A man wrongly accused of murder tracks the true culprit across the desert.
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Robert George Young (February 22, 1907 – July 21, 1998) was an American television, film, and radio actor, best known for his leading roles as Jim Anderson, the father of Father Knows Best (NBC and then CBS) and as physician Marcus Welby in Marcus Welby, M.D. (ABC). Young appeared in over 100 films between 1931 and 1952. After appearing on stage, Young was signed with Metro-Goldwyn-Mayer and, in spite of having a "tier B" status, he co-starred with some of the studio's most illustrious actresses, such as Katharine Hepburn, Margaret Sullavan, Norma Shearer, Joan Crawford, Helen Hayes, Luise Rainer, Hedy Lamarr, and Helen Twelvetrees. Yet, most of his assignments consisted of B movies, also known as "programmers," which required two to three weeks of shooting (considered very brief shooting periods at the time). Actors who were relegated to such a hectic schedule appeared, as Young did, in some six to eight movies per year. As an MGM contract player, Young was resigned to the fate of most of his colleagues—to accept any film assigned to him or risk being placed on suspension—and many actors on suspension were prohibited from earning a salary from any endeavor at all (even those unrelated to the film industry). In 1936, MGM summarily loaned Young to Gaumont British for two films; the first was directed by Alfred Hitchcock with the other co-starring Jessie Matthews. While there he surmised that his employers intended to terminate his contract, but he was mistaken. He unexpectedly received one of his most rewarding roles late in his MGM career, in H.M. Pulham, Esq., featuring one of Hedy Lamarr's most effective performances. He once remarked that he was assigned only those roles which Robert Montgomery and other A-list actors had rejected. After his contract ended at MGM, Young starred in light comedies as well as in trenchant dramas for studios such as 20th Century Fox, United Artists, and RKO Radio Pictures. From 1943, Young assayed more challenging roles in films like Claudia, The Enchanted Cottage, They Won't Believe Me, The Second Woman, and Crossfire. His portrayal of unsympathetic characters in several of these later films—which was seldom the case in his MGM pictures—was applauded by numerous reviewers. Young's career began an incremental and imperceptible decline, despite a propitious beginning as a freelance actor without the nurturing of a major studio. He continued starring as a leading man in the late 1940s and early 1950s, but only in mediocre films, then he subsequently disappeared from the silver screen - only to reappear several years later on a much smaller one. Description above from the Wikipedia article Robert Young (actor), licensed under CC-BY-SA, full list of contributors on Wikipedia
From Wikipedia, the free encyclopedia. Akim Mikhailovich Tamiroff (Russian: Аким Михайлович Тамиров; 29 October 1899 – 17 September 1972), Tiflis, Russian Empire (now Tbilisi, Georgia) was an Armenian actor. He won the first Golden Globe Award for Best Supporting Actor. He was born of Armenian ethnicity, trained at the Moscow Art Theatre drama school. He arrived in the US in 1923 on a tour with a troupe of actors and decided to stay. Tamiroff managed to develop a career in Hollywood despite his thick Russian accent. Description above from the Wikipedia article Akim Tamiroff, licensed under CC-BY-SA, full list of contributors on Wikipedia
Barton MacLane graduated from Wesleyan University, where he displayed a notable aptitude for sports, in particular football and basketball. Not surprisingly, his physical prowess led to an early role in The Quarterback (1926) with Richard Dix. MacLane once commented that, as an actor, he needed to have the physical strength to tear the bad guys "from limb to limb", if necessary. Ironically, it was usually Barton himself who was destined to be at the end of a hiding (when not getting shot, instead), typically as snarling henchmen, outlaws and other assorted dubious or abrasive types throughout most of his 40-year acting career. In fact, Barton became so typecast that his name was for a time used proverbially, to generally describe a shouting, hard-nosed ruffian. After training at the American Academy of Dramatic Arts, MacLane joined a stock company in Brooklyn. In 1927 he had his first part on Broadway, a brief moment as an assistant district attorney, in the melodrama "The Trial of Mary Dugan". He then played a small featured role as a police officer in "Subway Express" (1929-30), a drama enacted in the interior of a subway car. In mid-1932 MacLane tried his hand at writing his own starring vehicle for the stage, entitled "Rendezvous". While the play closed after just 21 performances, it led to a contract with Warner Brothers. Barton had already appeared in bit roles for Paramount at their Astoria Studios, including The Marx Brothers' debut film The Cocoanuts (1929). He portrayed mobster Brad Collins in 'G' Men (1935) (with James Cagney), which set the tone for most of his future assignments. Brawny, with squinty eyes and a rasping voice, MacLane was the ideal surly tough guy, particularly suitable for westerns and the type of films noir Warner Brothers excelled at. He was often cast as cops, be they bent or honest. Some of his most representative performances include gangster Al Kruger in Bullets or Ballots (1936), which won him some of the best critical notices of his career; outlaw Jack Slade in Western Union (1941); crooked construction boss Pat McCormick, who gets beaten up by Humphrey Bogart and Tim Holt over past-due wages in The Treasure of the Sierra Madre (1948); hard-nosed cops Detective Dundy in The Maltese Falcon (1941) and Lt. Reece in Kiss Tomorrow Goodbye (1950). MacLane, on loan to Universal, also had a starring role in Prison Break (1938) as an innocent tuna fisherman who is framed for murder. He was prominent as a tough but sympathetic cop, foil to sleuthing girl reporter Glenda Farrell in the "Torchy Blaine" series of the mid- to late 1930s. In the 1960s Barton began to cultivate a good-guy image as Marshal Frank Caine in the NBC western series Outlaws (1960) as well as showing up in a small recurring role as Air Force Gen. Martin Peterson in I Dream of Jeannie (1965). Barton was married to the actress Charlotte Wynters, who appeared with him in six of his films. When not on the set, the couple spent time on their 2000-acre cattle ranch in Madera County, California. For his work in television, Barton has a star on the Hollywood Walk of Fame.
