The Goss family live on a farm they call the dust bowl where the wind blows during the day and the coyotes howl at night. When the train is robbed, everyone thinks that Cotton and Violet were the ones that did the job, but no one has any proof. US Marshal Lloyd Richland comes into town in disguise to find the truth and he finds that the sheriff is corrupt and that the Goss family is gosh darn nice. They take in Richland and a stranded woman named Mary without any questions. Cotton believes that Sheriff Tatum shot their pa in the back, and the sheriff is now trying to plug the boys. Richland is looking for the train robbers, and at the same time is keeping an eye on Tatum and the lovely young Mary.
12-05-1944
1h 20m
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From Wikipedia, the free encyclopedia
Donna Reed (born Donna Belle Mullenger; January 27, 1921 – January 14, 1986) was an American film and television actress and producer. Her career spanned more than 40 years, with performances in more than 40 films. She is well known for her role as Mary Hatch Bailey in Frank Capra's 1946 film It's a Wonderful Life. In 1953 she received the Academy Award for Best Supporting Actress for her performance as Lorene Burke in the war drama From Here to Eternity.
Reed is known for her work in television, notably as Donna Stone in the sitcom The Donna Reed Show (1958–66). She received numerous Emmy Award nominations for this role and the Golden Globe Award for Best TV Star in 1963.
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Marjorie Main (born Mary Tomlinson, February 24, 1890 – April 10, 1975) was an American actress, best known as a Metro-Goldwyn-Mayer contract player and for her role as Ma Kettle in a series of ten Ma and Pa Kettle movies.
Main worked in vaudeville on the Orpheum circuit and in Chautauqua presentations, and debuted on Broadway in 1916. Her first film was A House Divided in 1931.
Main began playing upper class dowagers, but ultimately was typecast in abrasive, domineering, salty roles, for which her distinctive voice was well suited. She repeated her stage role in Dead End in the 1937 film version, and was subsequently cast repeatedly as the mother of gangsters. She again transferred a strong stage performance, as a dude-ranch operator in The Women, to film in 1939. At this time, she guest-starred on radio programs such as Columbia Presents Corwin and The Goldbergs.
Main was signed to a Metro-Goldwyn-Mayer contract in 1940 and stayed with the studio until the mid-1950s. She made six films with Wallace Beery in the 1940s, including Barnacle Bill (1941), Jackass Mail (1942), and Bad Bascomb (1946). She played Sonora Cassidy, the chief cook, in The Harvey Girls (1946). The director George Sidney remarked in the commentary for the film that Miss Main was a "great lady" as well as a great actress who donated most of her paychecks over the years to the support of a school.
Perhaps her most famous role is that of Ma Kettle, which she first played in The Egg and I in 1947 opposite Percy Kilbride as Pa Kettle. She was nominated for an Academy Award for Best Actress in a Supporting Role for the part and portrayed the character in nine more Ma and Pa Kettle films.
By the early 1950s, she had appeared in several MGM musicals, including, Meet Me in St. Louis and The Belle of New York. She played Mrs. Wrenley in the studio's all-star film It's a Big Country (1951). In 1954, Marjorie Main played her last roles for the studio: Mrs. Hittaway in The Long, Long Trailer and Jane Dunstock in Rose Marie. In 1956, Main's performance as the widow Hudspeth in the hit film Friendly Persuasion was well-received, earning her a Golden Globe nomination for Best Supporting Actress.
In 1958, Main appeared twice as rugged frontierswoman Cassie Tanner in the episodes "The Cassie Tanner Story" and "The Sacramento Story" on NBC's television series Wagon Train. In the first segment, she joins the wagon train, casts her romantic interest on Ward Bond as Major Adams, and helps the train locate needed horses despite a Paiute threat.
Harry Morgan (born Harry Bratsberg) was an American stage, screen, radio, and television actor. He is perhaps best remembered for his television serials roles as Detective Bill Gannon on Dragnet and as Colonel Sherman T. Potter on M*A*S*H.
Paul Langton was an American screen, radio, and television actor best known for his role as Leslie Harrington on the prime time television series Peyton Place (1964-68).
Barton MacLane graduated from Wesleyan University, where he displayed a notable aptitude for sports, in particular football and basketball. Not surprisingly, his physical prowess led to an early role in The Quarterback (1926) with Richard Dix. MacLane once commented that, as an actor, he needed to have the physical strength to tear the bad guys "from limb to limb", if necessary. Ironically, it was usually Barton himself who was destined to be at the end of a hiding (when not getting shot, instead), typically as snarling henchmen, outlaws and other assorted dubious or abrasive types throughout most of his 40-year acting career. In fact, Barton became so typecast that his name was for a time used proverbially, to generally describe a shouting, hard-nosed ruffian.
