A repressed poetess and an embittered war hero help each other cope with their problems.
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Ruth Elizabeth "Bette" Davis (April 5, 1908 – October 6, 1989) was an American actress of film, television and theater. Noted for her willingness to play unsympathetic characters, she was highly regarded for her performances in a range of film genres; from contemporary crime melodramas to historical and period films and occasional comedies, though her greatest successes were her roles in romantic dramas. After appearing in Broadway plays, Davis moved to Hollywood in 1930, but her early films for Universal Studios were unsuccessful. She joined Warner Bros. in 1932 and established her career with several critically acclaimed performances. In 1937, she attempted to free herself from her contract and although she lost a well-publicized legal case, it marked the beginning of the most successful period of her career. Until the late 1940s, she was one of American cinema's most celebrated leading ladies, known for her forceful and intense style. Davis gained a reputation as a perfectionist who could be highly combative, and confrontations with studio executives, film directors and costars were often reported. Her forthright manner, clipped vocal style and ubiquitous cigarette contributed to a public persona which has often been imitated and satirized. Davis was the co-founder of the Hollywood Canteen, and was the first female president of the Academy of Motion Picture Arts and Sciences. She won the Academy Award for Best Actress twice, was the first person to accrue 10 Academy Award nominations for acting, and was the first woman to receive a Lifetime Achievement Award from the American Film Institute. Her career went through several periods of eclipse, and she admitted that her success had often been at the expense of her personal relationships. Married four times, she was once widowed and thrice divorced, and raised her children as a single parent. Her final years were marred by a long period of ill health, but she continued acting until shortly before her death from breast cancer, with more than 100 films, television and theater roles to her credit. In 1999, Davis was placed second, after Katharine Hepburn, on the American Film Institute's list of the greatest female stars of all time.
From Wikipedia, the free encyclopedia. Janis Paige (September 16, 1922 - June 2, 2024; born as Donna Mae Tjaden in Tacoma, Washington) was an American film, musical theatre and television actress. She began singing in public from the age of five in local amateur shows. She then moved to Los Angeles after graduating from high school and then got a job as a singer at the Hollywood Canteen during World War II. The Canteen, which was a studio-sponsored gathering spot for servicemen, is where Warner Bros. saw her potential and signed her up. She began her film career co-starring in secondary musicals, often paired with either Dennis Morgan or Jack Carson. She later was relegated to rugged adventures and dramas in which she was out of her element. Following her role in the forgettable Two Gals and a Guy released in 1951, she decided to leave the Hollywood scene. She then took to the Broadway boards and scored a huge hit with the 1951 comedy-mystery play, Remains to Be Seen, co-starring Jackie Cooper. She also toured successfully as a cabaret singer, performing everywhere from New York City and Miami to Las Vegas and Los Angeles. Stardom came in 1954 with the role of "Babe" in the Broadway musical The Pajama Game. (Doris Day went on to play the role on film.) After a six-year hiatus, Paige returned to films in Silk Stockings (1957), which starred Fred Astaire and Cyd Charisse, plus the Doris Day comedy Please Don't Eat the Daisies (1960) followed by a role as a love-starved married neighbor in Bachelor in Paradise with Bob Hope (1961). One of her rare dramatic roles was "Marion," an institutionalized hooker, in the 1963 drama, The Caretakers. Description above from the Wikipedia article Janis Paige, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia Jim Davis (born Marlin Davis, August 26, 1909 – April 26, 1981) was an American actor, best known for his role as Jock Ewing in the CBS prime-time soap opera, Dallas, a role which continued until he was too ill from a terminal illness to perform. He was known as Jim Davis by the time of his first major screen role, which was opposite Bette Davis in the 1948 melodrama Winter Meeting,[3] a lavish failure for which he was lambasted in the press as being too inexperienced to play the part properly. His subsequent film career consisted of mostly B movies, many of them westerns, although he made an impression as a U.S. senator in the Warren Beatty conspiracy thriller The Parallax View. Davis performed in numerous television series episodes in the 1950s-1970s. After years of relatively low-profile roles, Davis was cast as family patriarch Jock Ewing on Dallas, which debuted in 1978. During season four, he was diagnosed with multiple myeloma but continued to film the show as long as he could. In many scenes as the season progressed he was shown seated, and his voice became softer and more obviously affected by his illness. He wore a hairpiece to cover the hair he'd lost from chemotherapy. A season four storyline regarding the Takapa development and Jock's separation from Miss Ellie was ended abruptly at the end of season four. The writers depicted the couple suddenly leaving to go on an extended second honeymoon when it became obvious that Davis could no longer continue to work. Their departure in a limousine in the episode "New Beginnings" was Davis' only scene in that episode, and his condition was so poor that close watching reveals (based on his unsynchronized lip movement) that he overdubbed his one last line of dialogue. It was his final appearance on the show. He died of complications from his illness while season four was being aired.
John Hoyt was an American film, theatre, and television actor.
