This tale of two tugboats focuses upon the rivalries between two operators competing to win a major shipping contract. Meanwhile a tugboat office secretary and an ex-con who wants to go straight, fall in love. Tugboat Annie is put in charge of a child violinist. When a waterfront fire breaks out, the two warring captains join forces to put it out.
11-17-1945
1h 10m
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Main Cast
Movie Details
Production Info
Director:
Phil Rosen
Writer:
George Callahan
Production:
Republic Pictures
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Jane Darwell
From Wikipedia, the free encyclopedia
Jane Darwell (October 15, 1879 – August 13, 1967) was an American film and stage actress. With appearances in over 100 major motion pictures, Darwell is perhaps best-remembered for her portrayal of the matriarch and leader of the Joad family in the film adaptation of The Grapes of Wrath, for which she received the Academy Award for Best Supporting Actress, and her role as the Bird Woman in Mary Poppins.
Description above from the Wikipedia article Jane Darwell, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia
Edgar Livingston Kennedy (April 26, 1890 – November 9, 1948) was an American comedic film character actor, known as "Slow Burn". A slow burn is an exasperated facial expression, performed very deliberately; Kennedy embellished this by rubbing his hand over his bald head and across his face, in an attempt to hold his temper. Kennedy is best known for a small role as a lemonade vendor in the Marx Brothers film Duck Soup, as well as the many Hal Roach films he appeared in.
Kennedy became so identified with frustration that practically every studio hired him to play hotheads. He often played dumb cops, detectives, and even a prison warden; sometimes he was a grouchy moving man, truck driver, or blue-collar workman. His character usually lost his temper at least once. In Diplomaniacs, Kennedy presides over an international tribunal, where Wheeler & Woolsey want to do something about world peace. "Well, ya can't do anything about it here", yells Kennedy, "this is a peace conference!" Kennedy, established as the poster boy for frustration, even starred in an instructional film titled The Other Fellow, in which loudmouthed roadhog Edgar always vents his anger on other drivers (each one played by Kennedy as well), little realizing that, to them, he is "the other fellow."
Perhaps his most unusual roles were as a puppeteer in the detective mystery The Falcon Strikes Back and as a philosophical bartender inspired to create exotic cocktails in Harold Lloyd's last film, The Sin of Harold Diddlebock (1947). He also played comical detectives opposite two titans of acting: John Barrymore in Twentieth Century (1934) and Rex Harrison in Unfaithfully Yours (1948); in the latter, he tells conductor Harrison that "Nobody handles Handel like you handle Handel."
Kennedy died of throat cancer at the Motion Picture Hospital, San Fernando Valley on 9 November 1948. His body was interred at the Holy Cross Cemetery, Culver City, Los Angeles County, California.
Although his brand of humor has been reviled for decades, Negro character actor Mantan Moreland parlayed his cocky but jittery character into a recognizable presence in the late 1930s and early 1940s, appearing in a long string of comedy thrillers . . . and was considered quite funny at the time!
Born just after the turn of the century in Louisiana, Mantan began running away from home at age 12 to join circuses and medicine shows, only to be brought back time and again. During these times he sharpened his comic skills and developed routines and acts that eventually became popular on the vaudeville stage, or what was then called the "chitlin' circuit." A solo performer by nature, he often teamed up with other famous comics (such as Ben Carter) to keep working, and became a deft performer of "indefinite talk" routines, where two quicksilver comics continually topped each other in mid-sentence, as if reading each other's mind (i.e., "Say, did you see...?" "Saw him just yesterday...didn't look so good"). Mantan's focus gradually shifted his trade toward film, where he initially appeared in servile bits (shoeshine men, porters, waiters). However, his talent for making people laugh couldn't be overlooked and he soon earned featured status in Harlem-styled western parodies and grade "A" comedy films playing the superstitious, ever-terrified manservant running from any kind of impending doom.