After training at the American Academy of Dramatic Arts, MacLane joined a stock company in Brooklyn. In 1927 he had his first part on Broadway, a brief moment as an assistant district attorney, in the melodrama "The Trial of Mary Dugan". He then played a small featured role as a police officer in "Subway Express" (1929-30), a drama enacted in the interior of a subway car. In mid-1932 MacLane tried his hand at writing his own starring vehicle for the stage, entitled "Rendezvous". While the play closed after just 21 performances, it led to a contract with Warner Brothers.
Barton had already appeared in bit roles for Paramount at their Astoria Studios, including The Marx Brothers' debut film The Cocoanuts (1929). He portrayed mobster Brad Collins in 'G' Men (1935) (with James Cagney), which set the tone for most of his future assignments. Brawny, with squinty eyes and a rasping voice, MacLane was the ideal surly tough guy, particularly suitable for westerns and the type of films noir Warner Brothers excelled at. He was often cast as cops, be they bent or honest. Some of his most representative performances include gangster Al Kruger in Bullets or Ballots (1936), which won him some of the best critical notices of his career; outlaw Jack Slade in Western Union (1941); crooked construction boss Pat McCormick, who gets beaten up by Humphrey Bogart and Tim Holt over past-due wages in The Treasure of the Sierra Madre (1948); hard-nosed cops Detective Dundy in The Maltese Falcon (1941) and Lt. Reece in Kiss Tomorrow Goodbye (1950). MacLane, on loan to Universal, also had a starring role in Prison Break (1938) as an innocent tuna fisherman who is framed for murder. He was prominent as a tough but sympathetic cop, foil to sleuthing girl reporter Glenda Farrell in the "Torchy Blaine" series of the mid- to late 1930s. In the 1960s Barton began to cultivate a good-guy image as Marshal Frank Caine in the NBC western series Outlaws (1960) as well as showing up in a small recurring role as Air Force Gen. Martin Peterson in I Dream of Jeannie (1965).
Barton was married to the actress Charlotte Wynters, who appeared with him in six of his films. When not on the set, the couple spent time on their 2000-acre cattle ranch in Madera County, California.
For his work in television, Barton has a star on the Hollywood Walk of Fame.
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Morris Ankrum (born Morris Nussbaum, August 28, 1896 – September 2, 1964) was an American radio, television and film character actor.
Before signing with Paramount Pictures in the 1930s, Nussbaum had already changed his last name to Ankrum. Upon signing with the studio, he chose to use the name "Stephen Morris" before changing it to Morris Ankrum in 1939.
Ankrum's stern visage and sharply defined features helped cast him in supporting roles as stalwart authority figures, including scientists, military men (particularly army officers), judges and even psychiatrists in more than 150 films, mostly B movies. One standout role was in Metro-Goldwyn-Mayer's production of Tennessee Johnson (1942), a biographical film about Andrew Johnson, the 17th U.S. president. As Sen. Jefferson Davis, Ankrum movingly addresses the United States Senate upon his resignation to lead the Confederate States of America as that republic's first—and only—president. Ankrum's film career was extensive and spanned 30 years. His credits were largely concentrated in the western and science-fiction genres.
Ankrum appeared in such westerns as Ride 'Em Cowboy in 1942, Vera Cruz opposite Gary Cooper and Burt Lancaster, Apache (1954), and Cattle Queen of Montana with Barbara Stanwyck and Ronald Reagan.
In the sci-fi genre, he appeared in Rocketship X-M (1950), Flight to Mars (1951), as a Martian, Red Planet Mars (1952), playing the United States Secretary of Defense; the cult classic Invaders From Mars (1953), playing a United States Army officer; and as an Army general in Earth vs. the Flying Saucers (1956). In 1957 he played a psychiatrist in the cult sci-fi classic Kronos and had military-officer roles in Beginning of the End and The Giant Claw.
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Robert Emmett O'Connor (March 18, 1885 – September 4, 1962) was an American film actor. He appeared in 204 films between 1919 and 1950. He is probably best known as the warmhearted bootlegger Paddy Ryan in The Public Enemy (1931) and as Detective Sergeant Henderson pursuing the Marx Brothers in A Night at the Opera (1935). He also appeared as Jonesy (the older Paramount gate guard) in Billy Wilder's 1950 film Sunset Boulevard, as well as made a cameo appearance at the very beginning and very end of the Metro-Goldwyn-Mayer cartoon short Who Killed Who? (1943).
