The daughter of famous outlaw Belle Starr arrives at the town where her mother was murdered to find her killer.
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George Montgomery was boxing champion at the University of Montana, where he majored in architecture and interior design. Dropping out a year later, he decided to take up boxing more seriously, and moved to California, where he was coached by ex-heavyweight world champion James J. Jeffries. While in Hollywood, he came to the attention of the studios (not least, because he was an expert rider) and was hired as a stuntman in 1935. After doing this for four years, George was offered a contract at 20th Century Fox in 1939, but found himself largely confined to leads in B-westerns. He did not secure a part in anything even remotely like a prestige picture, until his co-starring role in Roxie Hart (1942), opposite Ginger Rogers. Next, in Orchestra Wives (1942), he played the perfunctory love interest for Ann Rutherford -- though both, inevitably, ended up playing second trombone to Glenn Miller and His Orchestra. In 1947, George got his first serious break, being cast as Raymond Chandler's private eye Philip Marlowe, in The Brasher Doubloon (1947). Reviewers, however, compared his performance unfavourably with that of Humphrey Bogart and found the film 'pallid' overall. So it was back to the saddle for George. Unable to shake his image as a cowboy actor, he starred in scores of films with titles like Belle Starr's Daughter (1948), Dakota Lil (1950), Jack McCall Desperado (1953) and Masterson of Kansas (1954) at Columbia, and for producer Edward Small at United Artists. When not cleaning up the Wild West with his six-shooter, he branched out into adventure films set in exotic locales (notably as Harry Quartermain in Watusi (1959)). During the 60's, he also wrote, directed and starred in several long-forgotten, low-budget wartime potboilers made in the Philippines. At the height of his popularity, George attracted as much publicity for his acting, as for his liaisons with glamorous stars, like Ginger Rogers, Hedy Lamarr (to whom he was briefly engaged) and singer Dinah Shore (whom he married in 1943). After his retirement from the film business, he devoted himself to his love of painting, furniture-making and sculpting bronze busts, including one of his close friend Ronald Reagan.
Ruth Roman (December 22, 1922 – September 9, 1999) was an American actress, principally appearing in dramas including the Alfred Hitchcock thriller Strangers on a Train (1951).
Wallace Ford (12 February 1898 – 11 June 1966) was an English-born naturalized American stage and screen actor. Usually playing wise-cracking characters, he combined a tough but friendly-faced demeanor with a small but powerful, stocky physique. Born Samuel Jones Grundy in Bolton, Lancashire, England, he spent his childhood in a Dr. Barnardo's home. At an early age he was adopted by a farmer from Manitoba, Canada, where he was ill treated. About age eleven, Ford ran away and did odd jobs, later becoming an usher in a theatre. Following his discharge from the Army after WWI, he became a vaudeville actor in a stock company before performing on Broadway. He started on a film career when Metro-Goldwyn-Mayer gave him a part in the film Possessed (1931) and went on to appear in over 200 films, including 13 directed by John Ford. Wallace Ford is buried in an unmarked grave in Culver City, California's Holy Cross Cemetery. From Wikipedia.
