A vain businessman puts strains on his happy marriage to a rich, beautiful socialite by allowing himself to be seduced by a former girlfriend.
12-22-1949
1h 48m
THIS
HELLA
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Main Cast
Movie Details
Production Info
Director:
Mervyn LeRoy
Production:
Metro-Goldwyn-Mayer
Key Crew
Screenplay:
Isobel Lennart
Original Music Composer:
Miklós Rózsa
Editor:
Harold F. Kress
Producer:
Voldemar Vetluguin
Set Decoration:
Edwin B. Willis
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Barbara Stanwyck
Barbara Stanwyck (July 16, 1907 – January 20, 1990) was an American actress. A film and television star, she was known during her 60-year career as a consummate and versatile professional with a strong screen presence and was a favorite of directors including Cecil B. DeMille, Fritz Lang and Frank Capra. After a short stint as a stage actress, she made 85 films in 38 years in Hollywood, before turning to television. Stanwyck was nominated for the Academy Award four times, and won three Emmy Awards and a Golden Globe. She was the recipient of honorary lifetime awards from the Motion Picture Academy, the Film Society of Lincoln Center, the Golden Globes, the Los Angeles Film Critics Association, and the Screen Actors Guild, has a star on the Hollywood Walk of Fame and is ranked as the eleventh greatest female star of all time by the American Film Institute.
James Neville Mason, known as James Mason, was an accomplished English actor who made a significant impact on both British and American cinema. He was born on May 15, 1909, in Huddersfield, Yorkshire, England, and passed away on July 27, 1984, in Lausanne, Switzerland.
Mason's acting career began in the 1930s, where he initially gained recognition for his stage performances in London's West End. He made his film debut in 1935 with the British film "Late Extra," marking the start of his illustrious on-screen journey.
Throughout his career, Mason showcased his exceptional acting abilities, often portraying complex and morally ambiguous characters. His commanding presence, distinctive voice, and versatile range allowed him to effortlessly transition between genres, from dramas to thrillers and even period pieces.
One of Mason's most acclaimed performances came in 1945 when he starred as the troubled and enigmatic Johnny McQueen in the film "Odd Man Out." His portrayal of the wounded Irish nationalist earned him widespread praise and established him as a respected leading man.
Mason's notable filmography includes memorable roles in films such as "The Wicked Lady" (1945), "Pandora and the Flying Dutchman" (1951), "A Star Is Born" (1954), "North by Northwest" (1959), and "Lolita" (1962). His ability to bring depth, sophistication, and complexity to his characters captivated audiences and garnered critical acclaim.
Beyond his film career, Mason also dabbled in producing and directing. He co-produced and starred in the acclaimed film "A Star Is Born," showcasing his multifaceted talent and creative vision.
Throughout his life, Mason was recognized with numerous awards and nominations, including three Academy Award nominations for Best Actor. He was highly regarded by his peers and critics alike for his impeccable craft and his ability to elevate any production he was a part of.
Emmett Evan "Van" Heflin, Jr. (December 13, 1910 – July 23, 1971) was an American film and theatre actor. He played mostly character parts over the course of his film career, but during the 1940s had a string of roles as a leading man. He won the Academy Award for Best Supporting Actor for his performance in Johnny Eager (1942).
Ava Lavinia Gardner (December 24, 1922 – January 25, 1990) was an American actress.
She was signed to a contract by MGM Studios in 1941 and appeared in small roles until she drew attention with her performance in The Killers (1946). She became one of Hollywood's leading actresses, considered one of the most beautiful women of her day. She was nominated for the Academy Award for Best Actress for her work in Mogambo (1953).
She appeared in several high-profile films from the 1950s to 1970s, including Bhowani Junction (1956), On the Beach (1959), The Night of the Iguana (1964), Earthquake (1974), and The Cassandra Crossing (1976). Gardner continued to act on a regular basis until 1986, four years before her death of pneumonia, at age 67, in 1990.
She is listed 25th among the American Film Institute's Greatest female stars.
Description above from the Wikipedia article Ava Gardner, licensed under CC-BY-SA, full list of contributors on Wikipedia
Cyd Charisse (born Tula Ellice Finklea; March 8, 1922 – June 17, 2008) was an American dancer and actress. After recovering from polio as a child and studying ballet, Charisse entered films in the 1940s.