Moreland's peak in movies came with his recurring role as Birmingham, the skittish chauffeur, in the "Charlie Chan" series, where he was forever forewarning his boss to stay away from an obviously dangerous case or situation. Though haunted mansions were an ideal place for setting off his stereotyped character, Mantan would be haunted in a different way by this Hollywood success in years to follow. By the 1950s, racial attitudes began to change and, with the rise of the civil rights movement, what was once considered hilarious was now interpreted as demeaning and offensive to both blacks and whites. Mantan and others, such as Stepin Fetchit, were ostracized and ridiculed by Hollywood for their past negative portrayals. It took decades for audiences to forgive and newer generations to forget the Depression-era comedy of Mantan Moreland in order for the actor to come back.
In the late 1960s he managed a modest resurgence on TV and in commercials and occasional films, allowing him to work again with such comic heavyweights as Bill Cosby, Godfrey Cambridge and director Carl Reiner. It was all too brief, however, for Mantan, long suffering from ill health, died of a cerebral hemorrhage in 1973, just as he was settling in to his renewed popularity. Today, audiences tend to be kinder and more understanding of Moreland, remembering him as a highly talented comic who, in the only way he knew, broke major barriers and opened the doors for others black actors to follow.
Henry Byron Warner was the definitive cinematic Jesus Christ in Cecil B. DeMille's The King of Kings (1927). He was born into a prominent theatrical family on October 26, 1875 in London. His father was Charles Warner, and his grandfather was James Warner, both prominent English actors. He replaced J.B. Warner as Jesus in The King of Kings (1927) when J.B. died of tuberculosis at age 29. (J.B. was not Henry's brother. J.B. had taken the professional last name "Warner" because Henry's family took him in.)
Henry Warner's family wanted him to become a doctor, and he graduated from London University but eventually gave up his medical studies. The theater was in his blood, and he studied acting in Paris and Italy before joining his father's stock company, making his debut in the English production of "Drink." It was from his father that he honed his craft.
Warner made it to America in the early 1900s, after touring the British Empire. Billed as Harry Warner, he made his Broadway debut in the American colonial drama "Audrey" at Hoyt's Theatre on November 24, 1902, starring James O'Neill, the father of playwright Eugene O'Neill. He was billed as H.B. Warner in his next appearance on Broadway, in the 1906 comedy "Nurse Marjorie." He appeared in 13 more Broadway productions in his career, from the twin-bill of "Susan in Search of a Husband" & "A Tenement Tragedy" (also 1906) to "Silence" in 1925.
He moved into motion pictures, making his debut in the Mutual short Harp of Tara (1914). Also in 1914, he appeared in a film written by Cecil B. DeMille for Famous Players Lasky, The Ghost Breaker (1914), in which he had played on Broadway the year before. Warner became a leading man and a star in silent pictures, reaching the zenith of his career playing Jesus in DeMille's The King of Kings (1927). His excellent performance was actually enhanced by the silent screen, allowing the audience to imagine how Jesus would sound. Warner could be extremely moving in silent pictures, notably in the melodrama Sorrell and Son (1927) as a war veteran father who sacrifices all for his son.
When talkies arrived, he became a busy supporting player. A favorite of Frank Capra , appeared in Mr. Deeds Goes to Town (1936). Cast again by Capra, he was nominated for Best Supporting Actor in Lost Horizon (1937). He also appeared in You Can't Take It with You (1938), and Mr. Smith Goes to Washington (1939). Other major talkies included The Devil and Daniel Webster (1941) and Topper Returns (1941). Other than Jesus, the role he is best remembered role for today is in It's a Wonderful Life (1946), in which he played Mr. Gower, the druggist who is saved from committing a lethal medication error by the young George Bailey (the James Stewart character as a child). H.B. Warner appeared in Sunset Blvd. (1950) as himself. His last credited role was as Amminadab in DeMille's The Ten Commandments (1956), a remake of the earlier silent The Ten Commandments (1923). He last role was an uncredited bit part in Darby's Rangers (1958).
From Wikipedia, the free encyclopedia
Jack Norton (September 2, 1882 – October 15, 1958) was an American stage and film character actor who appeared in 184 films between 1934 and 1948, often playing drunks, although in real life he was a teetotaler.
Career
Jack Norton was born in Brooklyn, New York on September 2, 1882.
