Joe Davis Sr., headliner at a big nightclub, is visited by medical student son Joe Jr., who to Dad's chagrin wants to be a crooner, and soon comes between Dad and his girlfriend Claire. So glamorous dancer Bonnie is enlisted to distract Junior. Which does Bonnie want more, the fur coat or true love? Plot is a framework for numerous Ziegfeld style stage productions.
05-02-1945
1h 44m
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Main Cast
Movie Details
Production Info
Director:
George Seaton
Production:
20th Century Fox
Key Crew
Producer:
William Perlberg
Costume Design:
Sascha Brastoff
Choreographer:
Hermes Pan
Art Direction:
Lyle R. Wheeler
Screenplay:
George Seaton
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Betty Grable
Betty Grable (December 18, 1916 – July 2, 1973) was an American actress, pin-up girl, dancer, model, and singer. Grable was enrolled in Clark's Dancing School at the age of three. At age 13, Grable and her mother set out for Hollywood with the hopes of stardom. There she landed several minor parts in films such as Whoopee!, New Movietone Follies of 1930, Happy Days and Let's Go Places.
In 1932, she signed with RKO Radio Pictures. The bit parts continued for the next three years until Grable was cast in By Your Leave. One of her big roles was in College Swing.. When she landed the role of Glenda Crawford in Down Argentine Way, the public finally took notice of her. Stardom came through comedies such as Coney Island and Sweet Rosie O'Grady. Her famous pin-up pose during World War II adorned barracks all around the world. With that pin-up and as the star of lavish musicals, Betty became the highest-paid star in Hollywood in 1947. Later her studio 20th Century-Fox insured her legs for a million dollars.
Betty continued to be popular until the mid-1950s, when musicals went into a decline. Her last film was How to Be Very, Very Popular. She then concentrated on Broadway and nightclubs.
She was married to actor Jackie Coogan (1937–1939) and musician Harry James (1943–1965).
Betty Grable died at age 56 of lung cancer on July 2, 1973.
Arguably one of the best singers of the twentieth century, Dick Haymes was born in Argentina to a Scots/Irish father and Irish mother, but brought to the U.S. as an infant. Dick inherited his vocal gift from his mother who made ends meet during the Depression as a singer and voice teacher. A music gig in 1931 caught the eye of a local band leader and soon Dick was moving up, but it was slow-going. In 1939, while Dick was trying to pitch his songwriting talents to band leader Harry James, he ended up his featured vocalist, instead. During the war years Dick hooked up with the Benny Goodman and Tommy Dorsey orchestras before deciding to go solo. Nabbing his own radio program in addition to a Decca recording contract, Twentieth Century Fox soon expressed interest in his musical talents. Among his many film leads were State Fair (1945) opposite Jeanne Crain and Vivian Blaine, Diamond Horseshoe (1945) and The Shocking Miss Pilgrim (1947) both paired with Betty Grable, One Touch of Venus (1948) with Ava Gardner, and All Ashore (1953), a second string version of On the Town (1949), with Mickey Rooney and Ray McDonald as his shore-leave buddies. For such a pleasant and unassuming man, Dick's personal life certainly was a shambles aggravated by alcoholism and financial debt. Five marriages came and went (including actresses Joanne Dru, Nora Eddington, Rita Hayworth, and Fran Jeffries) before his sixth one finally stuck. By the 1960s, his life was all but ruined. He managed to travel to Europe and picked up the remnants of his career. His reputation had not tarnished there, and he enjoyed some renewed popularity; he never regained, however, the foothold in the business that he once had. Dick died of lung cancer in 1980. Though not as well remembered as other crooners of his time (Frank Sinatra, Tony Martin, Vic Damone), and not a particularly charismatic performer on film, this rich baritone's legacy IS his music. Some of Dick's more popular recordings include "The More I See You," "How Blue the Night," "For You, For Me, Forever More," "Speak Low," and "Another Night Like This."
Margaret Dumont would probably consider it a tragedy that she is best-known for her performances as the ultimate straight woman in seven of the Marx Brothers' films (including most of their best). By all accounts she never understood their jokes (offscreen and on), which is of course a major reason why she's so funny. Apart from a small role in a 1917 Dickens adaptation, she spent her early career on the stage, ending up with the Marxes in the late 1920s in the stage versions of The Cocoanuts (1929) and Animal Crackers (1930), and was given a Paramount contract at the same time they were. She played similar roles alongside other great comedians, including W.C. Fields, Laurel & Hardy and Jack Benny and also played straight dramatic parts (her chief love), but few of them made much impact - it is as Groucho Marx's foil that she ranks among the immortals, and she died shortly after being reunited with him on "The Hollywood Palace" (1964).
