A young woman marries a soldier to fulfill the conditions of a will. However, when she gets ready to divorce him, she realizes that she actually loves him, and determines to find a way to keep him.
10-22-1943
1h 4m
THIS
HELLA
Doesn't have an image right now... sorry!has no image... sorry!
Main Cast
Movie Details
Production Info
Director:
Felix E. Feist
Production:
Universal Pictures
Key Crew
Story:
Oscar Brodney
Executive Producer:
Milton Schwarzwald
Screenplay:
Ben Barzman
Screenplay:
Louis Lantz
Associate Producer:
Edward C. Lilley
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Allan Jones
From Wikipedia, the free encyclopedia.
Allan Jones (14 October 1907–27 June 1992) was an American actor and singer. For many years he was married to actress Irene Hervey; their son is American pop singer Jack Jones.
Description above from the Wikipedia article Allan Jones licensed under CC-BY-SA, full list of contributors on Wikipedia.
Evelyn Felisa Ankers (August 17, 1918 - August 29, 1985) was an American actress best known for playing roles in American horror films during the 1940s.
Mary William Ethelbert Appleton "Billie" Burke (August 7, 1884 – May 14, 1970) was an American actress. She is primarily known to modern audiences as Glinda the Good Witch of the North in the musical film The Wizard of Oz. She was nominated for an Academy Award for her performance as Emily Kilbourne in Merrily We Live.
Description above from the Wikipedia article Billie Burke, licensed under CC-BY-SA, full list of contributors on Wikipedia.
David Bruce (born Marden Andrew McBroom; January 6, 1914 – May 3, 1976) was an American film actor, known for his chilling performance as Ted Allison in The Mad Ghoul. He was a company member of Peninsula Players Theatre in Fish Creek, Wisconsin in 1939.
Born in Kankakee, Illinois, he signed a movie contract with Warner Brothers in 1940. The Northwestern University graduate appeared in many movies from the 1940s until 1955 when Bruce decided to give up acting. The 6' 1" (1.85 m) actor appeared in over 60 movies including Flying Tigers (1942), Christmas Holiday (1944) and Lady on a Train (1945).
From Wikipedia, the free encyclopedia
Stanley Clements (July 16, 1926 – October 16, 1981) was an American actor and comedian.
Stanley Clements was born Stanislaw Klimowicz in Long Island, New York. Young Stan realized that he wanted a show-business career while he was in grammar school, and when he graduated from college he toured in vaudeville for two years. He then joined the touring company of the Major Bowes Amateur Hour. In 1941, he was signed to a contract by 20th Century Fox and appeared in several B films for the studio.
After a short stint with the East Side Kids, he set out on his own again, this time landing roles in more prestigious pictures. He was featured in the Bing Crosby hit Going My Way, and scored a great success as a jockey in the Alan Ladd feature Salty O'Rourke. His career was interrupted by military service in World War II, and when he returned, he began appearing in lower-budgeted films, including Johnny Holiday (cast against type as a psychopath). He starred in a series of action/detective pictures at Allied Artists for producer Ben Schwalb and director Edward Bernds.
Schwalb soon became staff producer for The Bowery Boys, and when he needed a replacement for Leo Gorcey in 1956, he asked Clements to step in. Clements comfortably settled into the role of Huntz Hall's sidekick, beginning with Fighting Trouble, and co-starred in the final seven Bowery Boys comedies.
The series finally ended in 1958, and Clements went on to a steady career of supporting roles in film and TV until his death from emphysema in 1981. One of his last jobs was an appearance in a nationally advertised commercial for Pringle's potato chips.
Stanley Clements died of emphysema in Pasadena, California, and is buried at Riverside National Cemetery in Riverside, California.
Description above from the Wikipedia article Stanley Clements,licensed under CC-BY-SA, full list of contributors on Wikipedia.
Although his brand of humor has been reviled for decades, Negro character actor Mantan Moreland parlayed his cocky but jittery character into a recognizable presence in the late 1930s and early 1940s, appearing in a long string of comedy thrillers . . . and was considered quite funny at the time!
Born just after the turn of the century in Louisiana, Mantan began running away from home at age 12 to join circuses and medicine shows, only to be brought back time and again. During these times he sharpened his comic skills and developed routines and acts that eventually became popular on the vaudeville stage, or what was then called the "chitlin' circuit." A solo performer by nature, he often teamed up with other famous comics (such as Ben Carter) to keep working, and became a deft performer of "indefinite talk" routines, where two quicksilver comics continually topped each other in mid-sentence, as if reading each other's mind (i.e., "Say, did you see...?" "Saw him just yesterday...didn't look so good"). Mantan's focus gradually shifted his trade toward film, where he initially appeared in servile bits (shoeshine men, porters, waiters). However, his talent for making people laugh couldn't be overlooked and he soon earned featured status in Harlem-styled western parodies and grade "A" comedy films playing the superstitious, ever-terrified manservant running from any kind of impending doom.
Moreland's peak in movies came with his recurring role as Birmingham, the skittish chauffeur, in the "Charlie Chan" series, where he was forever forewarning his boss to stay away from an obviously dangerous case or situation. Though haunted mansions were an ideal place for setting off his stereotyped character, Mantan would be haunted in a different way by this Hollywood success in years to follow. By the 1950s, racial attitudes began to change and, with the rise of the civil rights movement, what was once considered hilarious was now interpreted as demeaning and offensive to both blacks and whites. Mantan and others, such as Stepin Fetchit, were ostracized and ridiculed by Hollywood for their past negative portrayals. It took decades for audiences to forgive and newer generations to forget the Depression-era comedy of Mantan Moreland in order for the actor to come back.
In the late 1960s he managed a modest resurgence on TV and in commercials and occasional films, allowing him to work again with such comic heavyweights as Bill Cosby, Godfrey Cambridge and director Carl Reiner. It was all too brief, however, for Mantan, long suffering from ill health, died of a cerebral hemorrhage in 1973, just as he was settling in to his renewed popularity. Today, audiences tend to be kinder and more understanding of Moreland, remembering him as a highly talented comic who, in the only way he knew, broke major barriers and opened the doors for others black actors to follow.
From Wikipedia, the free encyclopedia
Luis Alberni (October 4, 1886 – December 23, 1962) was a Spanish-born American character actor in American films.
Alberni was born in Barcelona, Spain. He majored in acting while attending the University of Madrid. In order to pursue his acting career further, he determined to emigrate to the United States and, in April 1912, he sailed to New York City as a steerage passenger aboard the S/S Nieuw Amsterdam. In New York, he acted on both stage and screen. His first motion picture performance was in the 1915 Jewish drama, Children of the Ghetto. On the stage, he appeared in more than a dozen Broadway plays between 1915 and 1928, including 39 East, Dreams for Sale and the original production of What Price Glory? in 1924–1925. In the sound film era, he had notable roles as Jacopo in The Count of Monte Cristo (1934), as Mr. Louie Louie in Easy Living (1937), and as the mayor in A Bell for Adano (1945). He died at the motion picture actors' home in Woodland Hills, California in 1962. His remains are interred at Valhalla Memorial Park Cemetery.
