was for a time used proverbially, to generally describe a shouting, hard-nosed ruffian.
After training at the American Academy of Dramatic Arts, MacLane joined a stock company in Brooklyn. In 1927 he had his first part on Broadway, a brief moment as an assistant district attorney, in the melodrama "The Trial of Mary Dugan". He then played a small featured role as a police officer in "Subway Express" (1929-30), a drama enacted in the interior of a subway car. In mid-1932 MacLane tried his hand at writing his own starring vehicle for the stage, entitled "Rendezvous". While the play closed after just 21 performances, it led to a contract with Warner Brothers.
Barton had already appeared in bit roles for Paramount at their Astoria Studios, including The Marx Brothers' debut film The Cocoanuts (1929). He portrayed mobster Brad Collins in 'G' Men (1935) (with James Cagney), which set the tone for most of his future assignments. Brawny, with squinty eyes and a rasping voice, MacLane was the ideal surly tough guy, particularly suitable for westerns and the type of films noir Warner Brothers excelled at. He was often cast as cops, be they bent or honest. Some of his most representative performances include gangster Al Kruger in Bullets or Ballots (1936), which won him some of the best critical notices of his career; outlaw Jack Slade in Western Union (1941); crooked construction boss Pat McCormick, who gets beaten up by Humphrey Bogart and Tim Holt over past-due wages in The Treasure of the Sierra Madre (1948); hard-nosed cops Detective Dundy in The Maltese Falcon (1941) and Lt. Reece in Kiss Tomorrow Goodbye (1950). MacLane, on loan to Universal, also had a starring role in Prison Break (1938) as an innocent tuna fisherman who is framed for murder. He was prominent as a tough but sympathetic cop, foil to sleuthing girl reporter Glenda Farrell in the "Torchy Blaine" series of the mid- to late 1930s. In the 1960s Barton began to cultivate a good-guy image as Marshal Frank Caine in the NBC western series Outlaws (1960) as well as showing up in a small recurring role as Air Force Gen. Martin Peterson in I Dream of Jeannie (1965).
Barton was married to the actress Charlotte Wynters, who appeared with him in six of his films. When not on the set, the couple spent time on their 2000-acre cattle ranch in Madera County, California.
For his work in television, Barton has a star on the Hollywood Walk of Fame.
From Wikipedia, the free encyclopedia
Vince Barnett (July 4, 1902 – August 10, 1977) was an American film and television actor. He appeared on stage originally.
Barnett's initial involvement with Hollywood was as a screenwriter, writing screenplays for the two-reeler movies of the late 1920s. He began appearing in films in 1930, playing hundreds of comedy bits and supporting parts. One of his more sizable screen roles was the moronic, illiterate gangster "secretary" in Scarface (1932). Among his best-regarded early roles, apart from Scarface, were The Big Cage (1933), Thirty Day Princess (1934) and Princess O'Hara (1935).
In later years, Barnett played straight character parts, often as careworn little men, undertakers, janitors, bartenders and drunks in pictures ranging from films noir (The Killers, 1946) to westerns (Springfield Rifle, 1952). He was a welcome presence in "B" comedies and mysteries: as Runyonesque gangsters in Petticoat Larceny (1943), Little Miss Broadway (1947), and Gas House Kids Go West (1947), and notably as Tom Conway's enthusiastic sidekick in The Falcon's Alibi (1946).
After World War II, with the Hollywood studios making fewer films, Barnett became a familiar face on television.
American character actor specializing in villainous roles. Born in White Plains, New York to Herman E. and Franceska Lauter, he was raised in Denver, Colorado. Although it has been suggested that he appeared briefly in a couple of films during the Thirties, his real movie career began in 1946. He came to be a familiar presence in low-budget films, serials, and television programs in the 1950s, though he only once really came close to stardom, as one of the leads in the television series "Tales of the Texas Rangers (1955)". Most of his career was spent as a serviceable second lead or heavy, though he continued to play bit parts in larger pictures. The son of an artist, he devoted much of his energy late in life to his own painting and running an art gallery. He died in 1990.