Capt. Jeremy Bradford has a particularly exciting luxury liner cruise in store when he's charged with transporting a troupe of opera singers to Rio de Janeiro. Anxious to become a singer herself, Bradford's young daughter, Polly, decides to skip out on school and sneak onto the ship before it departs. Angry that his daughter disobeyed him, Bradford puts her to work on the ship for punishment, but Polly has her own ideas about how to spend the trip.
11-09-1948
1h 38m
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Main Cast
Movie Details
Production Info
Director:
Richard Whorf
Production:
Metro-Goldwyn-Mayer
Key Crew
Screenplay:
Gladys Lehman
Producer:
Joe Pasternak
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
George Brent
From Wikipedia, the free encyclopedia
George Brent (born George Patrick [or George Brendan] Nolan, 15 March 1904 – 26 May 1979) was an Irish-American stage, film, and television actor.
Brent was born in Ballinasloe, County Galway in 1904 to John J. and Mary (née McGuinness) Nolan. His mother was a native of Clonfad, Moore, County Roscommon.
Brent made his first film, Under Suspicion, in 1930. Over the next two years, he appeared in a number of minor films produced by Universal Studios and Fox, before being signed to contract by Warner Bros. in 1932. He remained at Warner Bros. for the next 20 years, carving out a successful career as a top-flight leading man during the late 1930s and 1940s.
Highly regarded by Bette Davis, he became her most frequent male co-star, appearing with her in 13 films, including Front Page Woman (1935), Special Agent (1935), The Golden Arrow (1936), Jezebel (1938), The Old Maid (1939), Dark Victory (1939), and The Great Lie (1941). Brent also played opposite Ruby Keeler in 42nd Street (1933), Greta Garbo in The Painted Veil (1934), Ginger Rogers in In Person (1935), Madeleine Carroll in The Case Against Mrs. Ames (1936), Jean Arthur in More Than a Secretary (1936), Myrna Loy in Stamboul Quest (1934) and The Rains Came (1939), Merle Oberon in 'Til We Meet Again (1940), Ann Sheridan in Honeymoon for Three (1941), Joan Fontaine in The Affairs of Susan (1945), Barbara Stanwyck in So Big! (1932), The Purchase Price (1932), Baby Face (1933), The Gay Sisters (1942), and My Reputation (1946), Claudette Colbert in Tomorrow Is Forever (1946), Dorothy McGuire in The Spiral Staircase (1946), Lucille Ball in Lover Come Back (1946), and Yvonne De Carlo in Slave Girl (1947).
Brent drifted into "B" pictures from the late 1940s and retired from film in 1953. He continued to appear on television until 1960, having appeared on the religion anthology series Crossroads. He was cast in the lead in the 1956 television series Wire Service. In 1978, he made one last film, the made-for-television production Born Again.
In 1960, Brent was inducted into the Hollywood Walk of Fame with two stars. He received a motion-pictures star located at 1709 Vine Street, and a second star located at 1612 Vine Street for his work in television.
Brent was married five times: Helen Louise Campbell (1925–1927), Ruth Chatterton (1932–1934), Constance Worth (1937), Ann Sheridan (1942–1943), and Janet Michaels (1947–1974). His final marriage to Janet Michaels, a former model and dress designer, lasted 27 years until her death in 1974. They had a son and a daughter.
Brent also carried on a lengthy relationship with his frequent Warner Bros. co-star, actress Bette Davis, who described her last meeting with Brent after many years of estrangement. He was suffering from advanced emphysema, and she expressed great sadness at his ill health and deterioration. George Brent died in 1979 in Solana Beach, California.
Jane Powell was singing and dancing at an early age. She sang on the radio and performed in theaters before her screen debut in 1944. Through the 1940s and 1950s, she had a successful career in movie musicals. However, in 1957, her career in films ended, as she had outgrown her innocent girl-next-door image. She has made brief returns to acting in front of the camera -- on television, in commercials, and in a workout video. She has had a variety of roles on stage since the end of her movie career, including the musicals "South Pacific," "The Sound of Music," "Oklahoma!," "My Fair Lady," "Carousel," and a one-woman show "The Girl Next Door and How She Grew," from which she took the title of her 1988 autobiography.
