A socialite pretends to be poor and blind in her plan to help a blinded pianist.
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Carver Dana Andrews (January 1, 1909 – December 17, 1992) was an American actor. A leading man during the 1940s, he continued acting in less prestigious roles and character parts into the 1980s. He is best known for his portrayal of obsessed police detective Mark McPherson in the noir Laura (1944) and his critically acclaimed performance as World War II veteran Fred Derry in The Best Years of Our Lives (1946). Description above from the Wikipedia article Dana Andrews, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia Merle Oberon (18 February 1911 – 23 November 1979) was an Indian-born British actress. She began her film career in British films, and a prominent role, as Anne Boleyn in The Private Life of Henry VIII (1933), brought her attention. Leading roles in such films as The Scarlet Pimpernel (1934) advanced her career, and she travelled to the United States to make films for Samuel Goldwyn. She was nominated for an Academy Award for Best Actress for her performance in The Dark Angel (1935). A traffic collision in 1937 caused facial injuries that could have ended her career, but she soon followed this with her most renowned role, as Cathy in Wuthering Heights (1939).
Ethel Barrymore was the second of three children seemingly destined for the actor's life of their parents Maurice and Georgiana. Maurice Barrymore had emigrated from England in 1875, and after graduating from Cambridge in law had shocked his family by becoming an actor. Georgiana Drew of Philadelphia acted in her parents' stage company. The two met and married as members of Augustin Daly's company in New York. They both acted with some of the great stage personalities of the mid Victorian theater of America and England. The Barrymore children were born and grew up in Philadelphia. Though older brother Lionel Barrymore began acting early with his mother's relatives in the Drew theater company, Ethel, after a traditional girl's schooling, planned on becoming a concert pianist. The lure of the stage was perhaps congenital, however. She made her debut as a stage actress during the New York City season of 1894. Her youthful stage presence was at once a pleasure, a strikingly pretty and winsome face and large dark eyes that seemed to look out from her very soul. Her natural talent and distinctive voice only reinforced the physical presence of someone destined to command any role set before her. After the opportunity to appear on the London stage with English great Henry Irving in "The Bells" (1897) and later in "Peter the Great" (1898), she returned to New York to star in the Clyde Fitch play "Captain Jinks of the Horse Marines" (1901) (produced by her friend and benefactor Charles Frohman), which brought her initial American acclaim. Lead roles, such as Nora in Henrik Ibsen's "A Doll's House" (1905) and starring in "Alice By the Fire" (also 1905), "Mid-Channel" (1910) and "Trelawney of the Wells" (1911) proved her popularity as a warm and charismatic star of American stage. In the meantime she married stockbroker Russell Griswold Colt in 1909 and gave birth to three children while continuing her acting career. Although the stage was her first love, she did heed the call of the silver screen, and though not achieving the matinée idol image that younger brother John Barrymore garnered in silent movies after similar chemistry on stage, she won over audiences from her first film appearance in The Nightingale (1914). However, her early film roles, steady through 1919, took a back seat to continued stage triumphs: "Declassee" (1919), her impassioned Juliet in "Romeo and Juliet" (1922), "The Second Mrs. Tanqueray" (1924) and, especially, "The Constant Wife" (1926). She harnessed her considerable talents in the role of an activist as well, being a bedrock supporter of the Actors Equity Association and, in fact, had been a prominent figure in the actors strike of 1919. By 1930 she was entering middle age and her movie roles reflected this. Except for Rasputin and the Empress (1932) with her brothers, the roles were elderly mothers and grandmothers, dowager ladies and spinster aunts. Perhaps wisely she put off Hollywood for over a decade, with stage work that included her most endearing role in "The Corn is Green" (a tour that lasted from 1940 to 1942). She finally moved to Southern California in 1940. When she passed away in 1959, she was interred near her brothers at Calvary Cemetery in East Los Angeles.
From Wikipedia, the free encyclopedia Hoagy Carmichael was an American composer, pianist, singer, actor, and bandleader. He is best known for composing the music for "Stardust", "Georgia on My Mind", "The Nearness of You", and "Heart and Soul", four of the most-recorded American songs of all time. American composer and author Alec Wilder wrote of Carmichael in American Popular Song: The Great Innovators, 1900–1950 that he was the "most talented, inventive, sophisticated and jazz-oriented" of the hundreds of writers composing pop songs in the first half of the 20th century.
Walter Reed (born Walter Reed Smith), was an American stage, film and television actor. Reed was born in 1916 in Fort Ward, Washington. Following a stint as a Broadway actor, Reed broke into films in 1941. He appeared in several features for RKO Radio Pictures, including the last two Mexican Spitfire comedies (in which Reed replaced Buddy Rogers as the Spitfire's husband). Perhaps his most memorable role was as the spineless wagon driver husband of Gail Russell in the western Seven Men from Now. Reed also appeared in the very first Superman theatrical feature film Superman and the Mole Men in 1951. In 1951, Reed made two film serials for Republic Pictures; Reed strongly resembled former Republic leading man Ralph Byrd, enabling Republic to insert old action scenes of Byrd into the new Reed footage. Republic wanted to sign Reed for additional serials but Reed declined, preferring not to be typed as a serial star. After appearing in 90 films and numerous television programs, such as John Payne's The Restless Gun, Reed changed careers and became a real estate investor and broker in Santa Cruz, California in the late 1960s.
