After killing Billy the Kid, Sheriff Pat Garrett is relentlessly dogged by members of the Kid's gang.
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From Wikipedia, the free encyclopedia Jim Davis (born Marlin Davis, August 26, 1909 – April 26, 1981) was an American actor, best known for his role as Jock Ewing in the CBS prime-time soap opera, Dallas, a role which continued until he was too ill from a terminal illness to perform. He was known as Jim Davis by the time of his first major screen role, which was opposite Bette Davis in the 1948 melodrama Winter Meeting,[3] a lavish failure for which he was lambasted in the press as being too inexperienced to play the part properly. His subsequent film career consisted of mostly B movies, many of them westerns, although he made an impression as a U.S. senator in the Warren Beatty conspiracy thriller The Parallax View. Davis performed in numerous television series episodes in the 1950s-1970s. After years of relatively low-profile roles, Davis was cast as family patriarch Jock Ewing on Dallas, which debuted in 1978. During season four, he was diagnosed with multiple myeloma but continued to film the show as long as he could. In many scenes as the season progressed he was shown seated, and his voice became softer and more obviously affected by his illness. He wore a hairpiece to cover the hair he'd lost from chemotherapy. A season four storyline regarding the Takapa development and Jock's separation from Miss Ellie was ended abruptly at the end of season four. The writers depicted the couple suddenly leaving to go on an extended second honeymoon when it became obvious that Davis could no longer continue to work. Their departure in a limousine in the episode "New Beginnings" was Davis' only scene in that episode, and his condition was so poor that close watching reveals (based on his unsynchronized lip movement) that he overdubbed his one last line of dialogue. It was his final appearance on the show. He died of complications from his illness while season four was being aired.
Barton MacLane graduated from Wesleyan University, where he displayed a notable aptitude for sports, in particular football and basketball. Not surprisingly, his physical prowess led to an early role in The Quarterback (1926) with Richard Dix. MacLane once commented that, as an actor, he needed to have the physical strength to tear the bad guys "from limb to limb", if necessary. Ironically, it was usually Barton himself who was destined to be at the end of a hiding (when not getting shot, instead), typically as snarling henchmen, outlaws and other assorted dubious or abrasive types throughout most of his 40-year acting career. In fact, Barton became so typecast that his name was for a time used proverbially, to generally describe a shouting, hard-nosed ruffian. After training at the American Academy of Dramatic Arts, MacLane joined a stock company in Brooklyn. In 1927 he had his first part on Broadway, a brief moment as an assistant district attorney, in the melodrama "The Trial of Mary Dugan". He then played a small featured role as a police officer in "Subway Express" (1929-30), a drama enacted in the interior of a subway car. In mid-1932 MacLane tried his hand at writing his own starring vehicle for the stage, entitled "Rendezvous". While the play closed after just 21 performances, it led to a contract with Warner Brothers. Barton had already appeared in bit roles for Paramount at their Astoria Studios, including The Marx Brothers' debut film The Cocoanuts (1929). He portrayed mobster Brad Collins in 'G' Men (1935) (with James Cagney), which set the tone for most of his future assignments. Brawny, with squinty eyes and a rasping voice, MacLane was the ideal surly tough guy, particularly suitable for westerns and the type of films noir Warner Brothers excelled at. He was often cast as cops, be they bent or honest. Some of his most representative performances include gangster Al Kruger in Bullets or Ballots (1936), which won him some of the best critical notices of his career; outlaw Jack Slade in Western Union (1941); crooked construction boss Pat McCormick, who gets beaten up by Humphrey Bogart and Tim Holt over past-due wages in The Treasure of the Sierra Madre (1948); hard-nosed cops Detective Dundy in The Maltese Falcon (1941) and Lt. Reece in Kiss Tomorrow Goodbye (1950). MacLane, on loan to Universal, also had a starring role in Prison Break (1938) as an innocent tuna fisherman who is framed for murder. He was prominent as a tough but sympathetic cop, foil to sleuthing girl reporter Glenda Farrell in the "Torchy Blaine" series of the mid- to late 1930s. In the 1960s Barton began to cultivate a good-guy image as Marshal Frank Caine in the NBC western series Outlaws (1960) as well as showing up in a small recurring role as Air Force Gen. Martin Peterson in I Dream of Jeannie (1965). Barton was married to the actress Charlotte Wynters, who appeared with him in six of his films. When not on the set, the couple spent time on their 2000-acre cattle ranch in Madera County, California. For his work in television, Barton has a star on the Hollywood Walk of Fame.
