An American insurance adjuster, stranded in Havana, becomes involved with an archaeologist and a collector of antiquities in a hunt for treasure in the Mexican ruins of Zapoteca.
THIS
HELLADoesn't have an image right now...
sorry!has no image...
sorry!
From Wikipedia, the free encyclopedia. Glenn Ford (May 1, 1916 – August 30, 2006) was a Canadian-born American actor from Hollywood's Golden Era with a career that spanned seven decades. Despite his versatility, Ford was best known for playing ordinary men in unusual circumstances. Description above from the Wikipedia article Glenn Ford, licensed under CC-BY-SA,full list of contributors on Wikipedia.
She was a child prodigy, pianist, at age 10, and her first movie role was one of the children in, "They Shall Have Music" (1939). You see her playing the piano. She made another movie using her 'real name' - Dolly in, "There's Magic in Music" (1941). She signed a long term contract with Paramount in 1942, and had her named changed to Diana Lynn. She had good roles in, "The Major, and the Minor" (1942); "The Miracle of Morgan's Creek", and, "Our Hearts Were Young, and Gay" - both in 1944. She had fewer roles as she matured; she did do, "Bedtime for Bonzo" (1951), but had a nice career on TV shows. She died of a stroke when she was making a comeback in film. Her marriages were from 1948 to 1954 to architect John C. Lindsay; no children; then in December 6,1956, she married Mortimer C.Hall, president of L.A. radio station, KLAC. His mother was Dorothy Schiff, publisher then of the 'New York Post'. She had four children with him between 1958, and 1964. They moved to New York City so he could assume a post on his mother's paper. She passed away on December 18, 1971 of a stroke / brain hemorrhage in Los Angeles.
From Wikipedia, the free encyclopedia. Patricia Paz Maria Medina (born 19 July 1920) is an English actress, born in Liverpool, England to a Spanish father (Ramón Medina Nebot from Canary Islands) and English mother. She began acting as a teenager in the late 1930s. She worked her way up to leading roles in the mid-1940s, whereupon she left for Hollywood. Description above from the Wikipedia article Patricia Medina, licensed under CC-BY-SA, full list of contributors on Wikipedia
THIS
HELLADoesn't have an image right now...
sorry!has no image...
sorry!
1950
THIS
HELLADoesn't have an image right now...
sorry!has no image...
sorry!
1948
Sean McClory was born in Dublin, Ireland, but spent his early life in Galway. He was the son of Hugh Patrick, an architect and civil engineer, and Mary Margaret Ball, who had been a model. Sean decided to become an actor and joined Dublin's renowned Abbey Theater (also known as the National Theater of Ireland, opened in 1904). He rose through the ranks playing in productions of the works of such authors as William Butler Yeats and George Bernard Shaw, and soon began to play leads mostly in comedies (popular through most of the 1940s and into the 1950s). When comedies began to fade from the theater after World War II, McClory turned an eye toward film. In early 1947 he decided to make the jump to America and break into Hollywood. His first roles were that of a staple in American films: the Irish cop, which he played in two of the Dick Tracy series in 1947. In 1949 he signed a short contract with 20th Century-Fox. By 1950 he was showing up in more notable films - though uncredited, particularly in The Glass Menagerie (1950). Within a year McClory's talents were being showcased in various small feature roles. John Ford finally began casting - a painstaking process for the finicky director - for his long conceived The Quiet Man (1952) and chose McClory for a small but showy part, in which he was seen throughout the film feature with Charles B. Fitzsimons, the younger brother of the film's star, Maureen O'Hara, playing an Irish villager. Although some of the cast were familiar members of the "John Ford Stock Company", many roles were filled by actual Irish villagers (the film was shot on location) and included a generous helping of Abbey Theater alumni: the Shields brothers (Barry Fitzgerald and Arthur Shields) and Jack MacGowran, in addition to O'Hara McClory. Ford wanted him for roles in several of his subsequent films, however McClory's busy film and TV schedule only allowed him to accept roles in two other Ford films, The Long Gray Line and Cheyenne Autumn. McClory had a cultured, neutral Irish brogue that fit well in small- or big-screen performances, unlike such Irish actors as Barry Fitzgerald who, though very effective and beloved, had a thick brogue that kept him forever cast as an Irishman. As a result, McClory was much more at home in American TV and had many memorable roles from 1953 onward, appearing in a gamut of episodic TV in addition to his feature film work. However, it was his frequent appearances on the small screen that enabled McClory to stand out in viewers' memories, especially in a range of western and adventure series (in which he played a good sprinkling of Irish characters) well into the 1970s. Though not as busy in the 1980s as he was in the '70s, one role in which he truly stood out was in an adaptation by John Huston of Irish writer James Joyce's famous 1907 short story "The Dead" made in 1987 (The Dead (1987)), his final film appearance. McClory's role as Mr. Grace was not a character in the original story but was created by Huston and his son Tony Huston to provide McClory with a reading of the medieval Irish poem "Young Donal", which was very effective to the mood of this look at Irish family remembrance.
From Wikipedia, the free encyclopedia Douglass Rupert Dumbrille (October 13, 1889 – April 2, 1974) was a Canadian actor and one of the Canadian pioneers in early Hollywood. In 1913, the East Coast film industry was flourishing and that year he appeared in the film What Eighty Million Women Want, but it would be another 11 years before he appeared on screen again. In 1924, he made his Broadway debut and worked off and on in the theatre for several years while supplementing his income by selling such products as car accessories, tea, insurance, real estate, and books. During the Great Depression, Dumbrille moved to the West Coast of the U.S., where he specialized in playing secondary character roles alongside the great stars of the day. His physical appearance and suave voice equipped him for roles as slick politician, corrupt businessman, crooked sheriff, or unscrupulous lawyer. He was highly regarded by the studios and was sought out by Cecil B. DeMille, Frank Capra, Hal Roach and other prominent Hollywood filmmakers. A friend of fellow Canadian-born director Allan Dwan, Dumbrille played Athos in Dwan’s 1939 adaptation of The Three Musketeers. Dumbrille had roles in more than 200 motion pictures and, with the advent of television, made numerous appearances in the 1950s and 1960s. He had the ability to project a balance of menace and pomposity in roles as the "heavy" in comedy films, such as those of the Marx Brothers or Abbott and Costello.
