When a music-hall dancer is murdered, a moss rose marks the page of a Bible next to her body. Luckily, another chorus girl saw a gentleman leaving the lodgings. She approaches him directly, saying she'll go to the police if he doesn't meet her demands, but he brushes her off contemptuously. When he learns she's dead serious, he tries to buy her off with a thick wad of pound notes. But it's not money she's after; all she wants is two weeks at his country estate, living the life of a lady.
05-30-1947
1h 22m
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Victor John Mature was an American stage, film and television actor.
In July 1942 Mature attempted to enlist in the U.S. Navy but was rejected for color blindness. He enlisted in the U.S. Coast Guard after taking a different eye test the same day. He was assigned to the USCGC Storis (WMEC-38), which was doing Greenland patrol work. After 14 months aboard the Storis, Mature was promoted to the rate of Chief Boatswain's Mate. In 1944 he did a series of War Bond tours and acted in morale shows. He assisted Coast Guard recruiting efforts by being a featured player in the musical revue "Tars and Spars" which opened in Miami, Florida in April of 1944 and toured the United States for the next year. In May 1945 Mature was reassigned to the Coast Guard manned troop transport USS Admiral H. T. Mayo (AP-125) which was involved in transferring troops to the Pacific Theater. Mature was honorably discharged from the Coast Guard in November 1945 and he resumed his acting career.
Film career
After the war, Mature was cast by John Ford in My Darling Clementine, playing Doc Holliday opposite Henry Fonda's Wyatt Earp. For the next decade, Mature settled into playing hard-boiled characters in a range of genres such as Westerns and Biblical films, such as The Robe (with Richard Burton and Jean Simmons) and its popular sequel, Demetrius and the Gladiators (with Susan Hayward). Mature also starred with Hedy Lamarr in Cecil B. DeMille's Bible epic, Samson and Delilah (1949) and as Horemheb in The Egyptian (1954) with Jean Simmons and Gene Tierney. He reportedly stated he was successful in Biblical epics because he could "make with the holy look".
He also starred with Esther Williams in Million Dollar Mermaid (1952) and, according to her autobiography, had a romantic relationship with her.
After five years of retirement, he was lured back into acting by the opportunity to parody himself in After the Fox (1966), co-written by Neil Simon. In a similar vein in 1968 he played a giant, The Big Victor, in Head, a potpourri movie starring The Monkees. The character poked fun at both his screen image and, reportedly, RCA Victor who distributed Colgems Records, the Monkees's label. Mature enjoyed the script while admitting it made no sense to him, stating "All I know is it makes me laugh."
Mature was famously self-deprecatory about his acting skills. Once, after being rejected for membership in a country club because he was an actor, he cracked, "I'm not an actor — and I've got sixty-four films to prove it!" He was quoted in 1968 on his acting career: "Actually, I am a golfer. That is my real occupation. I never was an actor. Ask anybody, particularly the critics."
Victor Mature died of leukemia in 1999, at his Rancho Santa Fe, California home, at the age of 86. He was buried in the family plot at St. Michael's Cemetery in his hometown of Louisville.
For his contribution to the motion picture industry, Victor Mature has a star on the Hollywood Walk of Fame located at 6780 Hollywood Blvd.
Ethel Barrymore was the second of three children seemingly destined for the actor's life of their parents Maurice and Georgiana. Maurice Barrymore had emigrated from England in 1875, and after graduating from Cambridge in law had shocked his family by becoming an actor. Georgiana Drew of Philadelphia acted in her parents' stage company. The two met and married as members of Augustin Daly's company in New York. They both acted with some of the great stage personalities of the mid Victorian theater of America and England. The Barrymore children were born and grew up in Philadelphia. Though older brother Lionel Barrymore began acting early with his mother's relatives in the Drew theater company, Ethel, after a traditional girl's schooling, planned on becoming a concert pianist.
The lure of the stage was perhaps congenital, however. She made her debut as a stage actress during the New York City season of 1894. Her youthful stage presence was at once a pleasure, a strikingly pretty and winsome face and large dark eyes that seemed to look out from her very soul. Her natural talent and distinctive voice only reinforced the physical presence of someone destined to command any role set before her. After the opportunity to appear on the London stage with English great Henry Irving in "The Bells" (1897) and later in "Peter the Great" (1898), she returned to New York to star in the Clyde Fitch play "Captain Jinks of the Horse Marines" (1901) (produced by her friend and benefactor Charles Frohman), which brought her initial American acclaim. Lead roles, such as Nora in Henrik Ibsen's "A Doll's House" (1905) and starring in "Alice By the Fire" (also 1905), "Mid-Channel" (1910) and "Trelawney of the Wells" (1911) proved her popularity as a warm and charismatic star of American stage. In the meantime she married stockbroker Russell Griswold Colt in 1909 and gave birth to three children while continuing her acting career.
