Laura Mansfield catches a glimpse of mob hit man Jackie Wales after he shoots her businessman father. At the police station, Laura identifies Jackie as the murderer, but the policeman in charge of the case, Lt. Brewster, lets him go, citing a lack of corroborating evidence. Outraged, Laura worms her way into the unsuspecting Jackie's heart, trying to snare him and mob-connected club owner Armitage in her trap.
06-09-1950
1h 12m
THIS
HELLA
Doesn't have an image right now... sorry!has no image... sorry!
From Wikipedia, the free encyclopedia
Stanley Clements (July 16, 1926 – October 16, 1981) was an American actor and comedian.
Stanley Clements was born Stanislaw Klimowicz in Long Island, New York. Young Stan realized that he wanted a show-business career while he was in grammar school, and when he graduated from college he toured in vaudeville for two years. He then joined the touring company of the Major Bowes Amateur Hour. In 1941, he was signed to a contract by 20th Century Fox and appeared in several B films for the studio.
After a short stint with the East Side Kids, he set out on his own again, this time landing roles in more prestigious pictures. He was featured in the Bing Crosby hit Going My Way, and scored a great success as a jockey in the Alan Ladd feature Salty O'Rourke. His career was interrupted by military service in World War II, and when he returned, he began appearing in lower-budgeted films, including Johnny Holiday (cast against type as a psychopath). He starred in a series of action/detective pictures at Allied Artists for producer Ben Schwalb and director Edward Bernds.
Schwalb soon became staff producer for The Bowery Boys, and when he needed a replacement for Leo Gorcey in 1956, he asked Clements to step in. Clements comfortably settled into the role of Huntz Hall's sidekick, beginning with Fighting Trouble, and co-starred in the final seven Bowery Boys comedies.
The series finally ended in 1958, and Clements went on to a steady career of supporting roles in film and TV until his death from emphysema in 1981. One of his last jobs was an appearance in a nationally advertised commercial for Pringle's potato chips.
Stanley Clements died of emphysema in Pasadena, California, and is buried at Riverside National Cemetery in Riverside, California.
Description above from the Wikipedia article Stanley Clements,licensed under CC-BY-SA, full list of contributors on Wikipedia.
William Rukard Hurd Hatfield was an American actor, best known for often playing characters of handsome, narcissistic young men, most notably Dorian Gray in the film The Picture of Dorian Gray. Hatfield was born in New York City to William Henry Hatfield, who died in 1954, an attorney who served as deputy attorney general for New York, and his wife, Adele (née McGuire). Hurd was educated at Columbia University, then moved to London, England where he studied drama and began acting in theatre.
He returned to America for his film debut in Dragon Seed, in which he and his co-stars (Katharine Hepburn, Akim Tamiroff, Aline MacMahon, Turhan Bey) portrayed Chinese peasants, some more convincingly than others. Hatfield's second film, The Picture of Dorian Gray, made him a star. As Oscar Wilde's ageless anti-hero, Hatfield received widespread acclaim for his dark good looks as much as for his acting ability. However, the actor was ambivalent about the role and his performance. "The film didn't make me popular in Hollywood," he commented later. "It was too odd, too avant-garde, too ahead of its time. The decadence, the hints of bisexuality and so on, made me a leper! Nobody knew I had a sense of humor, and people wouldn't even have lunch with me."
His follow-up films, The Diary of a Chambermaid, The Beginning or the End, and The Unsuspected), were successful, but Joan of Arc was a critical and financial failure. Hatfield's film career began to lose momentum very quickly in the 1950s, and he returned to the stage. Subsequent movies included supporting roles in The Left Handed Gun, King of Kings (as Pontius Pilate), El Cid, Harlow (as Paul Bern), and The Boston Strangler. He cut back on performing in the 1970s. His later movies included King David and Her Alibi.
He appeared frequently on television and received an Emmy Award nomination for the Hallmark Hall of Fame videotaped play The Invincible Mr. Disraeli). In 1957, he appeared in Beyond This Place, directed by Sidney Lumet. Other television credits include three guest appearances on Murder She Wrote, opposite his Picture of Dorian Gray costar Angela Lansbury, who had become a lifelong friend. He also appeared as the villain in the second episode of Voyage to the Bottom of the Sea. He appeared in Alfred Hitchcock Presents in "None Are So Blind".
In 1952, Hatfield appeared as Joseph in Westinghouse Studio One's The Nativity. This was a rare commercial network staging of a 14th-century mystery play, adapted from the York and Chester plays.
According to the magazine Films in Review, Hatfield was ambivalent about having played Dorian Gray, feeling that it had typecast him. "You know, I was never a great beauty in Gray...and I never understood why I got the part and have spent my career regretting it", he is reported to have said.
