Western lawman Bat Masterson sets out to prove a man standing trial for murder is innocent.
12-01-1954
1h 13m
THIS
HELLA
Doesn't have an image right now... sorry!has no image... sorry!
Main Cast
Movie Details
Production Info
Director:
William Castle
Production:
Columbia Pictures
Key Crew
Screenplay:
Douglas Heyes
Stunts:
Jack Hendricks
Story:
Douglas Heyes
Assistant Director:
Charles S. Gould
Producer:
Sam Katzman
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
George Montgomery
George Montgomery was boxing champion at the University of Montana, where he majored in architecture and interior design. Dropping out a year later, he decided to take up boxing more seriously, and moved to California, where he was coached by ex-heavyweight world champion James J. Jeffries. While in Hollywood, he came to the attention of the studios (not least, because he was an expert rider) and was hired as a stuntman in 1935. After doing this for four years, George was offered a contract at 20th Century Fox in 1939, but found himself largely confined to leads in B-westerns. He did not secure a part in anything even remotely like a prestige picture, until his co-starring role in Roxie Hart (1942), opposite Ginger Rogers. Next, in Orchestra Wives (1942), he played the perfunctory love interest for Ann Rutherford -- though both, inevitably, ended up playing second trombone to Glenn Miller and His Orchestra.
In 1947, George got his first serious break, being cast as Raymond Chandler's private eye Philip Marlowe, in The Brasher Doubloon (1947). Reviewers, however, compared his performance unfavourably with that of Humphrey Bogart and found the film 'pallid' overall. So it was back to the saddle for George. Unable to shake his image as a cowboy actor, he starred in scores of films with titles like Belle Starr's Daughter (1948), Dakota Lil (1950), Jack McCall Desperado (1953) and Masterson of Kansas (1954) at Columbia, and for producer Edward Small at United Artists. When not cleaning up the Wild West with his six-shooter, he branched out into adventure films set in exotic locales (notably as Harry Quartermain in Watusi (1959)). During the 60's, he also wrote, directed and starred in several long-forgotten, low-budget wartime potboilers made in the Philippines.
At the height of his popularity, George attracted as much publicity for his acting, as for his liaisons with glamorous stars, like Ginger Rogers, Hedy Lamarr (to whom he was briefly engaged) and singer Dinah Shore (whom he married in 1943). After his retirement from the film business, he devoted himself to his love of painting, furniture-making and sculpting bronze busts, including one of his close friend Ronald Reagan.
Jay Silverheels was born on a reservation in Canada to a Mohawk chief. He was a star lacrosse player and a boxer before he entered films as a stuntman in 1938. He worked in a number of films though the 1940s before he gained some notice as the Osceola brother in Humphrey Bogart's film Key Largo (1948). Most of his roles consisted of bit parts as "Indian." In 1949, he would work in a movie called The Cowboy and the Indians (1949) with another "B movie" actor named Clayton Moore. It was later that same year that Jay would be hired to play the faithful Indian companion, Tonto, in the television series "The Lone Ranger" (1949). This role, while still playing the "Indian," would bring Jay the fame that his motion picture career never did. As Tonto, on his horse Scout, Jay could show up where the Ranger could not and some of the time he would be shot at or beat up for his trouble. Jay would play Tonto in all the episodes except for those that he missed when he had his heart attack. In those episodes, he was replaced by the Ranger's nephew, Dan. However, Clayton Moore would miss the third season when he was replaced by John Hart. Jay would reprise the role of Tonto in two big-screen color movies with Moore, The Lone Ranger (1956) and The Lone Ranger and the Lost City of Gold (1958). After the series ended in 1957, Jay could not escape the typecasting of Tonto. He would continue to appear in an occasional film and television show, but he would become a spokesman to improve the portrayal of Indians on TV.