During World War II three brothers go to enlist in the Air Force, but since they're farmers they're told they're needed at home more than in the service. Determined to join up, they enlist the aid of a pretty young girl whose father is head of the local draft board.
09-13-1943
1h 5m
THIS
HELLA
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Shug Fisher (September 26, 1907–March 16, 1984), born George Clinton Fisher, Jr., was an American character actor, singer, songwriter, musician and comedian. During a 50-year career, he appeared in many Western films, often as a member of The Sons of the Pioneers in Roy Rogers serials. Fisher also had supporting roles on many TV shows, most frequently on Gunsmoke and The Beverly Hillbillies. His comic trademarks included his ability to stutter at will and his bemused facial expressions.
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Lillian Randolph (December 14, 1898 – September 12, 1980) was an American actress and singer, a veteran of radio, film, and television. She worked in entertainment from the 1930s until shortly before her death. She appeared in hundreds of radio shows, motion pictures, short subjects, and television shows.
Randolph is most recognized for appearing in It's a Wonderful Life (1946), Magic (1978), and her final onscreen project, The Onion Field (1979). She prominently contributed her voice to the character Mammy Two Shoes in nineteen Tom and Jerry cartoons released between 1940 and 1952.
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Dale Evans was the stage name of Frances Octavia Smith (October 31, 1912 – February 7, 2001), an American writer, movie star, and singer-songwriter. She was the third wife (after the death of his second wife) of singing cowboy Roy Rogers.
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Emma Dunn (26 February 1875 – 14 December 1966) was an English character actress on the stage and in motion pictures.
Emma Dunn appeared onstage in her early teens, graduating to the London stage for several years and later became a noted Broadway actress. She appeared in the first American production of Ibsen's Peer Gynt (1906) with Richard Mansfield as Peer. She played Peer's mother, Ase, even though she was, in real life, 20 years younger than Mansfield. She appeared in three productions for theatre impresario David Belasco: The Warrens of Virginia (1907), The Easiest Way (1909) and The Governor's Lady (1912). In The Easiest Way, Dunn portrayed Annie, who was black, in blackface. In 1913 Dunn appeared in vaudeville.
Dunn made her first film in 1914, a silent film of her 1910 stage success, Mother, directed by Maurice Tourneur. This was Tourneur's first American film. Dunn's second film was 1920's Old Lady 31, reprising the role she played in the 1916 Broadway play of the same name. One more silent film followed in 1924, Pied Piper Malone, before she made her talkie debut in Side Street, co-starring the Moore brothers, Matt, Owen and Tom as her sons.
Dunn wrote two books on elocution and speech: Thought Quality in the Voice (1933) and You Can Do It (1947).
Emma Dunn was born 26 February 1875, in Birkenhead, England, although she sometimes gave her year of birth as 1883.
Dunn married Harry Beresford, an actor who was then known professionally as Harry J. Morgan, in Chicago on 4 October 1897. They divorced on 10 February 1909, in New York City. She was awarded sole custody of their young daughter, Dorothy. On 19 May 1909, Dunn married John W. Stokes (John W. S. Sullivan), an actor, playwright and theatrical manager. They subsequently adopted a second daughter, Helen. The couple divorced sometime between 1923 and Stokes' death in 1931.
After suffering a heart attack some months before, Dunn died 14 December 1966, in Los Angeles, California, aged 91.
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Thurston Hall (May 10, 1882 – February 20, 1958) was an American film actor. He appeared in 250 films between 1915 and 1957 and is probably best remembered for his portrayal, during the later stages of his career, of often pompous or blustering authority figures.
Hall's best-known television role was as Mr. Schuyler, the boss of Cosmo Topper (played by Leo G. Carroll), in the 1950s television series, Topper (1953–1956).
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Horace Winfred "Nick" Stewart (March 15, 1910 – December 18, 2000) also billed as Nick O'Demus was an American television and film actor. Stewart was known for his role as Lightnin' (Willie Jefferson) on TV's The Amos 'n' Andy Show.