In his early career he had a vaudeville comedy act with his wife Lillian Healy. Norton made his Broadway debut in 1925 in that year's edition of Earl Carroll's Vanities, and also appeared in Florida Girl, which was produced and staged by Carroll.
Norton's first film work was for a musical short, School for Romance, in 1934, in which a young Betty Grable appeared, but his scenes were deleted. His work survived to reach the screen in his next assignment, The Super Snooper, a comedy short, and in his third film, his first full-length movie, Finishing School, which featured Frances Dee, Billie Burke, Ginger Rogers and Bruce Cabot, Norton played a drunk, setting the pattern for many of his future performances. Although he also played stone sober characters as well, he was best known for his inebriated characterizations, and he improved his work by following genuine drunks around, picking up behavioral tips.
Norton worked continuously and consistently, sometimes appearing in as many as 20 films in one year, although many of his performances went uncredited. One of the few times he was credited as part of the main cast was in 1945 for the film A Guy, a Gal and a Pal In the 1940s, Norton was part of Preston Sturges' unofficial "stock company" of character actors, appearing in five films written and directed by Sturges. He is perhaps best known to modern audiences as A. Pismo Clam, the drunken film director whom W.C. Fields is hired to replace in The Bank Dick (1940).
In 1947, Norton retired from films due to illness, his last appearance being in Alias a Gentlemen, which was released in 1948, although he did make some live television appearances in the early 1950s.
Jack Norton's final appearance would have been in the 1956 episode of The Honeymooners entitled "Unconventional Behavior", but age and infirmity had so overwhelmed him that he was literally written out of the show as it was being filmed, though Jackie Gleason saw to it that Norton was paid fully for the performance he was ready, willing, but unable to give.
Norton died on October 15, 1958 in Saranac Lake, New York at the age of 76. He is buried in Sacred Hearts Cemetery in Southampton, New York on Long Island.
Fritz Feld was born on October 15, 1900 in Berlin, Germany as Fritz Feilchenfeld. He is known for his work on Bringing Up Baby (1938), Barefoot in the Park (1967) and Hello, Dolly! (1969). He was married to Virginia Christine. He died on November 18, 1993 in Los Angeles, California, USA.
Born in Berlin, Germany, Feld began his acting career in Germany in 1917, making his screen debut in Der Golem und die Tänzerin (The Golem and the Dancing Girl). Feld filmed the sound sequences of the Cecil B. DeMille film The Godless Girl, released by Pathé, without DeMille's supervision since DeMille had already broken his contract with Pathé, and signed with Metro-Goldwyn-Mayer.
He developed a characterization that came to define him. His trademark was to slap his mouth with the palm of his hand to create a "pop!" sound that indicated both his superiority and his annoyance. The first use of the "pop" sound was in If You Knew Susie.
Feld often played the part of a maître d', but also a variety of aristocrats and eccentrics; his characters were indeterminately European, sometimes French and sometimes Belgian but always with his particular mannerisms. In the 1938 screwball comedy Bringing Up Baby he played the role of Dr. Lehman. In 1939 he appeared with the Marx Brothers in At The Circus in the small but memorable role of French orchestra conductor Jardinet. In one 1967 episode of The Man from U.N.C.L.E., "The Napoleon's Tomb Affair", Feld played a banker, a beatnik, a diplomat and a waiter. The episode also featured Ted Cassidy from The Addams Family. In his later years, Feld appeared in several Walt Disney films and also played an uncharacteristically dramatic role in Barfly. In addition to films, he acted in numerous television series in guest roles, including the recurring role of "Zumdish", the manager of the intergalactic Celestial Department Store on Lost In Space, in two Season 2 episodes, The Android Machine and The Toymaker. Zumdish returned in the Season 3 episode Two Weeks In Space, where he has been brainwashed by bank robbers into believing he is a tour director taking the robbers on holiday. He also portrayed one of the Harmonia Gardens waiters in the movie Hello Dolly!
Feld made his final film appearance in 1989.
