Female outlaw helps lawmen trap railroad bandits.
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George Montgomery was boxing champion at the University of Montana, where he majored in architecture and interior design. Dropping out a year later, he decided to take up boxing more seriously, and moved to California, where he was coached by ex-heavyweight world champion James J. Jeffries. While in Hollywood, he came to the attention of the studios (not least, because he was an expert rider) and was hired as a stuntman in 1935. After doing this for four years, George was offered a contract at 20th Century Fox in 1939, but found himself largely confined to leads in B-westerns. He did not secure a part in anything even remotely like a prestige picture, until his co-starring role in Roxie Hart (1942), opposite Ginger Rogers. Next, in Orchestra Wives (1942), he played the perfunctory love interest for Ann Rutherford -- though both, inevitably, ended up playing second trombone to Glenn Miller and His Orchestra. In 1947, George got his first serious break, being cast as Raymond Chandler's private eye Philip Marlowe, in The Brasher Doubloon (1947). Reviewers, however, compared his performance unfavourably with that of Humphrey Bogart and found the film 'pallid' overall. So it was back to the saddle for George. Unable to shake his image as a cowboy actor, he starred in scores of films with titles like Belle Starr's Daughter (1948), Dakota Lil (1950), Jack McCall Desperado (1953) and Masterson of Kansas (1954) at Columbia, and for producer Edward Small at United Artists. When not cleaning up the Wild West with his six-shooter, he branched out into adventure films set in exotic locales (notably as Harry Quartermain in Watusi (1959)). During the 60's, he also wrote, directed and starred in several long-forgotten, low-budget wartime potboilers made in the Philippines. At the height of his popularity, George attracted as much publicity for his acting, as for his liaisons with glamorous stars, like Ginger Rogers, Hedy Lamarr (to whom he was briefly engaged) and singer Dinah Shore (whom he married in 1943). After his retirement from the film business, he devoted himself to his love of painting, furniture-making and sculpting bronze busts, including one of his close friend Ronald Reagan.
Wallace Ford (12 February 1898 – 11 June 1966) was an English-born naturalized American stage and screen actor. Usually playing wise-cracking characters, he combined a tough but friendly-faced demeanor with a small but powerful, stocky physique. Born Samuel Jones Grundy in Bolton, Lancashire, England, he spent his childhood in a Dr. Barnardo's home. At an early age he was adopted by a farmer from Manitoba, Canada, where he was ill treated. About age eleven, Ford ran away and did odd jobs, later becoming an usher in a theatre. Following his discharge from the Army after WWI, he became a vaudeville actor in a stock company before performing on Broadway. He started on a film career when Metro-Goldwyn-Mayer gave him a part in the film Possessed (1931) and went on to appear in over 200 films, including 13 directed by John Ford. Wallace Ford is buried in an unmarked grave in Culver City, California's Holy Cross Cemetery. From Wikipedia.
Jack Lambert was an American stage, film and television actor.
From Wikipedia, the free encyclopedia Marion Martin (born Marion Suplee, June 7, 1909 – August 13, 1985) was an American movie and stage actress. Martin was born in Philadelphia, Pennsylvania, the daughter of a Bethlehem Steel executive. She became an actress after her family fortune was lost in the Wall Street Crash of 1929, and appeared in the Broadway productions Lombardi Ltd. and Sweet Adeline. She made her film debut in She's My Lillie, I'm Her Willie and subsequently played minor roles, often as showgirls. Several of her early roles were in musicals and she achieved some success as a singer. By the end of the decade she had played leading female roles in several "B" pictures, playing one of her most notable roles in James Whale's Sinners in Paradise (1938). Despite her success she was often cast in minor roles in more widely seen films such as His Girl Friday (1940). The majority of her roles were in comedies but she also appeared in dramas such as Boom Town (1940) in which she played a dance hall singer who is briefly romanced by Clark Gable. She played secondary roles in three Lupe Vélez "Mexican Spitfire" films in the early 1940s, and was a comic foil for the Marx Brothers in The Big Store, where the back of her skirt is cut away by Harpo. She played a ghost in Gildersleeve's Ghost, and was the subject of a legendary fistfight between Gildersleeve star Harold Peary and Warner Bros studio mogul Bud Stevens at the Mocambo nightclub in 1943. Her more substantial roles included Alice Angel, a dizzy showgirl, in the murder mystery Lady of Burlesque with Barbara Stanwyck and Angel on My Shoulder. She also appeared in The Big Street with Lucille Ball, in the western The Woman of the Town with Claire Trevor and in The Great Mike at PRC in 1944. By the late 1940s, her roles were often minor. Three Stooges fans will remember her as western cowgirl Gladys in Merry Mavericks. She played "Belle Farnol" in a 1950 episode of The Lone Ranger entitled "Pardon for Curley". Shortly afterward, she made her final film appearance in 1952. Married to a physicist, Martin retired, and although she expressed the desire to return to show business, suitable roles were not offered to her. She was awarded a star on the Hollywood Walk of Fame for her contributions to motion pictures, at 6925 Hollywood Boulevard. She died in 1985 in Santa Monica, California, and was buried in Holy Cross Cemetery in Culver City, California.