Her roles usually featured her abilities as a dancer, and she was paired with Fred Astaire and Gene Kelly; her films include Singin' in the Rain (1952), The Band Wagon (1953), Brigadoon (1954), and Silk Stockings (1957). She stopped dancing in films in the late 1950s, but continued acting in film and television, and in 1992 made her Broadway debut.
Description above from the Wikipedia article Cyd Charisse, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia
Nancy Davis Reagan (born Anne Frances Robbins; July 6, 1921 – March 6, 2016) was an American film actress and the wife of Ronald Reagan, the 40th President of the United States. She served as the First Lady of the United States from 1981 to 1989. Davis' film career began with small supporting roles in two films that were released in 1949, The Doctor and the Girl with Glenn Ford and East Side, West Side starring Barbara Stanwyck. She played a child psychiatrist in the film noir Shadow on the Wall (1950) with Ann Sothern and Zachary Scott; her performance was called "beautiful and convincing" by New York Times critic A. H. Weiler. She co-starred in 1950's The Next Voice You Hear..., playing a pregnant housewife who hears the voice of God from her radio. Influential reviewer Bosley Crowther of The New York Times wrote that "Nancy Davis [is] delightful as [a] gentle, plain, and understanding wife." In 1951, Davis appeared in Night into Morning, her favorite screen role, a study of bereavement starring Ray Milland. Crowther said that Davis "does nicely as the fiancée who is widowed herself and knows the loneliness of grief," while another noted critic, The Washington Post's Richard L. Coe, said Davis "is splendid as the understanding widow." MGM released Davis from her contract in 1952; she sought a broader range of parts, but also married Reagan, keeping her professional name as Davis, and had her first child that year. She soon starred in the science fiction film Donovan's Brain (1953); Crowther said that Davis, playing the role of a possessed scientist's "sadly baffled wife," "walked through it all in stark confusion" in an "utterly silly" film. In her next-to-last movie, Hellcats of the Navy (1957), she played nurse Lieutenant Helen Blair, and appeared in a film for the only time with her husband, playing what one critic called "a housewife who came along for the ride." Another reviewer, however, stated that Davis plays her part satisfactorily, and "does well with what she has to work with."
Author Garry Wills has said that Davis was generally underrated as an actress because her constrained part in Hellcats was her most widely seen performance. In addition, Davis downplayed her Hollywood goals: promotional material from MGM in 1949 said that her "greatest ambition" was to have a "successful happy marriage"; decades later, in 1975, she would say, "I was never really a career woman but [became one] only because I hadn't found the man I wanted to marry. I couldn't sit around and do nothing, so I became an actress." Ronald Reagan biographer Lou Cannon nevertheless characterized her as a "reliable" and "solid" performer who held her own in performances with better-known actors. After her final film, Crash Landing (1958), Davis appeared for a brief time as a guest star in television dramas, such as the Zane Grey Theatre episode "The Long Shadow" (1961), where she played opposite Ronald Reagan, as well as Wagon Train and The Tall Man, until she retired as an actress in 1962.
From Wikipedia, the free encyclopedia.
Gale Sondergaard (February 15, 1899 – August 14, 1985) was an American actress.
Sondergaard began her acting career in theatre, and progressed to films in 1936. She was the first recipient of the Academy Award for Best Supporting Actress for her film debut in Anthony Adverse (1936). She played supporting roles in various films during the late 1930s and early 1940s, including The Cat and the Canary (1939), The Mark of Zorro (1940) and The Letter (1940). She was nominated for a second Best Supporting Actress Academy Award for Anna and the King of Siam (1946) but by the end of the decade her film appearances were fewer.
Married to the director Herbert Biberman, Sondergaard supported him when he was accused of communism and named as one of the Hollywood Ten in the early 1950s, and her film career was destroyed as a result. She moved with Biberman to New York City and worked in theatre, and acted in film and television occasionally from late 1960s. She moved back to Los Angeles where she died from cerebrovascular thrombosis.
Description above from the Wikipedia article Gale Sondergaard, licensed under CC-BY-SA, full list of contributors on Wikipedia
William Conrad (September 27, 1920 - February 11, 1994) was an American actor, producer, and director. He was born William Cann in Louisville, Kentucky, the son of a theatre-owner who moved to southern California, where he excelled at drama and literature while at school. Starting work in radio in the late 1930s in California, Conrad went on to serve as a fighter pilot in World War II. He entered the army in 1942, and was commissioned at Luke Field, Arizona in 1943 (now Luke Air Force Base). On the day of his commission he married June Nelson. He returned to the airwaves after the war, going on to accumulate over 7,000 roles in radio by his own estimate.