From Wikipedia, the free encyclopedia. William Edward "Bill" Phipps (born February 4, 1922 in Vincennes, Indiana) is a retired American actor and producer, perhaps best known for his roles in dozens of classic sci-fi and westerns, both film and television, from the late 1940s through the mid 1960s. From then, until his retirement in 2000, his work was mainly in television. Description above from the Wikipedia article William Phipps, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia. Isabel Jewell (July 19, 1907 – April 5, 1972) was an American actress most active in the 1930s and early 1940s. Some of her most famous films were Ceiling Zero, Marked Woman, A Tale of Two Cities, and Gone With the Wind. After years in theater stock companies, including an 87-week stint in Lincoln, Nebraska, she hit the big time after getting a part on Broadway in Up Pops the Devil (1930). She received glowing critical reviews for Blessed Event (1932) as well. Jewell's film debut came in Blessed Event (1932). She had been brought to Hollywood by Warner Brothers for the film version of Up Pops the Devil. Jewell gained other supporting roles, appearing in a variety of films in the early 1930s. She played stereotypical gangsters' women in such films as Manhattan Melodrama (1934) and Marked Woman (1937). She was well received playing against type, as the seamstress sentenced to death on the guillotine along with Sydney Carton (Ronald Colman in A Tale of Two Cities (1935). Her most significant role was as the prostitute Gloria Stone in Lost Horizon (1937). Jewell's films included Gone with the Wind (1939) (in the role of "that white trash, Emmy Slattery"), Northwest Passage (1940), High Sierra (1941), and the low-budget The Leopard Man (1943). By the end of the 1940s, her roles had reduced in significance to the degree that her performances were often uncredited, e.g. The Snake Pit. She performed in radio dramas in the 1950s, including This is Your FBI. In 1972, Jewell appeared opposite Edie Sedgwick in the film Ciao! Manhattan. Her final film was the B movie Sweet Kill (1973), the directorial debut of Curtis Hanson, a future Academy Award winner. Description above from the Wikipedia article Isabel Jewell, licensed under CC-BY-SA, full list of contributors on Wikipedia
From Wikipedia, the free encyclopedia John Farrell MacDonald (June 6, 1875 – August 2, 1952) was an American character actor and director. He played supporting roles and occasional leads. He appeared in over 325 films over a 41-year career from 1911 to 1951, and directed forty-four silent films from 1912 to 1917. MacDonald was the principal director of L. Frank Baum's Oz Film Manufacturing Company, and he can frequently be seen in the films of Frank Capra, Preston Sturges and, especially, John Ford. Early in his career, MacDonald was a singer in minstrel shows, and he toured the United States extensively for two years with stage productions. He made his first silent film in 1911, a dramatic short entitled The Scarlett Letter made by Carl Laemmle's Independent Moving Pictures Company (IMP), the forerunner of Universal Pictures,. He continued to act in numerous films each year from that time on, and by 1912 he was directing them as well. The first film he directed was The Worth of a Man, another dramatic short, again for IMP, and he was to direct 43 more films until his last in 1917, Over the Fence, which he co-directed with Harold Lloyd. MacDonald had crossed paths with Lloyd several years earlier, when Lloyd was an extra and MacDonald had given him much-needed work – and he did the same with Hal Roach, both of whom appearing in small roles in The Patchwork Girl of Oz, which MacDonald directed in 1914. When Roach set up his own studio, with Lloyd as his principal attraction, he hired MacDonald to direct. By 1918, MacDonald, who was to become one of the most beloved character men in Hollywood, had given up directing and was acting full-time, predominantly in Westerns and Irish comedies. He first worked under director John Ford in 1919's A Fight for Love. In all, Ford would use MacDonald on twenty-five films between 1919 and 1950. With a voice that matched his personality, MacDonald made the transition to sound films easily, with no noticeable drop in his acting output – if anything, it went up. In 1931, for instance, MacDonald appeared in 14 films – among them the first version of The Maltese Falcon, in which he played "Detective Tom Polhaus" – and in 22 of them in 1932. Although he played laborers, policemen, military men and priests, among many other characters, his roles were usually a cut above a "bit part". His characters usually had names, and he was most often credited for his performances. A highlight of this period was his performance as the hobo "Mr. Tramp" in Our Little Girl with Shirley Temple (1935). In the 1940s, MacDonald was part of Preston Sturges' unofficial "stock company" of character actors, appearing in seven films written and directed by Sturges. MacDonald appeared in Sullivan's Travels, The Palm Beach Story, The Miracle of Morgan's Creek, The Great Moment, The Sin of Harold Diddlebock, Unfaithfully Yours and The Beautiful Blonde from Bashful Bend, Sturges' last American film. Earlier, MacDonald had also appeared in The Power and the Glory, which Sturges wrote. His work on Sturges' films was generally uncredited. He was notable in 1946 in John Ford's My Darling Clementine in which he played "Mac," the bartender in the town saloon. MacDonald also had uncredited roles in It's a Wonderful Life and Here Comes The Groom.
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1925
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1956
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1954
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1945
Frank Darien was an American actor. He appeared in 225 films and between 1915 and 1951.