Although the stage was her first love, she did heed the call of the silver screen, and though not achieving the matinée idol image that younger brother John Barrymore garnered in silent movies after similar chemistry on stage, she won over audiences from her first film appearance in The Nightingale (1914). However, her early film roles, steady through 1919, took a back seat to continued stage triumphs: "Declassee" (1919), her impassioned Juliet in "Romeo and Juliet" (1922), "The Second Mrs. Tanqueray" (1924) and, especially, "The Constant Wife" (1926).
She harnessed her considerable talents in the role of an activist as well, being a bedrock supporter of the Actors Equity Association and, in fact, had been a prominent figure in the actors strike of 1919. By 1930 she was entering middle age and her movie roles reflected this. Except for Rasputin and the Empress (1932) with her brothers, the roles were elderly mothers and grandmothers, dowager ladies and spinster aunts. Perhaps wisely she put off Hollywood for over a decade, with stage work that included her most endearing role in "The Corn is Green" (a tour that lasted from 1940 to 1942). She finally moved to Southern California in 1940.
When she passed away in 1959, she was interred near her brothers at Calvary Cemetery in East Los Angeles.
Vincent Leonard Price, Jr. (May 27, 1911 – October 25, 1993) was an American actor, well known for his distinctive voice and performances in horror films. His career spanned other genres, including film noir, drama, mystery, thriller, and comedy. He appeared on stage, television, radio, and in over one hundred films. He has two stars on the Hollywood Walk of Fame: one for motion pictures, and one for television.
Price was an art collector and consultant, with a degree in art history. He lectured and wrote books on the subject. He was the founder of the Vincent Price Art Museum in California. He was also a noted gourmet cook.
Description above from the Wikipedia article Vincent Price, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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George Zucco (11 January 1886 – 27 May 1960) was an English character actor who appeared, almost always in supporting roles, in 96 films during a career spanning two decades, from 1931 to 1951. In his horror films, he often played a suave villain or a mad doctor.
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Patricia Paz Maria Medina (born 19 July 1920) is an English actress, born in Liverpool, England to a Spanish father (Ramón Medina Nebot from Canary Islands) and English mother. She began acting as a teenager in the late 1930s. She worked her way up to leading roles in the mid-1940s, whereupon she left for Hollywood.
Description above from the Wikipedia article Patricia Medina, licensed under CC-BY-SA, full list of contributors on Wikipedia
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Harry Allen (July 10, 1883 – December 4, 1951) was an Australian-born American character actor of the silent and sound film eras.
He began his acting career on stage with the J. C. Williamson organisation, performing around Australia. In 1910 he married fellow actor Marjorie Josephine née Condon in Brisbane. The union was not a success and in 1912 he left Australia for North America. In the United States, Allen was a member of a touring theater company, known for their popular rendition of The Better 'Ole. He appeared on Broadway in the early 1920s.
His first film role was in the 1923 silent film, The Last Moment, in a supporting role. In his career Allen appeared in over 100 films, mostly in supporting and smaller roles. Some of the more notable films he appeared in include: Of Human Bondage (1934), starring Bette Davis and Leslie Howard; the Marx Brothers' classic, A Night at the Opera; the original Mutiny on the Bounty (1935), starring Charles Laughton and Clark Gable; William Wyler's 1942 Academy Award-winning film, Mrs. Miniver, starring Greer Garson, Walter Pidgeon, and Teresa Wright; Jane Eyre (1944), starring Orson Welles and Joan Fontaine; the Mickey Rooney and Elizabeth Taylor version of National Velvet (1945); and The Picture of Dorian Gray (1945), starring George Sanders. His final appearance on film was in the 1949 film, Challenge to Lassie, starring Edmund Gwenn.
Allen died on December 4, 1951, and was buried in Glen Abbey Memorial Park.
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Billy Bevan (born William Bevan Harris, 29 September 1887 – 26 November 1957) was an Australian-born vaudevillian, who became an American film actor. He appeared in 254 American films between 1916 and 1950.
Bevan was born in the country town of Orange, New South Wales, Australia. He went on the stage at an early age, traveled to Sydney and spent eight years in Australian light opera, performing as Willie Bevan. He sailed to America with the Pollard’s Lilliputian Opera Company in 1912 and later toured Canada. Bevan broke into films with the Sigmund Lubin studio in 1916. When the company disbanded, Bevan became a supporting actor in Mack Sennett movie comedies. An expressive pantomimist, Bevan's quiet scene-stealing attracted attention, and by 1922 Bevan was a Sennett star. He supplemented his income, however, by establishing a citrus and avocado farm at Escondido, California.
