Richard Fleischer provides a funny twist and amusing narrative commentary by Ward Wilson on two re-edited silent films in this RKO short film.
10-19-1945
7 min
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Main Cast
Movie Details
Production Info
Director:
Richard Fleischer
Writer:
Richard Fleischer
Production:
RKO Radio Pictures, RKO Pathé Pictures
Key Crew
Producer:
Richard Fleischer
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Richard Fleischer
From Wikipedia, the free encyclopedia.
Richard O. Fleischer (December 8, 1916 – March 25, 2006) was an American film director.
Fleischer was born in Brooklyn, the son of Essie (née Goldstein) and animator/producer Max Fleischer. After graduating from Brown University, he went to Yale School of Drama, where he met his future wife, Mary Dickson.
His film career began in 1942 at the RKO studio, directing shorts, documentaries, and compilations of forgotten silent features.
Fleischer moved to Los Angeles and was assigned his first feature, Child of Divorce (1946). In 1954, he was chosen by Walt Disney (his father's former rival as a cartoon producer) to direct 20,000 Leagues Under the Sea starring Kirk Douglas. In 1955 Fox signed Fleischer to a long term contract. He would work for that studio for the next fifteen years. His first film under his new contract with Fox was The Girl in the Red Velvet Swing (1955). Kirk Douglas hired Fleischer to make The Vikings (1958), which was another big hit. He then moved to Paris where he directed two stories for Darryl F. Zanuck starring Greco. Fleischer then signed a contract with Dino de Laurentiis to make Barabbas (1962). Back in Hollywood, Richard Zanuck had become head of production at Fox and offered Fleischer Fantastic Voyage (1966). It was a success and resurrected his Hollywood career. Che! (1969), a biopic of Che Guevera that starred Omar Sharif, was an expensive flop, as was an account of the attack on Pearl Harbor, Tora! Tora! Tora! (1970). This was his last film for 20th Century Fox.
Fleischer travelled to England, where he directed an acclaimed thriller, 10 Rillington Place. See No Evil (1971) with Mia Farrow was another thriller. In Hollywood, he made The New Centurions (1972). At MGM, he made a science-fiction film, Soylent Green (1973), with Charlton Heston.
He was reunited with De Laurentiis for the popular, if controversial, Mandingo (1975). The Prince and the Pauper (1977) was a version of the Mark Twain novel that featured Heston, Harrison and Scott in its cast. Fleischer was then hired on Ashanti (1979), starring Michael Caine, which turned out to be a flop. Tough Enough (1983) was about the Toughman Contest starring Dennis Quaid. He made three more for de Laurentiis. His final theatrical feature was Million Dollar Mystery (1987).
Fleischer was chairman of Fleischer Studios, which today handles the licensing of Betty Boop and Koko the Clown. In June 2005, he released his memoirs of his father's career in Out of the Inkwell: Max Fleischer and the Animation Revolution.
Fleischer's 1993 autobiography, Just Tell Me When to Cry, described his many difficulties with actors, writers and producers.
Description above from the Wikipedia article Richard O. Fleischer, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia
Charles K. French (born Charles Ekrauss French; January 17, 1860 – August 2, 1952) was an American film actor, screenwriter and director who appeared in more than 240 movies between 1909 and 1945.
From Wikipedia
Sarah Blanche Sweet (June 18, 1896 – September 6, 1986) was an American silent film actress who began her career in the earliest days of the Hollywood motion picture film industry.
Sweet is renowned for her energetic, independent roles, at variance with the 'ideal' Griffith type of vulnerable, often fragile, femininity. After many starring roles, her first real landmark film was the 1911 Griffith thriller The Lonedale Operator. In 1913 she starred in Griffith's first feature-length movie, Judith of Bethulia. In 1914 Sweet was initially cast by Griffith in the part of Elsie Stoneman in his epic The Birth of a Nation but the role was eventually given to rival actress Lillian Gish, who was Sweet's senior by three years. That same year Sweet parted ways with Griffith and joined Paramount (then Famous Players-Lasky) for the much higher pay that studio was able to afford.
Throughout the 1910s, Sweet continued her career appearing in a number of highly prominent roles in films and remained a publicly popular leading lady. She often starred in vehicles by Cecil B. DeMille and Marshall Neilan, and she was recognised by leading film critics of the time to be one of the foremost actresses of the entire silent era. It was during her time working with Neilan that the two began a publicized affair, which brought on his divorce from former actress Gertrude Bambrick. Sweet and Neilan married in 1922. The union ended in 1929 with Sweet charging that Neilan was a persistent adulterer.
During the early 1920s Sweet's career continued to prosper, and she starred in the first film version of Anna Christie in 1923. The film is also notable as being the first Eugene O'Neill play to be made into a motion picture. In successive years, she starred in Tess of the D'Urbervilles and The Sporting Venus, both directed by Neilan. Sweet soon began a new career phase as one of the newly formed MGM studio's biggest stars.
Sweet made just three talking pictures, including her critically lauded performance in 1930's Show Girl in Hollywood, before retiring from the screen that same year and marrying stage actor Raymond Hackett in 1935. The marriage lasted until Hackett's death in 1958.
Sweet spent the remainder of her performing career in radio and in secondary Broadway stage roles. Eventually, her career in both of these fields petered out, and she began working in a Los Angeles department store. In the late 1960s, her acting legacy was resurrected when film scholars invited her to Europe to receive recognition for her work.
On September 24, 1984, a tribute to Blanche Sweet was held at the Museum of Modern Art in New York City. Miss Sweet introduced her 1925 film, The Sporting Venus.
Sweet died in New York City of a stroke, on September 6, 1986, just weeks after her 90th birthday.