From the 1980s to the 2010s, Powell lived with her fifth husband, former child star Dickie Moore, in New York City and Connecticut, active in television and theater through the 2000s. Moore passed away in 2015 and Powell moved full-time to Wilton, Connecticut after that. Jane Powell passed away on September 16, 2021, of natural causes, at the age of 92.
Despite the same last name she is not related to actors William Powell, Dick Powell, or Eleanor Powell.
Xavier Cugat was a popular Spanish-American bandleader. He made many appearances in Hollywood films and on television throughout the decades, from 1921.
Thomas E. Breen was born on January 3, 1924 in Washington, District of Columbia, USA. He was an actor, known for Luxury Liner (1948), The River (1951) and Battleground (1949). He died on June 16, 2000 in Coos Bay, Oregon, USA.
Richard Derr (June 15, 1917 – May 8, 1992) was an American actor who worked on stage, screen and television, performing in both starring and supporting roles.
From Wikipedia, the free encyclopedia
John Ridgely (born John Huntington Rea, September 6, 1909 – January 18, 1968) was an American film character actor with over 175 film credits.
He appeared in the 1946 Humphrey Bogart film The Big Sleep as blackmailing gangster Eddie Mars and had a memorable role as a suffering heart patient in the film noir Nora Prentiss (1947). He appeared in a large number of other Warner Bros. films in the 1930s and 1940s.
Freelancing after 1948, John Ridgely continued to essay general-purpose parts until he left films in 1953. Thereafter, he worked in summer-theater productions and television until his death from a heart attack at the age of 58 in 1968.
C. Aubrey Smith (Sir Charles Aubrey Smith, CBE) was an English born stage and screen actor, prominent in Hollywood films starting from the beginning of the sound era.
From Wikipedia, the free encyclopedia
Betty Blythe (born Elizabeth Blythe Slaughter, September 1, 1893 – April 7, 1972) was an American actress best known for her dramatic roles in exotic silent films such as The Queen of Sheba (1921). She appeared in 63 silent films and 56 talking pictures (known as talkies) over the course of her career.
She is famous for being one of the first actresses to appear on film in the nude, or nearly so, during the Roaring Twenties.
She is reported to have said, "A director is the only man besides your husband who can tell you how much of your clothes to take off."
Blythe began her stage work in such theatrical pieces as So Long Letty and The Peacock Princess. She worked in vaudeville as the "California Nightingale" singing songs such as "Love Tales from Hoffman".
After touring Europe and the States, she entered films in 1918 at the Vitagraph Studios in Brooklyn, then she was brought to Hollywood's Fox studio as a replacement for actress Theda Bara.
As famous for her revealing costumes as for her dramatic skills, she became a star in such exotic films as The Queen of Sheba (1921) (in which she wore nothing above the waist except a string of beads), Chu-Chin-Chow (made in 1923; released by MGM in the US 1925) and She (1925).
She was also seen to good advantage in less revealing films like Nomads of the North (1920) with Lon Chaney and In Hollywood with Potash and Perlmutter (1924), produced by Samuel Goldwyn.
Other roles were as an opera star, unbilled in Garbo's The Mysterious Lady. She continued to work as a character actress. One of her last roles was a small uncredited role in a crowd scene in 1964's My Fair Lady.
Betty Blythe's name lives on through the Betty Blythe Vintage TeaRoom in West Kensington.
From Wikipedia, the free encyclopedia
May McAvoy (September 8, 1899 – April 26, 1984) was an American actress who worked mainly during the silent film era. Some of her major roles are Laura Pennington in The Enchanted Cottage, Esther in Ben-Hur: A Tale of the Christ, and Mary Dale in The Jazz Singer.
McAvoy appeared in her first film, entitled Hate, in 1917. After appearing in more than three dozen films, she co-starred with Ramón Novarro and Francis X. Bushman in director Fred Niblo's 1925 production of Ben-Hur, released by MGM. The feature-length film was one of the most lavish and spectacular productions of the silent movie era.
Although her voice was not heard in The Jazz Singer, McAvoy did speak in several other films, including the second "all-talkie" released by Warner Brothers, The Terror, which was directed by Roy Del Ruth and co-starred Conrad Nagel.
For years a rumor circulated that McAvoy retired from the screen at the transition to sound films because of a lisp or speech impediment. In truth, she married the treasurer of United Artists, who asked her not to work.
Later, she returned to films and played small roles during the 1940s and 1950s, making her final film appearance in a small part in the 1959 version of Ben-Hur.