Lane Chandler (1899–1972) was an American actor specializing in Westerns. In the early 1920s he moved to Los Angeles, California, and started working as an auto mechanic. His real-life experiences growing up on a horse ranch landed him bit parts in westerns from 1925, for Paramount Pictures. Studio executives suggested changing his name to Lane Chandler, and as such he began achieving leading roles, the first being The Legion of the Condemned. As a silent film star Chandler performed well, but when talkies arrived he was cast more in supporting roles, as in The Great Mike of 1944. He starred in a few low-budget westerns in the 1930s, but was more often cast as the leading man's partner, or saddle pal, or a sheriff or army officer. With the advent of television Chandler began making appearance on numerous series, often in Westerns such as The Lone Ranger, The Adventures of Wild Bill Hickok, Lawman, Have Gun – Will Travel, Rawhide, Maverick, Cheyenne, and Gunsmoke. He continued acting on TV and in films through 1966. He died in Los Angeles of heart disease in 1972, aged 73.
John L. Cason was born on July 30, 1918 in Valley View, Texas, USA as John Lacy Cason. He is known for his work on The Adventures of Kit Carson (1951), Snowfire (1958) andJungle Drums of Africa (1953). He died on July 7, 1961 in Santa Barbara, California, USA. Cason and a friend, Charlie Lentz, were driving in Lentz's car on a raccoon-hunting trip when the car went off the road near Buellton, California. Cason was killed instantly and his friend died two days later.
Snub Pollard (9 November 1889 – 19 January 1962) was an Australian-born vaudevillian, who became a silent film comedian in Hollywood, popular in the 1920s. Born Harold Fraser, in Melbourne, Australia on 9 November 1889, he began performing with Pollard's Lilliputian Opera Company at a young age. Like many of the actors in the popular juvenile company, he adopted Pollard as his stage name. The company ran several highly successful professional children's troupes that traveled Australia and New Zealand in the late nineteenth and early twentieth century. In 1908, Harry Pollard joined the company tour to North America. After the completion of the tour, he returned to the US. By 1915 he was regularly appearing in uncredited roles in movies, for example Charles Epting notes that Pollard can clearly be seen in Chaplin's 1915 short By the Sea. In later years, Pollard claimed Hal Roach had discovered him while he was performing on stage in Los Angeles. Pollard played supporting roles in the early films of Harold Lloyd and Bebe Daniels. The long-faced Pollard sported a Kaiser Wilhelm mustache turned upside-down; this became his trademark. Lloyd's producer, Hal Roach, gave Pollard his own starring series of one- and two-reel shorts. The most famous is 1923's It's a Gift, in which he plays an inventor of many Rube Goldberg-like contraptions, including a car that runs by magnet power. In early 1923, shortly after his second marriage, Pollard returned with his wife Elizabeth to see his relations in Australia. His visit attracted considerable attention, and he appeared again in several theatres to speak about the motion picture business. On his return to the US, he left Roach and joined the low-budget Weiss Brothers studio in 1926. There he co-starred with Marvin Loback as a poor man's version of Laurel and Hardy, copying that team's plots and gags. In later years, Pollard claimed the Great Depression wiped out his investments, and he had been unable to "adjust to the talkies." However, in the 1930s, he played small parts in talking comedies, and was featured as comic relief in "B" westerns. Pollard's silent-comedy credentials guaranteed him work in slapstick revivals. He appeared with other film veterans in Hollywood Cavalcade (1939), The Perils of Pauline (1947), and Man of a Thousand Faces (1957). He also appeared regularly as a supporting player in Columbia Pictures' two-reel comedies of the mid-1940s. Forsaking his familiar mustache in his later years, he landed much steadier work in films as a mostly uncredited bit player. He played incidental roles in scores of Hollywood features and shorts, almost always as a mousy, nondescript fellow, usually with no dialogue. Snub Pollard died of cancer on 19 January 1962, aged 72, after nearly 50 years in the movie business. His interment was at Forest Lawn Memorial Park (Hollywood Hills). For his contributions to motion pictures, Pollard has a star on the Hollywood Walk of Fame at 6415½ Hollywood Boulevard.