Sam Flint was born on October 19, 1882 in Gwinnett County, Georgia, USA as Samuel A. Ethridge. He was an actor, known for The Life and Legend of Wyatt Earp (1955), Winds of the Wasteland (1936) and Charlie Chan in The Chinese Cat (1944). He died on October 17, 1980 in Woodland Hills, Los Angeles, California, USA.
From Wikipedia, the free encyclopedia
Anthony Warde (November 4, 1908 – January 8, 1975) was a noted American actor who appeared in over 150 films between 1937 and 1964.
A native of Pennsylvania, Warde started his Hollywood career in Escape by Night, appearing in a handful of undistinguished feature films before gaining popularity as one of the hardest working henchmen in the 1930s and 1940s serials.
Warde first appeared in his first film bow in 1936, but he spent most of his time bothering serials heroes as a vicious bodyguard, underground leader or infamous rustler, but also was satisfactory in character roles and the occasional sympathetic part. Usually, he played in many unsavory characterizations, including low-budget crime and Western styles throughout his career. He also appeared in popular serials such as Flash Gordon's Trip to Mars (1938), for Universal; The Spider Returns (1941) and Batman (1943) for Columbia, as well as in The Masked Marvel (1943), The Purple Monster Strikes (1945) and The Black Widow (1947) for Republic.
But Warde is probably best remembered for playing Killer Kane, gangster ruler of the Earth in Universal's adaptation of Buck Rogers (1939). In the 1950s, he made a multiple number of TV appearances including a brief turn as a counterfeiter in two episodes of Amos 'N' Andy.
Warde made his last screen appearance in The Carpetbaggers, a 1964 film adaptation of Harold Robbins' best-seller novel. Following his acting career, he owned a men's clothing store.
Anthony Warde died in Hollywood, California at the age of 66.
From Wikipedia, the free encyclopedia
Joseph Crehan (July 15, 1883 – April 15, 1966) was an American film actor. He appeared in more than 300 films between 1916 and 1965, and notably played Ulysses S. Grant nine times between 1939 and 1958, most memorably in Union Pacific and They Died With Their Boots On. He was born in Baltimore, Maryland and died in Hollywood, California from a stroke.
Crehan often played alongside Charles C. Wilson with whom he is sometimes confused.
From Wikipedia, the free encyclopedia
Pierre Frank Watkin (December 29, 1889 – February 3, 1960) was an American character actor in many films, serials, and television series from the 1930s through the 1950s, especially westerns. He is perhaps best remembered for being the father of Eleanor Twitchell, the lady who captures Lou Gehrig's heart in Pride of the Yankees (1942)
Watkin was born in Sioux City, Iowa. In the 1920s, he had his own theatrical troupe, the Pierre Watkin Players. In 1927, the group moved its headquarters from Sioux Falls to Lincoln, Nebraska.
Watkin portrayed Perry White in both of the Superman serials of the late 1940s, which starred Kirk Alyn as the title character and Noel Neill as Lois Lane.
Watkin played a few different characters in the television series Adventures of Superman, in which John Hamilton played Perry White. He was set to reprise his role as the editor of The Daily Planet in a revival of the series in 1959, as Hamilton had died in the interim since the cancellation of the original series. However, series star George Reeves also died in the summer of 1959, and those plans ended. Watkin himself died six months later.
He also cast in 1955 in the episode "Joey and the Gypsies" of the NBC children's western series Fury. Watkin guest starred in the CBS western series Brave Eagle. He was cast twice each on the ABC/Warner Brothers series, Cheyenne (as Harvey Sinclair in "The Law Man") and Annie Oakley (as the Reverend Mills in the 1956 episode "The Reckless Press"). In 1958, Watkin portrayed Dr. Breen of Samaritan Hospital in the episode "San Francisco Story" of Rex Allen's syndicated western series, Frontier Doctor.
During the first season of CBS's Perry Mason from 1957 to 1958, Watkin appeared in three episodes as Judge Keetley. He was also cast during the 1950s on The Range Rider, Tales of the Texas Rangers, in three episodes of the western aviation adventure series Sky King, and five times on The Jack Benny Program.
Watkin played the part of Colonel Duncan in the 1958 episode "Decoy" of the ABC/Warner Brothers western series Colt .45.