Among Conrad's various film roles, where he was usually cast as threatening figures, perhaps his most notable role was his first credited one, as one of the gunmen sent to eliminate Burt Lancaster in the 1946 film The Killers. He also appeared in Body and Soul (1947), Sorry, Wrong Number, Joan of Arc (both 1948), and The Naked Jungle (1954).
As a producer for Warner Brothers, he made a string of feature films, including An American Dream (1966, retitled See You in Hell, Darling for British release), A Covenant With Death (1966), First to Fight (1967) and The Cool Ones (1967), and also directed My Blood Runs Cold, Brainstorm and Two on a Guillotine (all 1965).
From Wikipedia, the free encyclopedia
Douglas Kennedy (September 14, 1915 – August 10, 1973) was an American supporting actor who appeared in more than 190 films between 1935 and 1973.
William Frawley was born in Burlington, Iowa. As a boy he sang at St. Paul's Catholic Church and played at the Burlington Opera House. His first job was as a stenographer for the Union Pacific Railroad. He did vaudeville with his brother Paul, then joined pianist Franz Rath in an act they took to San Francisco in 1910. Four years later he formed a light comedy act with his new wife Edna Louise Broedt, "Frawley and Louise", touring the Orpheum and Keith circuits until they divorced in 1927. He next moved to Broadway and then, in 1932, to Hollywood with Paramount. By 1951, when he contacted Lucille Ball about a part in her TV show I Love Lucy (1951), he had performed in over 100 films. His Fred Mertz role lasted until the show ended in 1960, after which he did a five-year stint on My Three Sons (1960). Poor health forced his retirement. He collapsed of a heart attack on March 3, 1966, aged 79, walking along Hollywood Boulevard after seeing a movie. He is buried in San Fernando Mission Cemetery.
Perennial starlet Dorothy Abbott was a sexy, vivacious, wide-smiling model, showgirl and actress who could brighten up a room. Unfortunately, her cinematic offerings wound up being pretty minimal and her last years were marred by depression and, ultimately, a tragic end.
She was born Dorothy E. Abbott on December 16, 1920, in Kansas City, Missouri and started her career off as a chorine with Earl Carroll and his Los Angeles-based revues and in Las Vegas showrooms where she was dubbed the rather mystifying title of "The Girl with the Golden Arm". Paramount Studios perked up on the lovely blonde with the Betty Page-like bangs and gave her a starting contract at $150 a week. Groomed in dozens of decorative "good time girl" bits -- dancers, chorus girls, waitresses, stewardesses, party girls, nurses and models -- she was at the same time promoted as a cheesecake pinup, "winning" such dubious titles as "Miss Wilshire Club," "Miss Los Angeles Transit" and "Miss Oil Cans". The dusky-voiced Dorothy was usually briefly seen and not heard in such dramatic and lightweight fare as The Razor's Edge (1946), Road to Rio (1947), Night Has a Thousand Eyes (1948) (in which she has her first speaking role as a maid), Words and Music (1948), Take Me Out to the Ball Game (1949), Little Women (1949), Neptune's Daughter (1949), Annie Get Your Gun (1950), His Kind of Woman (1951), Aaron Slick from Punkin Crick (1952), _The Las Vegas Story (1952)_, The Caddy (1953), There's No Business Like Show Business (1954), Love Me or Leave Me (1955), Rebel Without a Cause (1955), Gunfight at the O.K. Corral (1957), Jailhouse Rock (1957), South Pacific (1958), The Apartment (1960), That Touch of Mink (1962), A Gathering of Eagles (1963) and Dear Heart (1964). Her one starring role came early in the exploitative, lowbudget potboiler A Virgin in Hollywood (1953) as a star reporter out to get a seamy Hollywood story, but she was unable to capitalize on it. Working bit parts at the studio during the days, she would often perform on stage in little theatre shows at night. On the sly, when work was meager, she became a real estate agent in the 1950s in order to help supplement her income. TV chores included guest roles in "Leave It to Beaver" and "Ozzie and Harriet". She also had a recurring part for one season as Jack Webb 's girlfriend on the Dragnet (1954) series.