American character actor whose career lasted nearly half a century. James Wilson Flavin Jr. was the son of a hotel waiter of Canadian-English extraction and a mother, Katherine, whose father was an Irish immigrant. (Thus Flavin, well-known in Hollywood as an "Irish" type, was only one-quarter Irish.) Flavin was born and raised in Portland, Maine (a fact that may have enrichened his later working relationship with director John Ford, also a Portland native). He attended the United States Military Academy at West Point, but (contrary to some sources) did not graduate. Instead he dropped out and returned to Portland where he drove a taxi. Then as now, summer stock companies flocked to Maine each year, and in 1929 he was asked to fill in for an actor. He did well with the part and the company manager offered him $150 per week to go with the troupe back to New York. Flavin accepted and by the spring of 1930 was living in a rooming house at 108 W. 87th Street in Manhattan. Flavin didn't manage to crack Broadway at this time (his Broadway debut would not occur for another thirty-nine years, in the 1971 revival of "The Front Page," in which Flavin played Murphy and briefly took over the lead role of Walter Burns from star Robert Ryan). He worked his way across the country in stock productions and tours, arriving in Los Angeles around 1932. He quickly made the transition to movies, landing the lead in his very first film, a Universal serial, The Airmail Mystery (1932). He also landed his leading lady, marrying the serial's female star Lucile Browne that same year. However, the serial marked virtually the last time that Flavin would play the lead in a film. Thereafter, he was restricted almost exclusively to supporting characters, many of them without so much as a name. He specialized in uniformed cops and hard-bitten detectives, but played chauffeurs, cabbies, and even a 16th-century palace guard with aplomb. Flavin appeared in nearly four hundred films between 1932 and 1971, and in almost a hundred television episodes before his final appearance, as President Dwight D. Eisenhower in Francis Gary Powers: The True Story of the U-2 Spy Incident (1976). Flavin died of a heart ailment at Cedars-Sinai Medical Center in Los Angeles on April 23, 1976. His widow Lucile died seventeen days later. They were survived by their son, William James Flavin, subsequently a professor at the United States Army War College. James and Lucile Brown Flavin were buried at Holy Cross Cemetery in Culver City, California.
From Wikipedia, the free encyclopedia. Walter Sande (July 9, 1906 - November 22, 1971) was an American actor, notable for film roles including Paul Revere in Walt Disney's Johnny Tremain. Born in Denver, Colorado, he was one of those stern, heavyset character actors in Hollywood no person could recognize by name. He showed an early interest in music as a youth and by his college years managed to start his own band. This led to a job as musical director for 20th Century-Fox's theater chain, which, in turn, led him to acting in films beginning in 1937. Usually providing atmospheric bits with no billing, he made an initial impression in serial cliffhangers as a third-string heavy with the popular The Green Hornet Strikes Again! and Sky Raiders. His first top featured role, however, would come with The Iron Claw as Jack "Flash" Strong, a photographer who, uncharacteristically for Walter, served as a comic sidekick to our serial hero. Best of all would be his role in another serial as Red Pennington, the amusing sidekick to Don Winslow of the Navy. He repeated his role again in Don Winslow of the Coast Guard, the successful sequel. The Pennington role would spark a long and steady career in movies, usually a step or two behind Hollywood's elite, in To Have and Have Not (prominently featured as the fisherman who tries to cheat Bogie), in Along Came Jones, The Blue Dahlia, Dark City and Bad Day at Black Rock, among hundreds of others. A regular authoritative presence in these classic sci-fi films Red Planet Mars, The War of the Worlds and Invaders from Mars. He also had a recurring featured part in the 1940s Boston Blackie film series playing Detective Matthews alongside 'Chester Morris former thief-turned-crime hero. A primary support player during the 'golden age' of TV, Walter worked on nearly every popular western and crime show available throughout the 1950s and 1960s. He had a regular series role on "The Adventures of Tugboat Annie" as Captain Horatio Bullwinkle, Annie's tugboat rival, and a recurring one as Lars "Papa" Holstrum, on "The Farmer's Daughter". He died of a heart attack in 1971 at age sixty-five in Chicago, Illinois. Description above from the Wikipedia article Walter Sande, licensed under CC-BY-SA,full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia Lillian Bronson (October 21, 1902 - August 2, 1995) was an American character actress. She performed in over 80 films, 60 of the films from 1939 to 1964, and appeared in over one hundred television productions from 1949 to 1975. Bronson was born Lillian Rumsey Bronson in Lockport, New York, the daughter of a carriage builder, and attended the University of Michigan. She began her artistic career by performing plays at Broadway. During the Great Depression, Bronson and her late sister, Dorothy, opened the Bronson Studio in New York, designing and making toy animals and pillows. In 1943, Bronson appeared in the movie Happy Land as Mattie Dyer and on television in the episode "The Druid Circle" of The Philco Television Playhouse, that aired on March 6, 1949, in the role of Miss Dagnall. She then appeared in a long series of minor characters for many television series episodes from the early days of television until the mid-1970s, including many western genres. She became widely known for her role as the grandmother in the Kings Row television series. Bronson's final appearance on the small screen was as "Grandma Nussbaum", Fonzie's grandmother, in the episode "Fonzie Moves In" of the ABC-TV sitcom series Happy Days, which aired on September 9, 1975. Her final big screen appearance was in the film Kisses for My President (1964), in which she plays the part of Miss Currier.
