After discovering that she has only a short time left to live, concert pianist Lissa travels to Cornwall for the final fling of her life. While there, she falls in love with young mineral prospector Kit, a man whose dark secret prevents him from fighting in the War. Unbeknownst to Lissa, however, Kit's affections are also much in demand from a rival of hers.
11-20-1944
1h 53m
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Stewart Granger (born James Lablache Stewart; 6 May 1913 – 16 August 1993) was a British actor, mainly associated with heroic and romantic leading roles. He was a popular leading man from the 1940s to the early 1960s, rising to fame through his appearances in the Gainsborough melodramas.
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Reginald Purdell (4 November 1895 – 22 April 1953) was an English actor and screenwriter who appeared in over 40 films between 1930 and 1951. During the same period he also contributed to the screenplays of 15 feature films, and had a brief foray into directing with two films in 1937.
Purdell was born in Clapham, London. As a young man he served in the British Army with the South Wales Borderers regiment for the duration of the First World War. On returning to civilian life after the war, he decided to try his luck as an actor and gained experience on the stage through the 1920s. His move into films in 1930 coincided with the advent of the talkie era in British cinema.
Purdell's first screen appearance was in the 1930 comedy The Middle Watch, in a role he would later reprise in a 1940 remake. He next travelled to Germany to feature in historical drama Congress Dances, an ambitious and lavishly budgeted project by the UFA film company, involving the simultaneous filming of three versions of the same story in German, English and French in an attempt to prove that a European company could challenge the dominance of American studios in the new era of sound by delivering a continent-wide hit.
Purdell soon began to accumulate screen credits in a wide variety of films ranging from cheaply made quota quickies to more sophisticated productions. He showed a knack for playing comedy, and his 1930s films fell mainly into this genre, with occasional ventures into straight drama and thrillers. Purdell's screenwriting career began in 1932 and he was most productive in this field during the late 1930s, with only occasional ventures later in his career. He tried his hand at film directing in 1937 with two comedies Don't Get Me Wrong, a Max Miller vehicle co-directed with Arthur B. Woods, and Patricia Gets Her Man. Both films were reasonably well-received, but Purdell appears to have decided that directing was not for him, as there would be no more ventures in this area.
In the 1940s Purdell's acting career diversified, with fewer throwaway comedies and more appearances in high-quality dramatic vehicles. His credits included war dramas We Dive at Dawn and Two Thousand Women, Gainsborough melodrama Love Story, notorious box-office flop musical London Town and the classic Brighton Rock. Purdell's last screen appearance was in 1951 and he died on 22 April 1953, aged 57.
Laurence Hanray (16 May 1874 – 28 November 1947), sometimes credited as Lawrence Hanray, was a British film and theatre actor born in London, England. He is also credited as the author of several plays and music hall songs.
Laurence Hanray was born Lawrence Henry Jacobs in St John's Wood on 16 May 1874, the son of Angelo Jacobs (c. 1851-1910), a glass manufacturer, and Leah (née Nathan; 1850/1851 - 1946).
His father changed his name to Angelo Jacobs Hanray, and with it the family name, after becoming bankrupt in 1897, although Laurence had been using the name Hanray professionally from at least 1892, when he appeared as a member of the Hermann Vezin Theatre Company in supporting roles in Hamlet and Macbeth at Her Majesties Theatre, Dundee.
Australian newspapers show he was in Australia and New Zealand from around 1901-04, appearing as Carraway Bones the undertaker in the farce Turned Up at the Theatre Royal, Perth, in May 1901, and subsequently at most of the main cities until June 1904. Travel records show him departing Sydney for Auckland in August 1901, and sailing from Sydney for London on 7 October 1904. He then resumed touring in Britain. In the 1911 census, Laurence Hanray (36), actor, is listed as residing at the Woolton Hall Hydropathic Hotel, Much Woolton, Lancashire, England.
Hanray married Dorothy Mary Chambers Farnsworth (1884-1918) in the Birkenhead district during the first quarter of 1914. She petitioned for divorce in 1917, but then died suddenly in London on 16 August 1918. Hanray married Lois Grace Heatherley (1892-1966) in Paddington during the same quarter his first wife died. Lois was also an actress and performed with Laurence at the Booth Theatre, Broadway, in 1921. They were also together in The Faithful Heart, she as Ginger and Laurence as Major Lestrade, at the Comedy Theatre, Haymarket. Travel records then show the couple arriving in New York in September 1922. He appeared in John Galsworthy's play Loyalties at the Gaeity Theatre on Broadway. They arrived in Liverpool in May 1923. The couple also played together in Escape at the Booth Theatre, Broadway in 1927, she as Miss Grace and he in multiple roles (the Fellow Convict, the Old Gentleman and the Farmer).
Laurence and Lois had a daughter, Ursula Susan Edith Hanray, on 16 November 1923. According to travel records, the family visited America from September 1927. Laurence also went on his own to Canada in September 1931, and also during 1939-1940. Ursula became a child actress, playing the title role in the first televised production of Alice Through The Looking Glass in 1937, and the young Queen Victoria in a London theatre in 1940.
Hanray worked almost up to his death; The Times reported in early September 1947 that he was to appear in a play at Dunfermline Abbey Theatre. He died at age 73 on 28 November 1947, following an operation at the Middlesex Hospital, London. Lois Grace Hanray died aged 74 on 25 April 1966.
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A.E. Matthews OBE (22 November 1869 – 25 July 1960) was an English actor who played numerous character roles on the stage and in film for eight decades.
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