Usually filmed wearing a derby hat and a drooping mustache, Bevan may not have possessed an indelible screen character like Charlie Chaplin but he had a friendly, funny presence in the frantic Sennett comedies. Much of the comedy depended on Bevan's skilled timing and reactions; the famous "oyster" routine performed on film by Curly Howard, Lou Costello, and Huntz Hall—in which a bowl of "fresh oyster stew" shows alarming signs of life and battles the guy trying to eat it—was originated on film decades earlier by Bevan in the short film Wandering Willies.
By the mid-1920s Bevan was often teamed with Andy Clyde; Clyde soon graduated to his own starring series. The late 1920s found Bevan playing in wild marital farces for Sennett.
The advent of talking pictures took their toll on the careers of many silent stars, including Billy Bevan. Bevan began a second career in "talkies" as a character actor and bit player in roles such as that of a bus driver in the 1929 film High Voltage, a hotel employee in the Mae Murray film Peacock Alley, and the supporting role of Second Lieutenant Trotter in Journey's End in 1930. His starring roles had come to an end, however, and for the next 20 years he often would play rowdy Cockneys (as in Pack Up Your Troubles with The Ritz Brothers), and affable Englishmen (as in Tin Pan Alley and Terror by Night). He played a friendly bus conductor opposite Greer Garson in one of the opening scenes of Mrs. Miniver.
Bevan died in 1957 in Escondido, California, just before new audiences discovered him in Robert Youngson's silent-comedy compilations. (The Youngson films mispronounce his name as "Be-VAN"; Bevan himself offered the proper pronunciation in a Voice of Hollywood reel in 1930.)
Colin Campbell was born on March 20, 1883 in Falkirk, Scotland. He was an actor, known for The Adventures of Ichabod and Mr. Toad (1949), The Wind in the Willows (1949) and Tillie's Tomato Surprise (1915). He died on March 25, 1966 in Woodland Hills, Los Angeles, California.
Leonard Carey (25 February 1887 – 11 September 1977) was an English character actor who very often played butlers in Hollywood films of the 1930s, 1940s and 1950s. He was also active in television during the 1950s. He is perhaps best known for his role as the beach hermit, Ben, in Alfred Hitchcock's Rebecca (1940).
Sam Harris was born on January 11, 1877 in Sydney, Australia. He was an actor, known for The Charge of the Light Brigade (1936), Safari (1940) and I Cover the War! (1937). He was married to Constance M.K. Harris . He died on October 22, 1969 in Los Angeles, California, USA.
Stuart Holmes (born Joseph Liebchen; March 10, 1884 – December 29, 1971) was an American actor and sculptor whose career spanned seven decades. He appeared in almost 450 films between 1909 and 1964, sometimes credited as Stewart Holmes.
Holmes's film career began in 1911 and ended with The Man Who Shot Liberty Valance (1962).
As a sculptor, Holmes created work for at least three California United States post offices — in Oceanside (1936), Claremont (1937), and Bell (1937).
For 20 years, Holmes performed in vaudeville and on stage, with the latter often being in Shakespeare's plays. His work in the theater included a stint in Germany.
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Thomas J. "Tom" Moore (May 1, 1883 – February 12, 1955) was an Irish-born American actor and director. He appeared in at least 186 motion pictures from 1908 to 1954. Frequently cast as the romantic lead, he starred in silent movies as well as in some of the first talkies.
Born in Fordstown Crossroads, County Meath, Moore, along with his brothers, Owen, Matt, and Joe (1895–1926), and their sister Mary (1890-1919) emigrated to the United States. Owen and Matt also had successful movie careers. Tom Moore appeared in his first silent motion picture in 1908. He also directed 17 motion pictures in 1914 and 1915, including The Secret Room (1915).
In 1914, he married silent star Alice Joyce, with whom he had a daughter, Alice Moore (1916–1960), who acted in six films with her father from 1934 to 1937. While in New York City on New Year's Eve 1920, Moore met the young French actress Renée Adorée. A whirlwind romance ensued and six weeks after their meeting, they were married, on February 12, 1921, in his home in Beverly Hills. The marriage lasted only a few years. In 1931, Moore was married a third time, to actress Eleanor Merry. His brother, Owen Moore, was also an actor, and was married to Mary Pickford.
The Great Depression saw many studios close and much consolidation as the motion picture industry went through tough times. Moore retired from the screen in the mid-1930s. Ten years later, he returned to act in minor supporting roles.
Tom Moore died at age 71 in Santa Monica, California. He has a star on the Hollywood Walk of Fame at 1640 Vine Street.