Nick Stewart was born on March 15, 1910, in Harlem, New York City, to Joseph (March 15, 1888 – July 1976) and Eva Stewart, who were recent immigrants from Barbados, British West Indies. He began his show business career as a dancer at the Cotton Club and Hoofers Club. Stewart also was a veteran of Broadway shows, having created a comedic character he called "Nicodemus" and playing that role in Swingin' the Dream and Louisiana Purchase, as well as in the film Go West, Young Man. Stewart also performed comedy as a cast member of the Rudy Vallée radio show in 1941. Other acting credits include the 1936 movie Go West Young Man, the voice of Br'er Bear in the 1946 Disney movie Song of the South, and Willy-Willy on the television series Ramar of the Jungle. Also in 1954, Stewart had an important role in The Reign of Amelika Joe presented by Fireside Theatre. He also won a comedy role in White Christmas (1954).
He was originally offered the role of Calhoun the lawyer, which he turned down. (After his refusal, it went to Johnny Lee, who had the role on radio since 1949.) Soon Gosden and Correll were back on the telephone, this time offering Stewart the role of Lightnin' on the television show. Stewart accepted the role with one idea in mind: to make enough money to be able to open his theater where African Americans would not be typecast as maids and porters. In the 1960s, he would have small roles in Mister Ed and the classic comedy film, It's a Mad, Mad, Mad, Mad World (1963) as the Migrant Truck Driver who is forced off of the road. In 1987, Doris McMillon devoted an entire week of her nightly talk show, On the Line, to a discussion of the documentary Amos 'n' Andy: Anatomy of a Controversy, and the issues surrounding the shows. Stewart was one of the participants, discussing the show and his role in it. He also had a role in the movie Carmen Jones.
Stewart's final acting role would be returning to Disney to reprise the voice role of Br'er Bear for the theme park attraction Splash Mountain, which is based on the animated segments of Song of the South. He was the only actor to return and voice his character from the aforementioned movie. In an interview with author Jim Korkis, he was asked about whether or not his role of Br'er Bear was degrading. He replied, "Disney treated us like Kings." He went on to say that the money he earned from Song of the South was donated to a theatre for African-American actors to play roles other than maids and butlers, and was doing the same with the money from reprising his role for the Disneyland attraction.
Gwyneth Evelyn "Gwen" Verdon was an American actress and dancer. She won four Tony Awards for her musical comedy performances, and served as an uncredited choreographer's assistant and specialty dance coach for theater and film. With flaming red hair and a quaver in her voice, Verdon was a critically acclaimed performer on Broadway from the 1950s-70s. Having originated many roles in musicals she is also strongly identified with her second husband, director–choreographer Bob Fosse, remembered as the dancer–collaborator–muse for whom he choreographed much of his work and as the guardian of his legacy after his death.
By the time she was six, she was already dancing on stage. She went on to study multiple dance forms, ranging from tap, jazz, ballroom and flamenco to Balinese. In 1942, Verdon’s parents asked her to marry family friend and tabloid reporter James Henaghan after he got her pregnant at 17, and she quit her dancing career to raise their child. After her divorce, she entrusted her son Jimmy to the care of her parents. Early on, Verdon found a job as assistant to choreographer Jack Cole. During her five-year employment with Cole, she took small roles in movie musicals as a "specialty dancer" She also taught dance to stars such as Jane Russell, Fernando Lamas, and Lana Turner. Verdon started out on Broadway as a "gypsy," going from one chorus line to another. Her breakthrough role finally came as second female lead in Cole Porter's musical Can-Can. Verdon's biggest success was George Abbott's Damn Yankees. Verdon won another Tony and went to Hollywood to repeat her role in the 1958 movie version Damn Yankees. Verdon won another Tony for her performance in the musical, New Girl in Town, and won her fourth Tony for Redhead. Verdon and Fosse continued to collaborate on projects such as musicals Chicago and Dancin', as well as All That Jazz. After originating the role of Roxie opposite Chita Rivera's Velma Kelly in Chicago, Verdon focused on film acting, playing character roles in movies such as The Cotton Club, Cocoon and its sequel. She continued to teach dance and musical theater and to act. She received three Emmy Award nominations for appearances on Magnum, P.I., Dream On, and Homicide: Life on the Street. Verdon appeared in Alice and Marvin's Room). In 1999, Verdon served as artistic consultant on a Broadway musical designed to showcase examples of classic Fosse choreography, called Fosse. which won a Tony Award for best musical.
Verdon appeared in the movie Walking Across Egypt, as well as Bruno. Verdon received a total of four Tonys, for best featured actress for Can-Can and best leading actress for Damn Yankees, New Girl in Town, and Redhead. She also won a Grammy Award for the cast recording of Redhead.
Verdon was inducted into the American Theater Hall of Fame in 1981, and in 1998, she was awarded the National Medal of Arts.