A young gypsy girl turns into a wolf to destroy her enemies.
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Nina Foch (born Nina Consuelo Maud Fock; April 20, 1924 – December 5, 2008) was a Dutch American actress. After signing a contract with Columbia Pictures at age 19, Foch became a regular in the studio's horror pictures and films noir before establishing herself as a leading lady in the mid-1940s through the 1950s, often playing roles as cool, aloof sophisticates. Her career spanned six decades, consisting of over 50 feature films and over 100 television appearances.
Barton MacLane graduated from Wesleyan University, where he displayed a notable aptitude for sports, in particular football and basketball. Not surprisingly, his physical prowess led to an early role in The Quarterback (1926) with Richard Dix. MacLane once commented that, as an actor, he needed to have the physical strength to tear the bad guys "from limb to limb", if necessary. Ironically, it was usually Barton himself who was destined to be at the end of a hiding (when not getting shot, instead), typically as snarling henchmen, outlaws and other assorted dubious or abrasive types throughout most of his 40-year acting career. In fact, Barton became so typecast that his name was for a time used proverbially, to generally describe a shouting, hard-nosed ruffian. After training at the American Academy of Dramatic Arts, MacLane joined a stock company in Brooklyn. In 1927 he had his first part on Broadway, a brief moment as an assistant district attorney, in the melodrama "The Trial of Mary Dugan". He then played a small featured role as a police officer in "Subway Express" (1929-30), a drama enacted in the interior of a subway car. In mid-1932 MacLane tried his hand at writing his own starring vehicle for the stage, entitled "Rendezvous". While the play closed after just 21 performances, it led to a contract with Warner Brothers. Barton had already appeared in bit roles for Paramount at their Astoria Studios, including The Marx Brothers' debut film The Cocoanuts (1929). He portrayed mobster Brad Collins in 'G' Men (1935) (with James Cagney), which set the tone for most of his future assignments. Brawny, with squinty eyes and a rasping voice, MacLane was the ideal surly tough guy, particularly suitable for westerns and the type of films noir Warner Brothers excelled at. He was often cast as cops, be they bent or honest. Some of his most representative performances include gangster Al Kruger in Bullets or Ballots (1936), which won him some of the best critical notices of his career; outlaw Jack Slade in Western Union (1941); crooked construction boss Pat McCormick, who gets beaten up by Humphrey Bogart and Tim Holt over past-due wages in The Treasure of the Sierra Madre (1948); hard-nosed cops Detective Dundy in The Maltese Falcon (1941) and Lt. Reece in Kiss Tomorrow Goodbye (1950). MacLane, on loan to Universal, also had a starring role in Prison Break (1938) as an innocent tuna fisherman who is framed for murder. He was prominent as a tough but sympathetic cop, foil to sleuthing girl reporter Glenda Farrell in the "Torchy Blaine" series of the mid- to late 1930s. In the 1960s Barton began to cultivate a good-guy image as Marshal Frank Caine in the NBC western series Outlaws (1960) as well as showing up in a small recurring role as Air Force Gen. Martin Peterson in I Dream of Jeannie (1965). Barton was married to the actress Charlotte Wynters, who appeared with him in six of his films. When not on the set, the couple spent time on their 2000-acre cattle ranch in Madera County, California. For his work in television, Barton has a star on the Hollywood Walk of Fame.
John Albert Chamberlain Kefford was an English character actor professionally known as John Abbott. His memorable roles include the invalid Frederick Fairlie in the 1948 film The Woman in White and the pacifist Ayelborne in the Star Trek episode "Errand of Mercy". as well as a Shakespearean actor. In 1934, he began his career in show business when he made his professional stage debut in a revival of Dryden's Aureng-zebe with Sybil Thorndike. He then joined the Old Vic Company and appeared in Shakespearean roles, including Claudius in a production of Hamlet at Elsinore Castle in Denmark with Laurence Olivier, Vivien Leigh and Alec Guinness. His first Broadway role was that of Count Mancini in He Who Gets Slapped in 1946. He also appeared on Broadway in Monserrat and The Waltz of the Toreadors. He made his film debut in Mademoiselle Docteur in 1937 and went on to act in scores of films in the next 30 years. Among his film credits are Mission to Moscow, Jane Eyre, A Thousand and One Nights, Humoresque, and The Greatest Story Ever Told. His television appearances in that time were even more numerous, beginning with pioneering broadcasts by the BBC before the Second World War. In the early days of the Second World War, Abbott worked at the British Embassy in Stockholm. When the time came to leave, he had to by way of the United States. While in the U.S., he was offered a part in Hollywood in 1941 and ended up living there for the rest of his life. On American television between the 1950s and 1970s, Abbott had roles on a wide variety of series such as Kraft Television Theatre, Studio 57, Gunsmoke, Matinee Theatre, Bonanza, Thriller, Star Trek, Mannix, Iron Horse, and Bewitched. Although he was blacklisted during the Red Scare of the 1950s, a producer who wanted to hire him eventually succeeded in getting the actor removed from the list.In his final years, Abbott taught acting to students free of charge. Abbott died at Cedars-Sinai Medical Center from natural causes on 24 May 1996 at the age of 90.
Fritz Reuter Leiber Sr. was an American actor. A Shakespearean actor on stage, he also had a successful career in film. He was the father of science fiction and fantasy writer Fritz Leiber Jr., who was also an actor for a time. Leiber and his wife spent much of their time touring in a Shakespearean acting company, known by the 1930s as Fritz Leiber & Co. Leiber made his film bow in 1916, playing Mercutio in the Francis X. Bushman version of “Romeo and Juliet.” With his piercing eyes and shock of white hair, Leiber seemed every inch the priests, professors, musical professors, and religious fanatics that he was frequently called upon to play in films. His many silent-era portrayals included Caesar in Theda Bara's 1917 “Cleopatra” and Solomon in the mammoth 1921 Betty Blythe vehicle “The Queen of Sheba.” He thrived as a character actor in sound films, usually in historical roles. In the film “Champagne Waltz” he portrayed an orchestra maestro; the role required him to play classical music on a violin and jazz on a clarinet. One of Leiber's larger assignments of the 1940s, and his most notable musical role, was as Franz Liszt in the Claude Rains' remake of “Phantom of the Opera” (1943). Leiber appears together with his son Fritz Leiber Jr. in the wedding-feast scene of Greta Garbo's film “Camille” (1936) and in Warner Bros.' “The Great Garrick” (1937). Leiber also appeared with his son Fritz Leiber Jr. in “The Hunchback of Notre Dame” (1939), but Fritz Leiber Jr. was not credited for his small speaking part. Late in his career, Leiber performed briefly opposite Charles Chaplin as the priest who visits Monsieur Verdoux in his prison cell.
Ivan Triesault (born Johann Constantin Treisalt; 13 July [O.S. 1 July] 1898 in Reval (now Tallinn) – January 3, 1980 in Los Angeles) was an Estonian-born American actor. His parents were from the island of Hiiumaa. His first stage appearance was at the German Theatre in Tallinn aged 14, before moving to the United States aged 18. There he began to train in acting and dance, working on Broadway before moving into film. His notable roles include appearances in Cry of the Werewolf (1944), The Story of Dr. Wassell (1944), A Song to Remember (1945), Notorious (1946), 5 Fingers (1952), Jet Pilot (1957), Journey to the Center of the Earth (1959), It Happened in Athens (1962), Von Ryan's Express (1965), Batman (1966) and The Wild Wild West. He died in 1980 due to cardiac failure at age 81. From Wikipedia, the free encyclopedia