Dorothy married LAPD narcotics squad officer-turned homicide detective Adolph Rudy Diaz in 1949. Diaz, who was of Native American (Apache) descent, eventually retired as a cop in order to pursue acting. By this time, the marriage was in trouble and the couple separated. Going by the stage name of Rudy Diaz in 1967, he began to get work and was seen out in public with other women. The divorce was finalized in 1968, but Dorothy took it hard and never seemed to get over it. On December 15, 1968, she committed suicide at her Los Angeles home -- one day before her 48th birthday. She was interred (as Dorothy E. Diaz) at Rose Hills Memorial Park, Whittier, Los Angeles County, California, Plot: Valley Lawn, Lot 2939.
From Wikipedia
Mimi Aguglia (21 December 1884 – 31 July 1970) was an
Italian actress, who was born in Catania, Sicily while her own mother, actress
Giuseppina Aguglia, was playing Desdemona in Othello.
She was doing warm up acts for her famous actress mother by
the time she was five. She went on to tour both Italy and Europe and became an
internationally famous theatrical actress in her own right. She was
"discovered" by Hollywood and from the 1930s until her death was a
much requested character actress in movies. Her daughter Argentina Brunetti (1907–2005)
was also an actress.
Ernest Anderson was born in Lynn MA and earned his high school diploma in Washington D.C. at Dunbar High School, formerly named The Preparatory High School for Colored Youth. Founded in 1891, it was America's first public high school for black students. He earned his bachelor's degree at Northwestern University's School of Drama and Speech. He moved to Hollywood and was working in the service department when Bette Davis arranged for him to interview for the role of Perry Clay in the film "In This Our Life" (1942). Mr. Anderson persuaded the director, John Huston, to change the racist dialog of his character typical of Hollywood in that era, to one of dignified intelligence and emotion. After serving his country in WWII, he returned to Warner Brothers where he continued to humanize the roles of America's black performers. He remained active in film until the late 1960's. He died in DeLand, Florida, on March 5, 2011.
From Wikipedia, the free encyclopedia
Barry Norton (born Alfredo Carlos Birabén; June 16, 1905 – August 24, 1956) was an Argentinian-American actor. He appeared in over 90 films, starting in silent films from 1925 until his death in 1956. He is perhaps best known for his role as Juan Harker in Universal Pictures' Spanish-language version of Drácula in 1931, the English language role of Jonathan Harker originated by David Manners. Arriving in Hollywood in the 1920s, Norton first appeared as an extra in The Black Pirate (1926) but was soon cast in Fox Films' The Lily that same year. His big break came when he was given the role of Pvt. "Mother's Boy" Lewisohn in What Price Glory?, which turned out to be a huge commercial success. He landed substantial roles in Legion of the Condemned and 4 Devils (both 1928), which were also very successful. His acting was well received by audiences and critics at the time, and during the silent era he avoided being typecast as a Latin lover. One theater owner in Golden City, Montana said, "[Norton] has as yet to show me a bad performance. There's a boy that is a 'natural'."
In the early 1930s, Norton could still get leading roles in major films. Major Hollywood studios started producing alternate-language versions of their prestige productions, and he became one of dozens of Latino actors needed. Drácula was one of these films, but Norton also appeared in Spanish-language versions of Paramount on Parade (1930), The Benson Murder Case (1930), and The Criminal Code (1931). In a few cases, he appeared in both versions of a film. Examples include Storm Over the Andes (Spanish version: Alas sobre El Chaco), The Sea Fiend (El diablo del Mar), and Captain Calamity (El capitan Tormenta), the latter film reuniting him with Lupita Tovar, his romantic interest from Dracula.
In addition to roles in Spanish-territory films, he had roles in numerous major films, usually playing sophisticated Europeans. With the decline in Spanish-language film production in Los Angeles, Norton's opportunities for leading roles became less and less frequent. Though he had a pleasing voice, his Argentine accent seemed incongruous with his appearance. According to some sources, he never mastered English very well. In 1933, he secured what would be his last important role, playing Jean Parker's Spanish fiancé in Frank Capra's Lady for a Day (1933). Although he would continue to work for another 15 years, Norton's last credited screen role would be Should Husbands Work? (1939). For the rest of his career, Norton continued to reside in Los Angeles and obtain small roles in films. Many films he appeared in are now considered to be classics.