From Wikipedia, the free encyclopedia Florence Bates (born Florence Rabe, April 15, 1888 – January 31, 1954) was an American film and stage character actress who often played grande dame characters in supporting roles. Her path to becoming an actress had many turns. She had a degree in Mathematics, taught school until married, then became the first Texas female lawyer. Then she became a bilingual radio commentator. After her husband lost her fortune, she and her husband opened a bakery in Los Angeles. In the mid-1930s, Bates auditioned for and won the role of Miss Bates in a Pasadena Playhouse adaptation of Jane Austen's Emma. When she decided to continue working with the theatre group, she changed her professional name to that of the first character she played on stage. In 1939, she was introduced to Alfred Hitchcock, who cast her in her first major screen role, the vain dowager Mrs. Van Hopper, in Rebecca (1940). Bates appeared in more than sixty films over the course of the next thirteen years. Among her cinema credits are Kitty Foyle, Love Crazy, The Moon and Sixpence, Mr. Lucky, Heaven Can Wait, Lullaby of Broadway, Mister Big, Since You Went Away, Kismet, Saratoga Trunk, The Secret Life of Walter Mitty, Winter Meeting, I Remember Mama, Portrait of Jennie, A Letter to Three Wives, On the Town, and Les Misérables. In television, Bates had a regular role on The Hank McCune Show and made guest appearances on I Love Lucy, My Little Margie, I Married Joan and Our Miss Brooks.
From Wikipedia, the free encyclopedia Walter S. Baldwin Jr. (January 2, 1889 − January 27, 1977) was a prolific character actor whose career spanned five decades and 150 film and television roles, and numerous stage performances. Baldwin was born in Lima, Ohio from a theatrical family and served in the First World War. He was probably best known for playing the father of the handicapped sailor in The Best Years of Our Lives. He was the first actor to portray "Floyd the Barber" on The Andy Griffith Show. Prior to his first film roles in 1939, Baldwin had appeared in more than a dozen Broadway plays. He played Whit in the first Broadway production of Of Mice and Men, and also appeared in the original Grand Hotel in a small role, as well as serving as the production's stage manager. He originated the role of Bensinger, the prissy Chicago Tribune reporter, in the Broadway production of The Front Page. In the 1960s he had small acting roles in television shows such as Petticoat Junction and Green Acres. He continued to act in motion pictures, and one of his last roles was in Rosemary's Baby. Baldwin was known for playing solid middle class burghers, although sometimes he gave portrayals of eccentric characters. He played a customer seeking a prostitute in The Lost Weekend and the rebellious prison trusty Orvy in Cry of the City. Walter Baldwin was featured in a lot of John Deere Day Movies from 1949-59 where he played the farmer Tom Gordon. In this series of Deere Day movies over a decade he helped to introduce many new pieces of John Deere farm equipment year-by-year. In each yearly movie he would be shown on his in A Tom Gordon Family Film where he would be buying new John Deere farm equipment or a new green and yellow tractor.A picture of Walter Baldwin playing Tom Gordon can be found on page 108 of Bob Pripp's book John Deere Yesterday & Today Hal Erickson writes in Allmovie: "With a pinched Midwestern countenance that enabled him to portray taciturn farmers, obsequious grocery store clerks and the occasional sniveling coward, Baldwin was a familiar (if often unbilled) presence in Hollywood films for three decades."
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1944
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From Wikipedia, the free encyclopedia Bess Flowers (November 23, 1898 – July 28, 1984) was an American actress. By some counts considered the most prolific actress in the history of Hollywood, she was known as "The Queen of the Hollywood Extras," appearing in over 700 movies in her 41 year career. Born in Sherman, Texas, Flowers's film debut came in 1923, when she appeared in Hollywood. She made three films that year, and then began working extensively. Many of her appearances are uncredited, as she generally played non-speaking roles. By the 1930s, Flowers was in constant demand. Her appearances ranged from Alfred Hitchcock and John Ford thrillers to comedic roles alongside of Charley Chase, the Three Stooges, Leon Errol, Edgar Kennedy, and Laurel and Hardy. She appeared in the following five films which won the Academy Award for Best Picture: It Happened One Night, You Can't Take it with You, All About Eve, The Greatest Show on Earth, and Around the World in Eighty Days. In each of these movies, Flowers was uncredited. Including these five movies, she had appeared in twenty-three Best Picture nominees in total, making her the record holder for most appearances in films nominated for the award. Her last movie was Good Neighbor Sam in 1964. Flowers's acting career was not confined to feature films. She was also seen in many episodic American TV series, such as I Love Lucy, notably in episodes, "Lucy Is Enceinte" (1952), "Ethel's Birthday" (1955), and "Lucy's Night in Town" (1957), where she is usually seen as a theatre patron. Outside her acting career, in 1945, Bess Flowers helped to found the Screen Extras Guild (active: 1946-1992, then merged with SAG), where she served as one of its first vice-presidents and recording secretaries.