From Wikipedia, the free encyclopedia. Bob Steele (January 23, 1907 - December 21, 1988) was an American actor. He was born Robert Adrian Bradbury in Portland, Oregon, into a vaudeville family. After years of touring, the family settled down in Hollywood in the late 1910s, where his father, Robert N. Bradbury, soon found work in the movies, first as an actor, later as a director, and by 1920, he hired Bob and his twin brother Bill (1907–1971) as juvenile leads for a series of adventure movies entitled "The Adventures of Bob and Bill". Bob's career began to take off for good in 1927, when he was hired by production company Film Booking Offices of America (FBO) to star in a series of Westerns. Bob—who was rechristened Bob Steele at FBO—soon made a name for himself, and in the late 1920s, 1930s and 1940s starred in B-Westerns for almost every minor film studio, including Monogram, Supreme, Tiffany, Syndicate, Republic (including several films of the Three Mesquiteers series) and Producers Releasing Corporation (PRC) (including the initial films of their "Billy the Kid" series), plus he had the occasional role in an A-movie, as in the adaptation of John Steinbeck's novel, Of Mice and Men from 1939. In the 1940s, Bob's career as a cowboy hero was on the decline, but he kept himself working by accepting supporting roles in many big movies like Howard Hawks' The Big Sleep, or the John Wayne vehicles Island in the Sky, Rio Bravo and Rio Lobo. Besides these he also made occasional appearances in science fiction films like Atomic Submarine and Giant from the Unknown and did lots of television work, culminating in a regular supporting role in the army comedy F Troop (1965–1967), which allowed him to show his comic talent. Steele played the character of Trooper Duffy who claimed to have been "shoulder to shoulder with Davy Crockett at the Alamo"-in fact Steele played in With Davy Crockett at the Fall of the Alamo in 1926. Bob Steele died on December 21, 1988 from emphysema after a long sickness. Bob Steele is said to have been the inspiration for the character "Cowboy Bob" in the Dennis The Menace comic strip. Description above from the Wikipedia article Bob Steele (actor), licensed under CC-BY-SA, full list of contributors on Wikipedia.
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From Wikipedia, the free encyclopedia Richard "Dick" Elliott (April 30, 1886 – December 22, 1961) was an American character actor who played in over 240 films from the 1930s until the time of his death. He was born Richard Damon Elliott in Boston, Massachusetts. Elliott played many different roles, typically as a somewhat blustery sort, such as a politician. A short, fat man, Elliott played Santa Claus on the Jimmy Durante, Red Skelton, and Jack Benny programs. Elliott had a couple of memorable lines in It's a Wonderful Life (1946), in which he scolded James Stewart, who was trying to say goodnight to Donna Reed, advising him to stop hemming and hawing and "just go ahead and kiss her". He also had a few memorable appearances in episodes of the Adventures of Superman television series. He appeared three times as Stanley on the CBS sitcom December Bride, as well as on two of ABC/Warner Brothers' western series, Sugarfoot and Maverick. He was cast as the prospector Peter Cooper and then as Sheriff Tiny Morris in two segments of CBS's Tales of the Texas Rangers. He appeared twice as Doc Thornton on ABC's The Real McCoys. Elliott is perhaps best known as Mayberry's Mayor Pike in early episodes of CBS's The Andy Griffith Show, one of his last screen works. In two of the eleven episodes featuring Elliot as mayor, actress Josie Lloyd portrayed his daughter. On December 22, 1961, Elliott died from heart illness.
From Wikipedia, the free encyclopedia Stanley Clements (July 16, 1926 – October 16, 1981) was an American actor and comedian. Stanley Clements was born Stanislaw Klimowicz in Long Island, New York. Young Stan realized that he wanted a show-business career while he was in grammar school, and when he graduated from college he toured in vaudeville for two years. He then joined the touring company of the Major Bowes Amateur Hour. In 1941, he was signed to a contract by 20th Century Fox and appeared in several B films for the studio. After a short stint with the East Side Kids, he set out on his own again, this time landing roles in more prestigious pictures. He was featured in the Bing Crosby hit Going My Way, and scored a great success as a jockey in the Alan Ladd feature Salty O'Rourke. His career was interrupted by military service in World War II, and when he returned, he began appearing in lower-budgeted films, including Johnny Holiday (cast against type as a psychopath). He starred in a series of action/detective pictures at Allied Artists for producer Ben Schwalb and director Edward Bernds. Schwalb soon became staff producer for The Bowery Boys, and when he needed a replacement for Leo Gorcey in 1956, he asked Clements to step in. Clements comfortably settled into the role of Huntz Hall's sidekick, beginning with Fighting Trouble, and co-starred in the final seven Bowery Boys comedies. The series finally ended in 1958, and Clements went on to a steady career of supporting roles in film and TV until his death from emphysema in 1981. One of his last jobs was an appearance in a nationally advertised commercial for Pringle's potato chips. Stanley Clements died of emphysema in Pasadena, California, and is buried at Riverside National Cemetery in Riverside, California. Description above from the Wikipedia article Stanley Clements,licensed under CC-BY-SA, full list of contributors on Wikipedia.