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1956
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1954
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Alberto Morin was born on December 26, 1902 in San Juan, Puerto Rico as Salvador R. López. He is known for his work on Sierra torride (1970), Rio Grande (1950) andMilagro (1988). He died on April 7, 1989 in Burbank, California, USA. Was an OSS officer during World War II, and spoke seven languages fluently. He met director John Ford during that period--Ford was a naval officer who also worked with the OSS--and after the war, Ford put Morin in many of his films.
From Wikipedia, the free encyclopedia John Farrell MacDonald (June 6, 1875 – August 2, 1952) was an American character actor and director. He played supporting roles and occasional leads. He appeared in over 325 films over a 41-year career from 1911 to 1951, and directed forty-four silent films from 1912 to 1917. MacDonald was the principal director of L. Frank Baum's Oz Film Manufacturing Company, and he can frequently be seen in the films of Frank Capra, Preston Sturges and, especially, John Ford. Early in his career, MacDonald was a singer in minstrel shows, and he toured the United States extensively for two years with stage productions. He made his first silent film in 1911, a dramatic short entitled The Scarlett Letter made by Carl Laemmle's Independent Moving Pictures Company (IMP), the forerunner of Universal Pictures,. He continued to act in numerous films each year from that time on, and by 1912 he was directing them as well. The first film he directed was The Worth of a Man, another dramatic short, again for IMP, and he was to direct 43 more films until his last in 1917, Over the Fence, which he co-directed with Harold Lloyd. MacDonald had crossed paths with Lloyd several years earlier, when Lloyd was an extra and MacDonald had given him much-needed work – and he did the same with Hal Roach, both of whom appearing in small roles in The Patchwork Girl of Oz, which MacDonald directed in 1914. When Roach set up his own studio, with Lloyd as his principal attraction, he hired MacDonald to direct. By 1918, MacDonald, who was to become one of the most beloved character men in Hollywood, had given up directing and was acting full-time, predominantly in Westerns and Irish comedies. He first worked under director John Ford in 1919's A Fight for Love. In all, Ford would use MacDonald on twenty-five films between 1919 and 1950. With a voice that matched his personality, MacDonald made the transition to sound films easily, with no noticeable drop in his acting output – if anything, it went up. In 1931, for instance, MacDonald appeared in 14 films – among them the first version of The Maltese Falcon, in which he played "Detective Tom Polhaus" – and in 22 of them in 1932. Although he played laborers, policemen, military men and priests, among many other characters, his roles were usually a cut above a "bit part". His characters usually had names, and he was most often credited for his performances. A highlight of this period was his performance as the hobo "Mr. Tramp" in Our Little Girl with Shirley Temple (1935). In the 1940s, MacDonald was part of Preston Sturges' unofficial "stock company" of character actors, appearing in seven films written and directed by Sturges. MacDonald appeared in Sullivan's Travels, The Palm Beach Story, The Miracle of Morgan's Creek, The Great Moment, The Sin of Harold Diddlebock, Unfaithfully Yours and The Beautiful Blonde from Bashful Bend, Sturges' last American film. Earlier, MacDonald had also appeared in The Power and the Glory, which Sturges wrote. His work on Sturges' films was generally uncredited. He was notable in 1946 in John Ford's My Darling Clementine in which he played "Mac," the bartender in the town saloon. MacDonald also had uncredited roles in It's a Wonderful Life and Here Comes The Groom.
Sol Gorss was born on March 22, 1908 in Cincinnati, Ohio, USA. He is known for his work on "Climax! (1954)", "Flowing Gold (1940)" and "China Girl (1942)". He died on September 10, 1966 in Los Angeles, California, USA.