He died in his sleep of a heart attack at a friend's home, aged 81, after celebrating Christmas dinner.
Description above from the Wikipedia article Hurd Hatfield, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia
Albert Dekker (December 20, 1905 – May 5, 1968) was an American character actor and politician best known for his roles in Dr. Cyclops, The Killers, Kiss Me Deadly, and The Wild Bunch. He is sometimes credited as Albert Van Dekker or Albert van Dekker.
Description above from the Wikipedia article Albert Dekker, licensed under CC-BY-SA, full list of contributors on Wikipedia.
American character actor whose career lasted nearly half a century. James Wilson Flavin Jr. was the son of a hotel waiter of Canadian-English extraction and a mother, Katherine, whose father was an Irish immigrant. (Thus Flavin, well-known in Hollywood as an "Irish" type, was only one-quarter Irish.) Flavin was born and raised in Portland, Maine (a fact that may have enrichened his later working relationship with director John Ford, also a Portland native). He attended the United States Military Academy at West Point, but (contrary to some sources) did not graduate. Instead he dropped out and returned to Portland where he drove a taxi. Then as now, summer stock companies flocked to Maine each year, and in 1929 he was asked to fill in for an actor. He did well with the part and the company manager offered him $150 per week to go with the troupe back to New York. Flavin accepted and by the spring of 1930 was living in a rooming house at 108 W. 87th Street in Manhattan. Flavin didn't manage to crack Broadway at this time (his Broadway debut would not occur for another thirty-nine years, in the 1971 revival of "The Front Page," in which Flavin played Murphy and briefly took over the lead role of Walter Burns from star Robert Ryan). He worked his way across the country in stock productions and tours, arriving in Los Angeles around 1932. He quickly made the transition to movies, landing the lead in his very first film, a Universal serial, The Airmail Mystery (1932). He also landed his leading lady, marrying the serial's female star Lucile Browne that same year. However, the serial marked virtually the last time that Flavin would play the lead in a film. Thereafter, he was restricted almost exclusively to supporting characters, many of them without so much as a name. He specialized in uniformed cops and hard-bitten detectives, but played chauffeurs, cabbies, and even a 16th-century palace guard with aplomb. Flavin appeared in nearly four hundred films between 1932 and 1971, and in almost a hundred television episodes before his final appearance, as President Dwight D. Eisenhower in Francis Gary Powers: The True Story of the U-2 Spy Incident (1976). Flavin died of a heart ailment at Cedars-Sinai Medical Center in Los Angeles on April 23, 1976. His widow Lucile died seventeen days later. They were survived by their son, William James Flavin, subsequently a professor at the United States Army War College. James and Lucile Brown Flavin were buried at Holy Cross Cemetery in Culver City, California.
From Wikipedia
John Dehner (November 23, 1915 - February 4, 1992) was an American actor in radio, television, and films. Between 1941 and 1988, he appeared in over 260 films and television programs. Prior to acting, Dehner had worked as an animator at Walt Disney Studios, and later became a radio disc jockey. He was also a professional pianist.
Leading man in silent films until mid to late 1920s when Farnum transitioned to a character actor. Then later in life he remained in the film business as a paid extra in many films and TV shows.
Leon Alton enjoyed a career on stage, screen, and television starting in the 1920s and lasting until the late 1970s.
In the 1930s he started out on the Broadway stage appearing in various musicals which lasted until the early 1940s. Then like many Broadway actors and dancers, he seemingly drifted his way to Hollywood where he was able to use his talents as a dancer to appear in many party scenes in a suit dancing in some of the most well known films.
Like many dancers though, that was only part of their work as they could not survive on musicals alone and by the mid 1950s musicals started to lose their popularity so he had to find work elsewhere He was never unemployed long.
Alton's appearance was ideal for bankers, or distinguished townsman, or whatever was needed. By the late 1950s, he was able to secure some roles in which he received screen credit in shows like Bat Masterson, Tombstone Territory, and Lock-Up all while still appearing at the usual party scenes or the social gatherings.
By the 1960s his career was still going strong as he still found work in the usual places and managed to appear in several well known movies like True Grit, The Cheyenne Social Club, and Airport and appearing in most of the well known television shows of the time.
His career wound down by the 1970s and while his name won't garner the attention or recognition to film audiences of today, most casting directors could tell you it was a name that should be respected and could be depended on.
Harold Miller (born Harold Edwin Kammermeyer) was an American actor, his screen, then eventually also television, career spanning the years 1919-1964. After the 1920s, Miller appeared only in uncredited bit and background parts.