A well known character actor, Vigran was originally a law school graduate. He later chose to pursue acting, and performed in hundreds of radio shows with the likes of Jack Benny, Bob Hope and Jimmy Durante. He appeared frequently as various villains on the television series Adventures of Superman (1952), and made several guest appearances on television series like The Brady Bunch (1969) and I Love Lucy (1951).
Francis Thomas Sullivan, aka Frank Sully, was an American character actor. Beefy and square-jawed, he was usually cast as rustic types or dumb heavies. He was a regular feature in Three Stooges shorts. Sully started his career as a comedian in vaudeville and appeared on Broadway from the late 1920s. He is known for the films The Grapes of Wrath (1940), The More the Merrier (1943) and Bye Bye Birdie (1963).
Don Kennedy is a film and television actor whose career began in the late 1940s with television westerns.
From Wikipedia Jack Perrin (July 25, 1896 – December 17, 1967) was an American actor specializing in Westerns. He was born Lyman Wakefield Perrin in Three Rivers, Michigan; his father worked in real estate and relocated the family to Los Angeles, California shortly after the start of the 20th century. Perrin served in the United States Navy during World War I. Following the war, he returned to Los Angeles and started acting for Universal Studios. His first on-screen appearance was in the 1917 film Luke's Lost Liberty alongside Harold Lloyd. He married silent film actress Josephine Hill in 1920. During the 1920s, Perrin made a name for himself, starring in a number of cliffhanger, melodrama, and serial films. Perrin found a niche in B-movie Westerns of the 1930s. He usually played leads as Jack Perrin, but occasionally adopted the pseudonyms Jack Gable or Richard (Dick) Terry. Perrin's last major role was as Davy Crockett in 1937's The Painted Stallion, for Republic Pictures. Perrin divorced his wife that year as well. Though he continued making films through 1960, many of his later roles were minor and often went uncredited. Perrin suffered a heart attack and died December 17, 1967, aged 71. For his contributions as an actor in motion pictures, Jack Perrin was awarded a star on the Hollywood Walk of Fame at 1777 Vine Street, in Hollywood, California.
John Lewis Hart, also credited as John Hilton was an American film and television actor. In his early career, Hart appeared mostly in Westerns. Although Hart played mostly minor roles in some fairly well known films, he was probably best known for having replaced Clayton Moore in 1952 in the television series, The Lone Ranger for one season from 1952 until 1953. Hart began his screen career in 1937 with a bit part in Daughter of Shanghai. He continued in a variety of B pictures such as Prison Farm and King of Alcatraz before appearing in two of Cecil B. DeMille's films The Buccaneer and North West Mounted Police. In 1941, Hart's acting career was interrupted when he was drafted into the United States Army. He rose to the rank of first sergeant in the Coast Artillery and eventually served in the Philippines. Following his military service, Hart worked frequently for Sam Katzman; he was given the lead role in the Jack Armstrong film serial. Hart did stunt work and acted in numerous Westerns Hart was eventually offered the opportunity to replace Clayton Moore on The Lone Ranger television series. Based on the assumption that the masked character, rather than the actor, was the true star of The Lone Ranger, the program's producers fired Moore (presumably over salary differences) and replaced him with Hart, who was of a similar build and had a comparable background in Westerns. However, the public never truly accepted Hart as the Lone Ranger, and by 1954 the producers returned Moore to the role. According to Clayton Moore's autobiography I Was That Masked Man, Moore never knew why he was replaced by Hart, and also stated that he had not sought a pay increase. Hart acted in minor roles in two episodes of The Lone Ranger before being asked to replace Clayton Moore for the entire third season. The episodes were "Rifles and Renegades" (#34) and "Sheriff at Gunstock" (#46). Hart continued to act in films for more than two decades, appearing in films of several genres, almost always in supporting roles. Hart appeared twice in on the TV series I Love Lucy as Lucy's old boyfriend and again in the Hollywood episodes as a lifeguard at the hotel pool. In 1955, Hart starred in The Adventures of Captain Africa, which was originally intended to be a new movie about famous comic book hero The Phantom. However, licensing issues forced Columbia Pictures re-film the entire serial and re-christen the hero "Captain Africa." Hart also had numerous supporting roles in the Highway Patrol TV series. In 1965 Hart made two brief appearances on the TV series Perry Mason, including the role of title character and murder victim Jamison Selff in "The Case of the Wrathful Wraith." In the 1970 film The Phynx, Hart played the Lone Ranger alongside Jay Silverheels as Tonto, spoofing their characters. Hart's last theatrical film appearance was in 1981's The Legend of the Lone Ranger in which he appeared as a newspaper editor. He appeared in the television series Happy Days as the Lone Ranger in the episode "Hi Yo, Fonzie Away". In this episode Fonzie, played by Henry Winkler, meets his childhood hero, the Lone Ranger, for his birthday. Hart's other major late appearance was in an episode of The Greatest American Hero, My Heroes Have Always Been Cowboys, where Hart gives the title character an inspiring speech about heroism.
