In 1500, Duke Cesare Borgia hopes to marry his sister to the heir apparent of Ferrara, which impedes his conquest of central Italy. On this delicate mission he sends Andrea Orsini, his sister's lover and nearly as unscrupulous as himself. En route, Orsini meets Camilla Verano, wife of the count of Citta' del Monte, and sentiment threatens to turn him against his deadly master, whom no one betrays twice...
11-11-1949
1h 47m
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Main Cast
Movie Details
Production Info
Director:
Henry King
Writer:
Milton Krims
Production:
20th Century Fox
Key Crew
Art Direction:
Lyle R. Wheeler
Producer:
Sol C. Siegel
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Tyrone Power
One of the great romantic swashbuckling stars of the mid-twentieth century, and the third Tyrone Power of four in a famed acting dynasty reaching back to the eighteenth century. His great-grandfather was the first Tyrone Power (1795-1841), a famed Irish comedian. His father, known to historians as Tyrone Power Sr., but to his contemporaries as either Tyrone Power or Tyrone Power the Younger, was a huge star in the theater (and later in films) in both classical and modern roles. His mother, Patia Riaume (Mrs. Tyrone Power), was also a Shakespearean actress as well as a respected dramatic coach.
Tyrone Edmund Power, Jr., (also called Tyrone Power III; May 5, 1914 - November 15, 1958) was born at his mother's home of Cincinnati, Ohio, in 1914. A frail, sickly child, he was taken by his parents to the warmer climate of southern California. After his parents' divorce, he and his sister Anne Power returned to Cincinnati with their mother. There he attended school while developing an obsession with acting. Although raised by his mother, he corresponded with his father, who encouraged his acting dreams. He was a supernumerary in his father's stage production of 'The Merchant of Venice' in Chicago and held him as he died suddenly of a heart attack later that year.
Startlingly handsome, young Tyrone nevertheless struggled to find work in Hollywood. He appeared in a few small roles, then went east to do stage work. A screen test led to a contract at 20th Century Fox in 1936, and he quickly progressed to leading roles. Within a year or so, he was one of Fox's leading stars, playing in contemporary and period pieces with ease. Most of his roles were colorful without being deep, and his swordplay was more praised than his wordplay. He served in the Marine Corps in World War II as a transport pilot, and he saw action in the Pacific Theater of operations.
After the war, he got his best reviews for an atypical part as a downward-spiraling con-man in Nightmare Alley (1947). Although he remained a huge star, much of his postwar work was unremarkable. He continued to do notable stage work and also began producing films. Following a fine performance in Billy Wilder's Witness for the Prosecution (1957), Power began production on Solomon and Sheba (1959). Halfway through shooting, he collapsed during a dueling scene with George Sanders, and he died of a heart attack before reaching a hospital.
George Orson Welles (May 6, 1915 – October 10, 1985), best known as Orson Welles, was an American film director, actor, theatre director, screenwriter, and producer, who worked extensively in film, theatre, television and radio. Noted for his innovative dramatic productions as well as his distinctive voice and personality, Welles is widely acknowledged as one of the most accomplished dramatic artists of the twentieth century, especially for his significant and influential early work—despite his notoriously contentious relationship with Hollywood. His distinctive directorial style featured layered, nonlinear narrative forms, innovative uses of lighting such as chiaroscuro, unique camera angles, sound techniques borrowed from radio, deep focus shots, and long takes. Welles's long career in film is noted for his struggle for artistic control in the face of pressure from studios. Many of his films were heavily edited and others left unreleased. He has been praised as a major creative force and as "the ultimate auteur."
After directing a number of high-profile theatrical productions in his early twenties, including an innovative adaptation of Macbeth and The Cradle Will Rock, Welles found national and international fame as the director and narrator of a 1938 radio adaptation of H. G. Wells's novel The War of the Worlds performed for the radio drama anthology series Mercury Theatre on the Air. It was reported to have caused widespread panic when listeners thought that an invasion by extraterrestrial beings was occurring. Although these reports of panic were mostly false and overstated, they rocketed Welles to instant notoriety.
Citizen Kane (1941), his first film with RKO, in which he starred in the role of Charles Foster Kane, is often considered the greatest film ever made. Several of his other films, including The Magnificent Ambersons (1942), The Lady from Shanghai (1947), Touch of Evil (1958), Chimes at Midnight (1965), and F for Fake (1974), are also widely considered to be masterpieces.
In 2002, he was voted the greatest film director of all time in two separate British Film Institute polls among directors and critics, and a wide survey of critical consensus, best-of lists, and historical retrospectives calls him the most acclaimed director of all time. Andrew Sarris in his influential book of film criticism The American Cinema: Directors and Directions 1929–1968 included him in the "pantheon" of the 14 greatest film directors who had worked in the United States. Well known for his baritone voice, Welles was also an extremely well regarded actor and was voted number 16 in AFI's 100 Years... 100 Stars list of the greatest American film actors of all time. He was also a celebrated Shakespearean stage actor and an accomplished magician, starring in troop variety shows in the war years.
Elena Maureen Bertolini, known as Marina Berti, (29 September 1924 – 29 October 2002) was an English-born Italian film actress.
Her first screen appearance was in the Anna Magnani film, La Fuggitiva in 1941. She appeared mainly in small roles and in the occasional leading role in nearly 100 films both Italian and American. Her appearances include Quo Vadis (1951), Abdulla the Great (1955), Ben Hur (1959), Cleopatra (1963), If It's Tuesday, This Must Be Belgium (1969), What Have They Done to Your Daughters? (1974), Night Train Murders (1975), and the TV miniseries' Moses the Lawgiver (1975) and Jesus of Nazareth (1977). Her last film appearance was in the Costa-Gavras film Amen. in 2002. [Wikipedia]
Katina Paxinou (Greek: Κατίνα Παξινού; 17 December 1900[1]– 22 February 1973) was a Greek film and stage actress.
She started her stage career in Greece in 1928 and was one of the founding members of the National Theatre of Greece in 1932. The outbreak of World War II found her in the United Kingdom and she later moved to the United States, where she made her film debut in For Whom the Bell Tolls (1943) and won the Academy Award for Best Supporting Actress and the Golden Globe Award for Best Supporting Actress. She appeared in a few more Hollywood films, before returning to Greece in the early 1950s. She became a naturalized citizen of the United States in 1951. She then focused on her stage career and appeared in a number of European films including Rocco and His Brothers (1960).
Description above from the Wikipedia article Katina Paxinou, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Everett Sloane (October 1, 1909 – August 6, 1965) was an American stage, film and television actor, songwriter, and theatre director.
Description above from the Wikipedia article Everett Sloane , licensed under CC-BY-SA, full list of contributors on Wikipedia.
Eduardo Ciannelli, sometimes credited as Edward Ciannelli, (30 August 1889 - 8 October 1969), was an Italian baritone and character actor with a long career in American films, mostly playing gangsters and criminals.
Description above from the Wikipedia article Eduardo Ciannelli, licensed under CC-BY-SA, full list of contributors on Wikipedia.