Mike Mazurki (born: Markijan Mazurkiewicz; 25 December 1907 – 9 December 1990) was an American actor and professional wrestler who appeared in more than 100 films. His towering 6 ft 5 in (196 cm) presence and intimidating face usually got him roles playing tough guys, thugs, strong men, and gangsters.
Robert Harriot Barrat (July 10, 1889 – January 7, 1970) was an American stage, motion picture, and television character actor.
From Wikipedia, the free encyclopedia Clem Bevans (October 16, 1879 – August 11, 1963) was an American character actor best remembered for playing eccentric, grumpy old men. Bevans had a very long career, starting in vaudeville in 1900 in an act with Grace Emmett. He progressed to burlesque, Broadway, and even light opera, before making his film debut at the age of 55 in Way Down East (1935). His portrayal was so good, he became stereotyped and played mostly likable old codgers for the rest of his life. Bevans played the neighbour of Gregory Peck in The Yearling and the gatekeeper in Harvey (1950). However, he did occasionally play against type, for example as a Nazi spy in Alfred Hitchcock's Saboteur (1942). He also made some television appearances, including the role of murderer Captain Hugo in the 1958 Perry Mason episode "The Case of the Demure Defendant" and as Pete in The Twilight Zone episode "Hocus-Pocus and Frisby" (1962). He played Captain Cobb in Disney's TV miniseries Davy Crockett. His first cousin was actress Merie Earle, best known as Maude Gormley on The Waltons.
From Wikipedia, the free encyclopedia. William Henry "Will" Wright (March 26, 1894, San Francisco, California - June 19, 1962, Los Angeles, California) was an American character actor. He was frequently cast in westerns and in curmudgeonly roles. Over the course of his career, Wright appeared in more than 200 film and television roles. He started his acting career in vaudeville and later moved to the stage, then on to movies, radio, and television. Among the films in which Wright appeared are Shadow of the Thin Man (1941), The Major and the Minor (1943), So Proudly We Hail! (1943), Road to Utopia (1946), Mother Wore Tights (1947), Mr. Blandings Builds His Dream House (1948), Little Women (1949), Walk Softly, Stranger (1950), Sunset in the West (1950), People Will Talk (1951), The Happy Time (1952), River of No Return (1954), The Man with the Golden Arm (1955), Jeanne Eagels (1957), and Gunman's Walk (1958). One of his most famous and memorable film roles was corrupt city official Dolph Pillsbury in the Academy Award-winning All the King's Men (1949). Wright provided the voice of Friend Owl in Walt Disney's animated film Bambi (1942). He guest starred on several television series. Will Wright died of cancer in 1962.
From Wikipedia, the free encyclopedia. Frank Fenton (Moran) (April 9, 1906 – July 24, 1957) was an American stage, film and television actor. Description above from the Wikipedia Frank Fenton (actor) licensed under CC-BY-SA, full list of contributors on Wikipedia.
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1956
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1947
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1942
From Wikipedia, the free encyclopedia Joseph Crehan (July 15, 1883 – April 15, 1966) was an American film actor. He appeared in more than 300 films between 1916 and 1965, and notably played Ulysses S. Grant nine times between 1939 and 1958, most memorably in Union Pacific and They Died With Their Boots On. He was born in Baltimore, Maryland and died in Hollywood, California from a stroke. Crehan often played alongside Charles C. Wilson with whom he is sometimes confused.
From Wikipedia, the free encyclopedia Olin Ross Howland (February 10, 1886 – September 20, 1959) was an American film and theatre actor. Howland was born in Denver, Colorado, to Joby A. Howland, one of the youngest enlisted participants in the Civil War, and Mary C. Bunting. His older sister was the famous stage actress Jobyna Howland. From 1909 to 1927, Howland appeared on Broadway in musicals, occasionally performing in silent films. The musicals include Leave It to Jane (1917), Two Little Girls in Blue (1921) and Wildflower (1923). He was in the film Janice Meredith (1924) with Marion Davies. With the advent of sound films, his theatre background proved an asset, and he concentrated mostly on films thereafter, appearing in nearly two hundred movies between 1918 and 1958. Howland often played eccentric and rural roles in Hollywood. His parts were often small and uncredited, and he never got a leading role. He was a personal favorite of David O. Selznick, who cast him in his movies Nothing Sacred (1937) as a strange luggage man, The Adventures of Tom Sawyer (1938, as the teacher Mr. Dobbins) and Gone with the Wind (1939) as a carpetbagger businessman. He also played in numerous westerns from Republic Pictures, including the John Wayne films In Old California (1942) and Angel and the Badman (1947). As a young man, Howland learned to fly at the Wright Flying School and soloed on a Wright Model B. This lent special sentiment in his scenes with James Stewart in the film The Spirit of St. Louis (1957), as Stewart was also a pilot in real life. The Spirit of St. Louis and Them (1954),where he played a drunken old man, and The Blob (1958) were his last films. He also played in telelevision shows during the 1950s. In 1958 and 1959, he was cast as Charley Perkins in five episodes of ABC's sitcom The Real McCoys, starring Walter Brennan. Howland never married and had no children. He worked until his death in Hollywood, California, at the age of 73.
An American character actor who over a 50-year career performed in hundreds of stage, film, and television productions.
